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Post-modern collage: constitution of Chen Shiang-chyi's desire in Tsai Ming-liang's the wayward cloud
No full text碩士在《天邊一朵雲》中，蔡明亮諧擬A片同時也建構了一個微型的消費社會。本論文研究焦點集中於《天邊一朵雲》中的女主角—陳湘琪，因她體現了消費社會中透過影像而被媒體化的社會關係。
本論文將探討大眾媒體在消費社會中對人的欲/慾望建構之影響。因此，本論文分成三個部份。首先，在論文的第一部份，我們將透過羅蘭˙巴特的符號系統來釐清片中隱喻物體的意義，並將其做符號分類。此外，我們也將融入其他學者研究蔡明亮電影的觀點。其次，在論文的第二部份，我們將耙梳馬克思理論脈絡的演變：從亨利˙列斐伏爾的著作《日常生活批判》中商品的角度作為起點，銜接居依˙德波在《景觀社會》中景觀的概念，並連結至尚˙布希亞在《消費社會》中符碼的觀點。與此同時，我們將以此理論脈絡來探討《天邊一朵雲》中大眾媒體與人欲/慾望建構的關係。最後，在論文的第三部份，除了將馬克思理論應用在分析《天邊一朵雲》中陳湘琪的欲/慾望建構之外，我們也將檢視該片中蔡明亮的電影語言，並以此來了解蔡明亮透過其藝術作品所提出的批判。In The Wayward Cloud, Tsai Ming-liang parodies pornographic films and creates a microcosm of the consumer society. Among the four characters in the film, my study focuses on the female protagonist, Chen Shiang-chyi, because she corresponds to the example of consumers mediatized by images. Through this character, I will try to analyze the mass media’s influence on the constitution of the human desires in the consumer society. This thesis is composed of three parts. First, in light of Roland Barthes’s sign system, I attempt to elucidate the significations of metaphorized objects in this highly symbolized film and classify them according to their meaning of signs. Furthermore, I will integrate various points of view proposed by researchers who study also Tsai Ming-liang’s films. Second, I will outline the evolution of the Marxist theories, which start from the notion of merchandise in Henri Lefebvre’s Critique of Everyday Life to the idea of the spectacle in Guy Debord’s The Society of Spectacle, and followed by the concept of the codes in Jean Baudrillard’s The Consumer Society. In addition, I will point a parallel between these three Marxist theories and the constitution of the human desires. Finally, I will apply the theories to analyze Chen Siang-chyi’s desires in The Wayward Cloud and to examine Tsai Ming-liang’s cinematographic language that allow the audience to understand his critique.TABLE DES MATIÈRES
Introduction 1
1. Effacement des limites de la nature et de la culture dans La Saveur de la Pastèque 4
1.1 La nature : l’eau, la pastèque et les nuages 7
1.1.1 L’eau 7
1.1.2 La pastèque 13
1.1.3 Les nuages 15
1.2 La culture : la pornographie, la bouteille plastique et la valise 18
1.2.1 Le film pornographique 18
1.2.2 la bouteille plastique 20
1.2.3 La valise fermée à clé 22
1.3 La transgression de la culture : le corps inconscient 25
1.3.1 L’aspect de forme 26
1.3.2 L’aspect de contenu 29
2. La Saveur de la Pastèque : le monde de la marchandise, du spectacle et des codes 32
2.1 L’évolution de la forme de marchandise 33
2.1.1 La notion de la marchandise 33
2.1.2 La diversité des formes de marchandises 37
2.1.2.1 Le sexe 38
2.1.2.2 Le travail 40
2.1.2.3 L’information 44
2.2 La manipulation des mass média 48
2.2.1 La critique des mass média chez Henri Lefebvre 49
2.2.2 Le mode d’existence spectaculaire 53
2.2.3 Un miroir de signifiants 58
2.3 La seconde nature des hommes médiatisés par des images 60
2.3.1 La seconde nature dans le monde de la marchandise 60
2.3.2 La seconde nature dans la société du spectacle 64
2.3.3 La seconde nature dans la société des codes 68
3. Constitution du désir du protagoniste féminin Chen Shiang-chyi 73
3.1 L’initiation au désir de Chen Shiang-chyi 74
3.1.1 La juxtaposition entre l’image pornographique et l’imaginaire de Chen Shiang-chyi 75
3.1.2 L’incertitude du désir de Chen Shiang-chyi 81
3.1.3 L’obsession du rapport sexuel pornographique 83
3.2 L’imaginaire médiatisé de Chen Shiang-chyi 86
3.2.1 Le travestissement et la projection narcissique 87
3.2.2 Le jeu des simulacres : le baiser, la grossesse et l’accouchement 92
3.3 La fausse conscience de Chen Shiang-chyi 99
3.3.1 Le « fictif-réel » dans le rayon X 99
3.3.2 La médiatisation lugubre du rapport sexuel 105
Conclusion 112
Bibliographie 116
Filmographie 122
Annexe 124
Annexe 01 : La photo d’un nègre sur la couverture du N° 326 de Paris-Match 124
Annexe 02 : Les paroles de la chanson, Ban ge yueliang (半個月亮, Une demi-lune) 125
Annexe 03 : Les paroles de la chanson, Ai de kaishi (愛的開始, Le commencement de notre amour) 126
Annexe 04 : Les paroles de la chanson, Tian bian yi duo yun (天邊一朵雲, Un nuage au bord du ciel) 127
Annexe 05 : Les paroles de la chanson, Tongqingxin (同情心, La compassion) 128
Annexe 06 : Les paroles de la chanson, Jing xin deng (靜心等, L’attente avec la patience) 129
Annexe 07 : Les paroles de la chanson, Qimiao de yuehuei (奇妙的約會, Rendez-vous fabuleux) 130
Annexe 08 : Analyses de la séquence de déguisement 132
Annexe 09 : Analyse la séquence de masturbation de l’actrice japonaise, Sumomo Yozakura. 133
Annexe 10 : Le montage alterné entre l’image pornographique et l’imaginaire de Chen Shiang-chyi 134
Annexe 11 : La décomposition de la séquence de l’incertitude du désir de Chen Shiang-chyi 137
Annexe 12 : L’analyse de la séquence de l’obsession du rapport sexuel pornographique 138
Annexe 13 : La comparaison entre la projection narcissique et le travestissement de Chen Shiang-chyi 139
Annexe 14 : L’analyse du montage alterné entre le jeu des simulacres de l’héroïne et la scène sexuelle de voyeur 140
Annexe 15 : L’analyse des plans dans la scène de rayon X 142
Annexe 16 : L’analyse des plans de la dernière séquence 143學號: 694270025, 學年度: 9
Coherent selection of invisible high-order electromagnetic excitations
Full text linkResearch data for Coherent selection of invisible high-order electromagnetic excitations, Ming Lun Tseng, Xu Fang, Vassili Savinov, Pin Chieh Wu, Jun-Yu Ou, Nikolay I. Zheludev, and Din Ping Tsai, Scientific Reports 7, 44488(2017)</span
Dataset for "Toroidal Circular Dichroism"
No full textData presented in Figs. 2-4 in "Toroidal Circular Dichroism"" by T. Raybould, V. Fedotov, N. Papasimakis, I. Kuprov, I. Youngs, W. T. Chen, D. P. Tsai, N. I. Zheludev</span
Supplemental Material, Tsai_19010007_toSage_SuppTbl - Heart Rate Variability and Risk of All-Cause Death and Cardiovascular Events in Patients With Cardiovascular Disease: A Meta-Analysis of Cohort Studies
No full textSupplemental Material, Tsai_19010007_toSage_SuppTbl for Heart Rate Variability and Risk of All-Cause Death and Cardiovascular Events in Patients With Cardiovascular Disease: A Meta-Analysis of Cohort Studies by Su-Chen Fang, Yu-Lin Wu and Pei-Shan Tsai in Biological Research For Nursing</p
Algorithm and Architecture Design of Power-oriented H.264/AVC Baseline Profile Encoder for Portable Devices
No full textBis(4-glycosyloxybenzyl) 2-isobutyltartrate and dihydrophenanthrene derivatives from the pseudobulbs of Pholidota chinensis and their anti-inflammatory activity
No full textTsai, Cheng-Ming, Chen, Chun-Yu, Le, Phung Kim, Wang, Yi-Hsuan, Lam, Sio-Hong (2023): Bis(4-glycosyloxybenzyl) 2-isobutyltartrate and dihydrophenanthrene derivatives from the pseudobulbs of Pholidota chinensis and their anti-inflammatory activity. Phytochemistry (113528) 206: 1-10, DOI: 10.1016/j.phytochem.2022.113528, URL: http://dx.doi.org/10.1016/j.phytochem.2022.11352
Fig. 1 in Bis(4-glycosyloxybenzyl) 2-isobutyltartrate and dihydrophenanthrene derivatives from the pseudobulbs of Pholidota chinensis and their anti-inflammatory activity
No full textFig. 1. Structures of compounds 1–14.Published as part of Tsai, Cheng-Ming, Chen, Chun-Yu, Le, Phung Kim, Wang, Yi-Hsuan & Lam, Sio-Hong, 2023, Bis(4-glycosyloxybenzyl) 2-isobutyltartrate and dihydrophenanthrene derivatives from the pseudobulbs of Pholidota chinensis and their anti-inflammatory activity, pp. 1-10 in Phytochemistry (113528) 206 on page 4, DOI: 10.1016/j.phytochem.2022.113528, http://zenodo.org/record/823084
A Study of Han Yu\ue2s Official Career and His Thoughts
No full textThe study analyzed Han Yu\ue2s official career and his thoughts with the method of history of life and thought, From the point of view of self-realization.
Chapter \ue2\ua0, mainly to explain the motives, methods and related works of the study.
Chapter \ue2\ua1, mainly to explore: Han Yu generated official career awareness during his early years. In Chang\ue2an,Han Yu failed in the imperial examination many times,he delivered his thoughts on developing the good officers. during worked for the local government of Bianzhou and Xuzhou, He was very concerned about the mutiny and religious issues.
Chapter \ue2\ua2, mainly to explore: Han Yu had a contradiction between officer and hermit. Han Yu had some feelings and ideas when he was banished to the Yangshan and Gangneung.
Chapter \ue2\ua3, mainly to explore: Han Yu worried that someone framed him and to be an officer in Luoyang,but he was also in conflict with the eunuchs. Han Yu went to Chang\ue2an officer, he concerned about the legal, historian and official career issues. Han Yu believed that the government should control local forces,and he helped Pei Du to quell the rebellion in Caizhou.
Chapter \ue2\ua4, mainly to explore: Han Yu advised the emperor not to believe in Buddhism and had been demoted to Chaozhou and Yuanzhou. However, he executed some good achievements about education and people\ue2s livelihood.Han Yu returned to central government in his later years, he put forward their views on education and the economy,quelled the rebellion in Chengde. Later, the political situation had become bad, Han Yu\ue2s body was old and sick. Finally, he didn\ue2t want to stay in the government.
Chapter \ue2\ua5, mainly to show the research results of each chapter and make a general comment
Shineyu Tsai Violin Recital Program Notes
No full textAll of the four pieces selected for this recital are works by composers of Romantic Era, and from German speaking area. The program includes Sonata for Violin and Piano No. 6 in C major, Op. 10 (b) by Carl Maria von Weber, Notturno for Violin and Orchestra, Op. 12 by Joseph Joachim, Drei Romanzen fu\uccr Oboe oder Violine und Klavier, Op. 94 by Robert Schumann and Sonata for Violin and Piano in F minor, Op. 4 by Felix Mendelssohn-Bartholdy. In this report, I will introduce the life of the four composers, as well as the compositional background of these works, and analyze the formal structures and thematic motive of the movements
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