1,720,994 research outputs found
Data from: The Odijk Regime in Slits
No full textTree, Douglas R; Reinhart, Wesley F; Dorfman, Kevin D. (2014). Data from: The Odijk Regime in Slits. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/163537
Data from: Backfolding of wormlike chains confined in nanochannels
No full textMuralidhar, Abhiram; Tree, Douglas R.; Dorfman, Kevin D.. (2014). Data from: Backfolding of wormlike chains confined in nanochannels. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/171763
Data from: Simulation of DNA Extension in Nanochannels
No full textData in text format with compiled figures.Wang, Yanwei; Tree, Douglas R; Dorfman, Kevin D. (2013). Data from: Simulation of DNA Extension in Nanochannels. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/155310
Data from: Beyond Gel Electrophoresis: Microfluidic Separations, Fluorescence Burst Analysis and DNA Stretching
No full textmatlab files for generating the explanations in section 4.Dorfman, Kevin D.; King, Scott B; Olson, Daniel W.; Thomas, Joel DP; Tree, Douglas R. (2013). Data from: Beyond Gel Electrophoresis: Microfluidic Separations, Fluorescence Burst Analysis and DNA Stretching. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/155356
Data from: Interplay between chain stiffness and excluded volume of semiflexible polymers confined in nanochannels
No full textPublished dataMuralidhar, Abhiram; Tree, Douglas R; Wang, Yanwei; Dorfman, Kevin D.. (2014). Data from: Interplay between chain stiffness and excluded volume of semiflexible polymers confined in nanochannels. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/162608
Data from: Entropic Depletion of DNA in Triangular Nanochannels
No full textFigure files as either text files with matlab scripts to compile the figures or matlab fig files.Reinhart, Wes F; Tree, Douglas R; Dorfman, Kevin D. (2013). Data from: Entropic Depletion of DNA in Triangular Nanochannels. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/155352
Data from: Resolution Limit for DNA Barcodes in the Odijk Regime
No full textFigs 3 and 5 in matlab .fig files. Figs 4 and 6 as raw data with matlab files to create the figures.Wang, Yanwei; Reinhart, Wes F; Tree, Douglas R; Dorfman, Kevin D. (2013). Data from: Resolution Limit for DNA Barcodes in the Odijk Regime. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/155320
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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