7,745 research outputs found
Pinto and Tremblay
No full textTwo men standing beside a peach tree. They are identified as Willie Pinto and Dr. Marc-Adelard Tremblay
Custes Sam and Tremblay
No full textCustes Sam and Dr. Marc-Adelard Tremblay sitting on the ground next to a stone building
The Future of Canadian Climate Policy — with Marc Lee
No full textMarc Lee is a Senior Economist at the Canadian Centre for Policy Alternatives\u27 BC Office. In addition to tracking federal and provincial budgets and economic trends, Marc has published on a range of topics from poverty and inequality to globalization and international trade to public services and regulation. Marc is the Co-Director of the Climate Justice Project, a research partnership with UBC\u27s School of Community and Regional Planning that examines the links between climate change policies and social justice.Resources:Climate Justice Project: www.policyalternatives.ca/projects/cli…tice-projectMarc Lee\u27s Posts on Policy Note: www.policynote.ca/author/marclee/Canadian Centre for Policy Alternatives: www.policyalternatives.ca/Marc\u27s Twitter: twitter.com/MarcLeeCCPA International Panel on Climate Change, 2021 report: www.ipcc.ch/report/ar6/wg1
Climate Justice & Inequality: The Future of Canadian Climate Policy — with Marc Lee
No full textMarc Lee is a Senior Economist at the Canadian Centre for Policy Alternatives\u27 BC Office. In addition to tracking federal and provincial budgets and economic trends, Marc has published on a range of topics from poverty and inequality to globalization and international trade to public services and regulation. Marc is the Co-Director of the Climate Justice Project, a research partnership with UBC\u27s School of Community and Regional Planning that examines the links between climate change policies and social justice.Resources: Climate Justice Project: https://www.policyalternatives.ca/projects/climate-justice-projectMarc Lee\u27s Posts on Policy Note: https://www.policynote.ca/author/marclee/Canadian Centre for Policy Alternatives: https://www.policyalternatives.ca/Marc\u27s Twitter: https://twitter.com/MarcLeeCCPA International Panel on Climate Change, 2021 report: https://www.ipcc.ch/report/ar6/wg1
Microwave-assisted Thermolysis of ortho-substituted Aroylsilanes
No full textMicrowave-Assisted Thermolysis of ortho-Substituted Aroylsilanes
Marc Tremblay
Master of Science
Department of Chemistry
University of Toronto
2008
The microwave-assisted thermolysis of ortho-substituted aroylsilanes has been investigated. When irradiated at 250ºC in DMSO or o‑dichlorobenzene for 10 minutes, aroylsilanes form siloxycarbenes that react following different pathways depending on the solvent and the structure of the starting material. It is shown that in the case of substrates having an O‑allyl or an O‑propargyl chain ortho to the acylsilane, cycloaddition occurs followed by a cascade ring opening to give respectively chroman‑4-one and chromen‑4-one derivatives in up to 66% yield. Among the major competitive pathways were the insertion of the siloxycarbene into allylic C–H bonds and decomposition of the acylsilane group to the corresponding aldehyde, followed by Claisen rearrangement.MAS
Microwave-assisted Thermolysis of ortho-substituted Aroylsilanes
No full textMicrowave-Assisted Thermolysis of ortho-Substituted Aroylsilanes
Marc Tremblay
Master of Science
Department of Chemistry
University of Toronto
2008
The microwave-assisted thermolysis of ortho-substituted aroylsilanes has been investigated. When irradiated at 250ºC in DMSO or o‑dichlorobenzene for 10 minutes, aroylsilanes form siloxycarbenes that react following different pathways depending on the solvent and the structure of the starting material. It is shown that in the case of substrates having an O‑allyl or an O‑propargyl chain ortho to the acylsilane, cycloaddition occurs followed by a cascade ring opening to give respectively chroman‑4-one and chromen‑4-one derivatives in up to 66% yield. Among the major competitive pathways were the insertion of the siloxycarbene into allylic C–H bonds and decomposition of the acylsilane group to the corresponding aldehyde, followed by Claisen rearrangement.MAS
Le pouvoir des médias et la fragmentation identitaire dans les oeuvres de Larry Tremblay
No full textPlusieurs études ont déjà relevé la place singulière qu’occupe le personnage dans la dramaturgie de Larry Tremblay. Les œuvres de cet auteur québécois regorgent effectivement d’individus tourmentés par l’environnement dans lequel ils évoluent. Durant les 20 dernières années, la thématique des médias a particulièrement été l’objet de l’attention de l’auteur. En créant des pièces ayant comme centre l’univers médiatique, Larry Tremblay entreprend de poser un regard critique sur cet aspect important touchant la société actuelle. Dans le cadre de ce mémoire, l’objectif est donc d’étudier plus spécifiquement les différents personnages du dramaturge lorsque ceux-ci sont placés dans des contextes où ils sont envahis par les médias. Il s’agira de montrer comment le dramaturge expose les effets néfastes du pouvoir des médias en abordant la question du regard, de la banalité, du vide, du narcissisme ainsi que de la désillusion marquant l’époque contemporaine. L’analyse des œuvres Ogre (1995), Téléroman (1997) et Grande écoute (2015) permettra de montrer que c’est par l’intermédiaire de personnages dont l’identité se morcelle et se transforme, que Larry Tremblay expose les conséquences les plus importantes qu’entraine la société médiatique sur l’individu. L’objet de ce mémoire est de saisir l’évolution de la pensée de l’auteur à l’égard des médias et de comprendre comment ses personnages ont évolué au fil du temps parallèlement au domaine médiatique.Many studies have already examined the singular place occupied by the character in Larry Tremblay’s dramaturgy. This Quebec author’s works are filled with many individuals who are deeply affected by the environment they live in. For the past 20 years, the playwright’s particular interest in the theme of media has been observed. By creating plays in which the media are at the forefront, Larry Tremblay takes a critical look at an important aspect of current society. In the context of this thesis, the objective is therefore to study more specifically Tremblay’s characters who are in environments pervaded by the media. In order to show how the author exposes the negative impacts of the power of the media, we will address the question of the gaze, the banality, the void, the narcissism, as well as that of the disillusion that touches our time. The analysis of Ogre (1995), Téléroman (1997) and Grande écoute (2015) will demonstrate that it is through characters whose identity is crumbling and changing that Larry Tremblay denounces the most disastrous consequences stemming from the media for individuals. The purpose of this thesis is to grasp the evolution of the author’s thought regarding media and to understand how his characters have evolved over time alongside the media
Le pouvoir des médias et la fragmentation identitaire dans les oeuvres de Larry Tremblay
No full textPlusieurs études ont déjà relevé la place singulière qu’occupe le personnage dans la dramaturgie de Larry Tremblay. Les œuvres de cet auteur québécois regorgent effectivement d’individus tourmentés par l’environnement dans lequel ils évoluent. Durant les 20 dernières années, la thématique des médias a particulièrement été l’objet de l’attention de l’auteur. En créant des pièces ayant comme centre l’univers médiatique, Larry Tremblay entreprend de poser un regard critique sur cet aspect important touchant la société actuelle. Dans le cadre de ce mémoire, l’objectif est donc d’étudier plus spécifiquement les différents personnages du dramaturge lorsque ceux-ci sont placés dans des contextes où ils sont envahis par les médias. Il s’agira de montrer comment le dramaturge expose les effets néfastes du pouvoir des médias en abordant la question du regard, de la banalité, du vide, du narcissisme ainsi que de la désillusion marquant l’époque contemporaine. L’analyse des œuvres Ogre (1995), Téléroman (1997) et Grande écoute (2015) permettra de montrer que c’est par l’intermédiaire de personnages dont l’identité se morcelle et se transforme, que Larry Tremblay expose les conséquences les plus importantes qu’entraine la société médiatique sur l’individu. L’objet de ce mémoire est de saisir l’évolution de la pensée de l’auteur à l’égard des médias et de comprendre comment ses personnages ont évolué au fil du temps parallèlement au domaine médiatique.Many studies have already examined the singular place occupied by the character in Larry Tremblay’s dramaturgy. This Quebec author’s works are filled with many individuals who are deeply affected by the environment they live in. For the past 20 years, the playwright’s particular interest in the theme of media has been observed. By creating plays in which the media are at the forefront, Larry Tremblay takes a critical look at an important aspect of current society. In the context of this thesis, the objective is therefore to study more specifically Tremblay’s characters who are in environments pervaded by the media. In order to show how the author exposes the negative impacts of the power of the media, we will address the question of the gaze, the banality, the void, the narcissism, as well as that of the disillusion that touches our time. The analysis of Ogre (1995), Téléroman (1997) and Grande écoute (2015) will demonstrate that it is through characters whose identity is crumbling and changing that Larry Tremblay denounces the most disastrous consequences stemming from the media for individuals. The purpose of this thesis is to grasp the evolution of the author’s thought regarding media and to understand how his characters have evolved over time alongside the media
Pour en finir avec : lecture des pièces Le vrai monde? de Michel Tremblay et Le Chien de Jean Marc Dalpé
No full textLe présent article traite tout particulièrement du lien entre père et fils présenté dans les pièces Le vrai monde? (1987) de Michel Tremblay et Le Chien (1988) de Jean Marc Dalpé. Bien que traitant tous deux le thème de l'incommunicabilité et du conflit des générations au sein d'une famille francophone canadienne, chacun des auteurs a créé une réalité à part en introduisant la figure de l'artiste ou du rêveur, qui impose une autre façon de communiquer à travers le langage de l'art. Ainsi ces deux textes se distinguent-ils également par leur refus du théâtre réaliste et psychologique.This paper will focus upon analyzing the father-son relationship in two plays: The Real World? (1987) by Michel Tremblay and The Dog (1988) by Jean Marc Dalpé. In spite of the psychological profile of the incommunicability and the generation gap in a typical middle-class Francophone Canadian family, both dramatists, by introducing the figure of an artist or a dreamer, create in fact a separate reality and impose another kind of communication through the language of art. In this way, both playwrights reject the dominant realistic and psychological theatre
Trois Petits Tours (1981)
No full text1. Cover page 2. Manson, David. (1981, November 6). Communiqué de presse: "Trois Petits Tours" de Michel Tremblay à Glendon. [Attached] 3.Marlier, Marc. (1981, November 20). "Trois petits tours". Pro Tem. [Attached]Archival file for the Glendon College production of Trois Petits Tours, directed by Jean Vinet. The play was performed November 19 and 20, 1981
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