5,099 research outputs found
Huperzia myrsinites (Lam.) Trevisan
No full textHonduras, Ocotepeque, Ocotepeque. LAT (14°28'22'' N); LONG (89°05'13'' W); ALT (1800). Epiphyte on tree in forest. Wet and dense cloud forest Mt. Cocal of Cordillera Merendón, 20 kms. N.W. of Ocotepeque
Huperzia linifolia (L.) Trevisan
No full textHonduras, Santa Barbara, El Mochito. LAT (14°56'37'' N); LONG (88°06'15'' W); ALT (2200). "7 Km N of El Mochito, on the E slope of Mt. Santa Bárbara. Wet forest. 2200-2500 m. Pendent epiphyte, mossy forest at 2500 m.
Devil’s Oak: Waking the Feminine Wound
No full textDevil’s Oak: Waking the Feminine Wound is a short story collection that features strong female characters against a backdrop of ghosts, fairy tales, and urban legends. The thirteen stories subvert the historical narrative of women in fairy tales, positioning them as bold and willing to step into the face of danger. “The Braided Veil” features a young orphan in Victorian New Orleans who seeks revenge upon her mother’s abuser. “Devil’s Oak” addresses the horrors of slavery through the eyes of a young girl who learns that her family owned human beings. “Good Little Girls” takes readers back to childhood in which a sick girl explores her neighbor’s attic on a stormy day; she discovers more than she bargained for. “The Game” features relational aggression in the 1990’s in a “mean girls” style that takes a grizzly turn. “Selkie Skin” leans into Celtic lore, following a young pregnant girl who longs for freedom. “The Ripper Society” reaches back through time to Jack the Ripper’s wife, who discovers his misdeeds and takes matters into her own hands. “She Has Seen the Wolf” is longer story that connects to my novel, The Butterfly Circle; when a graduate student learns she is pregnant, she uncovers her family’s connected history to a haunted home for unwed mothers. In “Roots in the Cove,” a woman in an unhealthy relationship shapeshifts into a bear on a trip to Gatlinburg and finally finds her freedom. Both “Marsh Girl” and “Cicadas in the Suburbs” explore the psychological challenges of suburban life, including postpartum depression and the longing for the magic of youth. In “Honey Tree,” a divorced woman seeks comfort from the bees, and in “Crow Woman,” a widow faces metaphorical death and is reborn. Finally, “Ghost Apples” is a retelling of Snow White from the perspective of the queen; she shapeshifts into a wolf to protect a young girl who has been attacked and seeks revenge upon her abuser.
~A literary horror/fiction short story collection by Mary Carroll Leoson. Foreword by Christopher Barzak, author of A Voice Calling and One for Sorrow. Editor and jacket design by A.Miller. Available in PDF, Ebook (epub), paperback, and hardcover in October 2025.
--Publisher\u27s Note: Each story has been editor and press reviewed, and the entire book has been externally reviewed by experts in the field as part of the quality review process. Indexed in the Directory of Open Access Books (DOAB). Official press release.--
Reviews
“What distinguishes Mary Carroll Leoson’s work is her ability to inhabit the liminal spaces between myth and reality, past and present, the seen and the unseen. These stories are rooted deeply in the soil of ancestral memory and the landscapes of the American South, yet they reach far beyond that geography into the universal territory of trauma, resilience, and transformation.” --Christopher Barzak, author of One for Sorrow and A Voice Calling.
“Each story reads like an old heirloom passed from hand to hand, warm with use and heavy with meaning. The prose is lyrical but never ornamental; the horror, earned. And as the final page turns, it leaves you changed. Devil’s Oak: Waking the Feminine Wound isn’t just read. The stories linger like the smell of roses at a closed casket.” --Diane Sismour, author of novels, short stories, and screenplays
“I loved Marguerite in “Devil’s Oak,” her personality shone through, and I found myself rooting for her immediately. I loved seeing her rebel against expectations of femininity. Go, Marguerite!” -- Janet Alcorn, author of award-winning short stories
“Kate, Bea, and Nana from “She Has Seen the Wolf” are my favorite characters in this standout story of this Devil’s Oak collection; and I could easily see it adapted to television in some way.” --Ada Wofford, Sundress Publications
“My favorite character and story is Claire in “Marsh Girl,” plus “Good Little Girls” is especially chilling, and I enjoyed “The Ripper Society” so much, I was bereft at the end, hoping for more!” --Jasmine De La Paz, Gothic horror author
Book information
Devil’s Oak: Waking the Feminine Wound
© 2025 Mary Carroll Leoson
Published by MT Open Press (Blue Crescent Books imprint) at Middle Tennessee State University, Murfreesboro
Identifiers
ISBN (paperback) 979-8-9995864-0-7
ISBN (hardcover) 979-8-9871721-9-3
ISBN (digital PDF) 979-8-9871721-6-2
ISBN (digital epub) 979-8-9871721-7-9
DOI: https://doi.org/10.56638/mtopb00425
Distribution
Print-on-demand version (epub, paperback, hardcover) available at https://www.lulu.com/spotlight/mtop
Follow and review on Goodreads: https://www.goodreads.com/book/show/239910520-devil-s-oak
Suggested Citation
Leoson, Mary Carroll. Devil’s Oak: Waking the Feminine Wound. MT Open Press, Middle Tennessee State University, 2025. https://doi.org/10.56638/mtopb00425
This work is licensed under a Creative Commons Attribution-NonCommercial No Derivatives-4.0 International Licens
Devil’s Oak: Waking the Feminine Wound
No full textDevil’s Oak: Waking the Feminine Wound is a short story collection that features strong female characters against a backdrop of ghosts, fairy tales, and urban legends. The thirteen stories subvert the historical narrative of women in fairy tales, positioning them as bold and willing to step into the face of danger. “The Braided Veil” features a young orphan in Victorian New Orleans who seeks revenge upon her mother’s abuser. “Devil’s Oak” addresses the horrors of slavery through the eyes of a young girl who learns that her family owned human beings. “Good Little Girls” takes readers back to childhood in which a sick girl explores her neighbor’s attic on a stormy day; she discovers more than she bargained for. “The Game” features relational aggression in the 1990’s in a “mean girls” style that takes a grizzly turn. “Selkie Skin” leans into Celtic lore, following a young pregnant girl who longs for freedom. “The Ripper Society” reaches back through time to Jack the Ripper’s wife, who discovers his misdeeds and takes matters into her own hands. “She Has Seen the Wolf” is longer story that connects to my novel, The Butterfly Circle; when a graduate student learns she is pregnant, she uncovers her family’s connected history to a haunted home for unwed mothers. In “Roots in the Cove,” a woman in an unhealthy relationship shapeshifts into a bear on a trip to Gatlinburg and finally finds her freedom. Both “Marsh Girl” and “Cicadas in the Suburbs” explore the psychological challenges of suburban life, including postpartum depression and the longing for the magic of youth. In “Honey Tree,” a divorced woman seeks comfort from the bees, and in “Crow Woman,” a widow faces metaphorical death and is reborn. Finally, “Ghost Apples” is a retelling of Snow White from the perspective of the queen; she shapeshifts into a wolf to protect a young girl who has been attacked and seeks revenge upon her abuser.
~A literary horror/fiction short story collection by Mary Carroll Leoson. Foreword by Christopher Barzak, author of A Voice Calling and One for Sorrow. Editor and jacket design by A.Miller. Available in PDF, Ebook (epub), paperback, and hardcover in October 2025.
--Publisher\u27s Note: Each story has been editor and press reviewed, and the entire book has been externally reviewed by experts in the field as part of the quality review process. Indexed in the Directory of Open Access Books (DOAB). Official press release.--
Reviews
“What distinguishes Mary Carroll Leoson’s work is her ability to inhabit the liminal spaces between myth and reality, past and present, the seen and the unseen. These stories are rooted deeply in the soil of ancestral memory and the landscapes of the American South, yet they reach far beyond that geography into the universal territory of trauma, resilience, and transformation.” --Christopher Barzak, author of One for Sorrow and A Voice Calling.
“Each story reads like an old heirloom passed from hand to hand, warm with use and heavy with meaning. The prose is lyrical but never ornamental; the horror, earned. And as the final page turns, it leaves you changed. Devil’s Oak: Waking the Feminine Wound isn’t just read. The stories linger like the smell of roses at a closed casket.” --Diane Sismour, author of novels, short stories, and screenplays
“I loved Marguerite in “Devil’s Oak,” her personality shone through, and I found myself rooting for her immediately. I loved seeing her rebel against expectations of femininity. Go, Marguerite!” -- Janet Alcorn, author of award-winning short stories
“Kate, Bea, and Nana from “She Has Seen the Wolf” are my favorite characters in this standout story of this Devil’s Oak collection; and I could easily see it adapted to television in some way.” --Ada Wofford, Sundress Publications
“My favorite character and story is Claire in “Marsh Girl,” plus “Good Little Girls” is especially chilling, and I enjoyed “The Ripper Society” so much, I was bereft at the end, hoping for more!” --Jasmine De La Paz, Gothic horror author
Book information
Devil’s Oak: Waking the Feminine Wound
© 2025 Mary Carroll Leoson
Published by MT Open Press (Blue Crescent Books imprint) at Middle Tennessee State University, Murfreesboro
Identifiers
ISBN (paperback) 979-8-9995864-0-7
ISBN (hardcover) 979-8-9871721-9-3
ISBN (digital PDF) 979-8-9871721-6-2
ISBN (digital epub) 979-8-9871721-7-9
DOI: https://doi.org/10.56638/mtopb00425
Distribution
Print-on-demand version (epub, paperback, hardcover) available at https://www.lulu.com/spotlight/mtop
Follow and review on Goodreads: https://www.goodreads.com/book/show/239910520-devil-s-oak
Suggested Citation
Leoson, Mary Carroll. Devil’s Oak: Waking the Feminine Wound. MT Open Press, Middle Tennessee State University, 2025. https://doi.org/10.56638/mtopb00425
This work is licensed under a Creative Commons Attribution-NonCommercial No Derivatives-4.0 International Licens
Devil’s Oak: Waking the Feminine Wound
No full textDevil’s Oak: Waking the Feminine Wound is a short story collection that features strong female characters against a backdrop of ghosts, fairy tales, and urban legends. The thirteen stories subvert the historical narrative of women in fairy tales, positioning them as bold and willing to step into the face of danger. “The Braided Veil” features a young orphan in Victorian New Orleans who seeks revenge upon her mother’s abuser. “Devil’s Oak” addresses the horrors of slavery through the eyes of a young girl who learns that her family owned human beings. “Good Little Girls” takes readers back to childhood in which a sick girl explores her neighbor’s attic on a stormy day; she discovers more than she bargained for. “The Game” features relational aggression in the 1990’s in a “mean girls” style that takes a grizzly turn. “Selkie Skin” leans into Celtic lore, following a young pregnant girl who longs for freedom. “The Ripper Society” reaches back through time to Jack the Ripper’s wife, who discovers his misdeeds and takes matters into her own hands. “She Has Seen the Wolf” is longer story that connects to my novel, The Butterfly Circle; when a graduate student learns she is pregnant, she uncovers her family’s connected history to a haunted home for unwed mothers. In “Roots in the Cove,” a woman in an unhealthy relationship shapeshifts into a bear on a trip to Gatlinburg and finally finds her freedom. Both “Marsh Girl” and “Cicadas in the Suburbs” explore the psychological challenges of suburban life, including postpartum depression and the longing for the magic of youth. In “Honey Tree,” a divorced woman seeks comfort from the bees, and in “Crow Woman,” a widow faces metaphorical death and is reborn. Finally, “Ghost Apples” is a retelling of Snow White from the perspective of the queen; she shapeshifts into a wolf to protect a young girl who has been attacked and seeks revenge upon her abuser.
~A literary horror/fiction short story collection by Mary Carroll Leoson. Foreword by Christopher Barzak, author of A Voice Calling and One for Sorrow. Editor and jacket design by A.Miller. Available in PDF, Ebook (epub), paperback, and hardcover in October 2025.
--Publisher\u27s Note: Each story has been editor and press reviewed, and the entire book has been externally reviewed by experts in the field as part of the quality review process. Indexed in the Directory of Open Access Books (DOAB). Official press release.--
Reviews
“What distinguishes Mary Carroll Leoson’s work is her ability to inhabit the liminal spaces between myth and reality, past and present, the seen and the unseen. These stories are rooted deeply in the soil of ancestral memory and the landscapes of the American South, yet they reach far beyond that geography into the universal territory of trauma, resilience, and transformation.” --Christopher Barzak, author of One for Sorrow and A Voice Calling.
“Each story reads like an old heirloom passed from hand to hand, warm with use and heavy with meaning. The prose is lyrical but never ornamental; the horror, earned. And as the final page turns, it leaves you changed. Devil’s Oak: Waking the Feminine Wound isn’t just read. The stories linger like the smell of roses at a closed casket.” --Diane Sismour, author of novels, short stories, and screenplays
“I loved Marguerite in “Devil’s Oak,” her personality shone through, and I found myself rooting for her immediately. I loved seeing her rebel against expectations of femininity. Go, Marguerite!” -- Janet Alcorn, author of award-winning short stories
“Kate, Bea, and Nana from “She Has Seen the Wolf” are my favorite characters in this standout story of this Devil’s Oak collection; and I could easily see it adapted to television in some way.” --Ada Wofford, Sundress Publications
“My favorite character and story is Claire in “Marsh Girl,” plus “Good Little Girls” is especially chilling, and I enjoyed “The Ripper Society” so much, I was bereft at the end, hoping for more!” --Jasmine De La Paz, Gothic horror author
Book information
Devil’s Oak: Waking the Feminine Wound
© 2025 Mary Carroll Leoson
Published by MT Open Press (Blue Crescent Books imprint) at Middle Tennessee State University, Murfreesboro
Identifiers
ISBN (paperback) 979-8-9995864-0-7
ISBN (hardcover) 979-8-9871721-9-3
ISBN (digital PDF) 979-8-9871721-6-2
ISBN (digital epub) 979-8-9871721-7-9
DOI: https://doi.org/10.56638/mtopb00425
Distribution
Print-on-demand version (epub, paperback, hardcover) available at https://www.lulu.com/spotlight/mtop
Follow and review on Goodreads: https://www.goodreads.com/book/show/239910520-devil-s-oak
Suggested Citation
Leoson, Mary Carroll. Devil’s Oak: Waking the Feminine Wound. MT Open Press, Middle Tennessee State University, 2025. https://doi.org/10.56638/mtopb00425
This work is licensed under a Creative Commons Attribution-NonCommercial No Derivatives-4.0 International Licens
Devil’s Oak: Waking the Feminine Wound
No full textDevil’s Oak: Waking the Feminine Wound is a short story collection that features strong female characters against a backdrop of ghosts, fairy tales, and urban legends. The thirteen stories subvert the historical narrative of women in fairy tales, positioning them as bold and willing to step into the face of danger. “The Braided Veil” features a young orphan in Victorian New Orleans who seeks revenge upon her mother’s abuser. “Devil’s Oak” addresses the horrors of slavery through the eyes of a young girl who learns that her family owned human beings. “Good Little Girls” takes readers back to childhood in which a sick girl explores her neighbor’s attic on a stormy day; she discovers more than she bargained for. “The Game” features relational aggression in the 1990’s in a “mean girls” style that takes a grizzly turn. “Selkie Skin” leans into Celtic lore, following a young pregnant girl who longs for freedom. “The Ripper Society” reaches back through time to Jack the Ripper’s wife, who discovers his misdeeds and takes matters into her own hands. “She Has Seen the Wolf” is longer story that connects to my novel, The Butterfly Circle; when a graduate student learns she is pregnant, she uncovers her family’s connected history to a haunted home for unwed mothers. In “Roots in the Cove,” a woman in an unhealthy relationship shapeshifts into a bear on a trip to Gatlinburg and finally finds her freedom. Both “Marsh Girl” and “Cicadas in the Suburbs” explore the psychological challenges of suburban life, including postpartum depression and the longing for the magic of youth. In “Honey Tree,” a divorced woman seeks comfort from the bees, and in “Crow Woman,” a widow faces metaphorical death and is reborn. Finally, “Ghost Apples” is a retelling of Snow White from the perspective of the queen; she shapeshifts into a wolf to protect a young girl who has been attacked and seeks revenge upon her abuser.
~A literary horror/fiction short story collection by Mary Carroll Leoson. Foreword by Christopher Barzak, author of A Voice Calling and One for Sorrow. Editor and jacket design by A.Miller. Available in PDF, Ebook (epub), paperback, and hardcover in October 2025.
--Publisher\u27s Note: Each story has been editor and press reviewed, and the entire book has been externally reviewed by experts in the field as part of the quality review process. Indexed in the Directory of Open Access Books (DOAB). Official press release.--
Reviews
“What distinguishes Mary Carroll Leoson’s work is her ability to inhabit the liminal spaces between myth and reality, past and present, the seen and the unseen. These stories are rooted deeply in the soil of ancestral memory and the landscapes of the American South, yet they reach far beyond that geography into the universal territory of trauma, resilience, and transformation.” --Christopher Barzak, author of One for Sorrow and A Voice Calling.
“Each story reads like an old heirloom passed from hand to hand, warm with use and heavy with meaning. The prose is lyrical but never ornamental; the horror, earned. And as the final page turns, it leaves you changed. Devil’s Oak: Waking the Feminine Wound isn’t just read. The stories linger like the smell of roses at a closed casket.” --Diane Sismour, author of novels, short stories, and screenplays
“I loved Marguerite in “Devil’s Oak,” her personality shone through, and I found myself rooting for her immediately. I loved seeing her rebel against expectations of femininity. Go, Marguerite!” -- Janet Alcorn, author of award-winning short stories
“Kate, Bea, and Nana from “She Has Seen the Wolf” are my favorite characters in this standout story of this Devil’s Oak collection; and I could easily see it adapted to television in some way.” --Ada Wofford, Sundress Publications
“My favorite character and story is Claire in “Marsh Girl,” plus “Good Little Girls” is especially chilling, and I enjoyed “The Ripper Society” so much, I was bereft at the end, hoping for more!” --Jasmine De La Paz, Gothic horror author
Book information
Devil’s Oak: Waking the Feminine Wound
© 2025 Mary Carroll Leoson
Published by MT Open Press (Blue Crescent Books imprint) at Middle Tennessee State University, Murfreesboro
Identifiers
ISBN (paperback) 979-8-9995864-0-7
ISBN (hardcover) 979-8-9871721-9-3
ISBN (digital PDF) 979-8-9871721-6-2
ISBN (digital epub) 979-8-9871721-7-9
DOI: https://doi.org/10.56638/mtopb00425
Distribution
Print-on-demand version (epub, paperback, hardcover) available at https://www.lulu.com/spotlight/mtop
Follow and review on Goodreads: https://www.goodreads.com/book/show/239910520-devil-s-oak
Suggested Citation
Leoson, Mary Carroll. Devil’s Oak: Waking the Feminine Wound. MT Open Press, Middle Tennessee State University, 2025. https://doi.org/10.56638/mtopb00425
This work is licensed under a Creative Commons Attribution-NonCommercial No Derivatives-4.0 International Licens
INTRODUCING CONSERVATION AGRO-ECOSYSTEMS TO ENHANCE SOIL QUALITY AND SUSTAIN FOOD PRODUCTION
No full textL’introduzione di agro-ecosistemi conservativi viene indicata come strategia per aumentare il sequestro del carbonio organico nel suolo (SOC) e migliorarne la fertilità.
La continua applicazione di concimi organici, come il compost e il sovescio, favorisce il sequestro di SOC (+ 1.3 ÷ 2.5 Mg C ha-1 anno-1) e l'accumulo di azoto totale del suolo (STN) (+ ~ 1 Mg N ha-1 anno-1). Tuttavia, quando le fertilizzazioni organiche vengono interrotte, il SOC diminuisce rapidamente.
Negli agro-ecosistemi intensivi, il no till (NT) garantisce rese comparabili a quelle dei sistemi convenzionali (CT) immediatamente dopo la transizione. Il NT aumenta la sostanza organica (SOM) e il STN principalmente nei primi 5 cm di terreno, sebbene la cover crop di segale assicuri l'accumulo di SOM fino a 30 cm di profondità (+ 30% rispetto alla CT). Il NT e la minima lavorazione (MT) portano ad un aumento del SOC e del STN nei primi 30 cm di suolo, rispetto al CT. Gran parte di tale aumento è dovuto ai macroaggregati, all'interno dei quali, i pool di C e N associati ai microaggregati (mM) rappresentano tra il 41 e il 65% del contenuto totale di C e N nei sistemi NT e MT.The introduction of conservation agro-ecosystems has been suggested for increasing soil organic carbon (SOC) sequestration and enhancing soil fertility.
Continuous organic fertilization such as compost distribution and cover crops incorporation promotes SOC sequestration (+1.3÷2.5 Mg C ha-1 yr-1) and soil total nitrogen (STN) accumulation (+~1 Mg N ha-1 yr-1). However, when the organic fertilization is stopped, SOC rapidly decreases.
In intensive agro-ecosystems, no till (NT) can ensure yields comparable to conventional tillage (CT) immediately after transition. The major contribution of NT to soil organic matter (SOM) and STN increase is detected in the top 5 cm of soil, although the cultivation of rye as cover crop ensures SOM accumulation down to 30 cm depth (+30% than CT). No till and minimum tillage (MT) may increase SOC and STN levels in the 0-30 cm soil layer, both as concentration and as mass, compared with CT. Most of such a SOC and STN increase is due to C- and N-rich macroaggregates. Within macroaggregates, microaggregates (mM) are of primary importance for soil organic matter stabilization since C and N pools associated to mM account for between 41 and 65% of total C and N content in the NT and MT systems
Re-assessment of the cut-off levels of Carbohydrate Deficient Transferrin (CDT) for automated immunoassay and multi-capillary electrophoresis for application in a forensic context
No full textBackground: The determination of Carbohydrate Deficient Transferrin (CDT) in a forensic context should be based on the use of a screening technique followed, for the "positive samples", by a confirmatory technique. The aim of this study was to compare the two most used automated screening methods for CDT analysis, immuno-nephelometric assay (INA) and multi-capillary electrophoresis (mCE), with a validated HPLC procedure, used as confirmation test, in order to re-evaluate the cut-off concentrations of the screening methods. Methods: 195 serum samples underwent CDT analysis by using the N Latex CDT direct immuno-nephelometric assay, the multicapillary system CapillarysTM and an anion exchange HPLC method with UV-visible detection at 460. nm developed and validated at our laboratories. Statistical analyses were performed by using Bland-Altman plots and ROC curves. Results and discussion: The 95% limits of agreement were ± 0.94% when comparing INA and HPLC and ± 0.60% when comparing mCE and HPLC. The ROC analysis of both INA and mCE, using HPLC as the reference method, showed that no false negative results were found when the cut-off was fixed to 1.2% for mCE and to 2.3% for INA. Conclusions: The study showed a good agreement among CDT determinations carried out either with mCE or INA or HPLC. However, the usual cut-offs of both mCE (1.3%) and INA (2.5%) should be lowered to minimize false negatives at the screening analysis
Last/zakkingsgedrag van MT-palen
No full textIn delen van Nederland bestaan de bovenste grondlagen uit samendrukbare grond, zoals klei en veen. Door het gebruik van paalfunderingen kunnen belastingen, afkomstig van constructies en gebouwen, naar diepere meer draagkrachtige lagen worden afgedragen. Door hedendaagse innovatieve ontwikkelingen in de bouw worden funderingspalen met een diameter van één meter en groter toegepast om paalbelastingen boven 10.000 kN op te nemen. Voor de uitbreiding van het Ibis hotel, gelegen aan de westkant van het Amsterdam Centraal station wordt een nieuw paalsysteem, genaamd de MT-paal, gebruikt om de hoge belastingen af te dragen. De keuze voor het gebruik van de MT-paal is mede bepaald door de beperkte beschikbare ruimte en het vereiste trillingsvrije installatieproces. Tijdens de belastingsfase zal de MT-paal vervormingen vertonen, het last/zakkingsgedrag. Hoe de MT-paal zich zal gedragen tijdens het belasten is vooralsnog niet bekend. In gangbare normen zijn geen standaard paalfactoren beschikbaar voor nieuwe paalsystemen, waaronder de MT-paal. Ook is voor de MT-paal geen proefbelasting uitgevoerd, die het gedrag van deze funderingspaal tijdens het belasten kan vaststellen. Het ontwikkelen van een standaard rekenmethodiek om het last/zakkingsgedrag van de MT-paal te bepalen, is de hoofddoelstelling van dit afstudeeronderzoek. Voor een goede benadering van het last/zakkingsgedrag van de MT-paal zijn twee belangrijke aspecten, namelijk de paalpunt en de paalschacht, geanalyseerd. Eerst is het uitvoeringsproces van de MT-paal vergeleken met de boorpaal. Vervolgens zijn zowel de MT-paal als de boorpaal in PLAXIS gemodelleerd en is het last/zakkingsgedrag van beide palen met elkaar vergeleken.Geo-engineeringGeotechnologyCivil Engineering and Geoscience
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