1,723,858 research outputs found
Treble Chorus, April 5, 1998
Recorded during a live performance at Dalton Center Recital Hall, Western Michigan University, Kalamazoo, Michigan, April 5, 1998, 5:30 p.m., the 489th concert of the School of Music's 1997-1998 season.Western Michigan University Treble Chorus, Elena Sharkova Aron, conductor ; Christina Beauregard, conductor (in the 4th work) ; Tina Thielen-Gaffey, conductor (in the 5th work) ; Angie Rohlik, accompanist ; Julie Rogers, soprano soloist (in the 11th work).Sacred and secular vocal music for treble chorus, in part with piano accompaniment.Information from performance program.""Music, spread thy voice around"" from Solomon / George Frideric Handel -- Tebe poem (To thee we sing) / Alexander Kastal'ski -- ""Ave Maria"" from Dialogues of the Carmelites / Francis Poulenc -- In the beginning : Genesis, ch. 1 / Imant Raminsh -- Three Hungarian folk songs. In the village ; Boatman! boatman! ; See the roses / Béla Bartók -- Niska bagna / Serbian Gypsy dance ; arranged by Nick Page -- So vyunom ya hozju = I dance with the garland / arranged by Elena Sharkova Aron -- Ty rekal' moya, rechen'ka = My little river / arranged by Alexander Lyadov -- Vo kuznitse = In the blacksmith shop / arranged by Alexander Lyadov -- El hasedor y la nina = The maker of dreams / Elifio E. Rosanes -- The log driver's waltz / Wade Hemsworth -- J'entends le moulin = I hear the millwheel / French folk song ; arranged by Donald Patriquin
Exploring Gender and the Lived Experiences of Singers in a Treble Choir: An Instrumental Case Study
Pearsall, Aimee D.Singing in treble choirs provides many unique benefits to adolescent participants, such as increased musical skill (Barrett & Zhukov, 2022a; Hylton, 1981; Shaw, 2022), the development of social skills (Damsgaard & Brinkman, 2022; Hallam, 2010), and greater self-awareness and identity formation (Damsgaard & Brinkman, 2022; Hylton, 1981; Papageorgi, 2022; Parker, 2014). Despite the many positive benefits, female, trans, and non-binary adolescents might experience gender bias and misogyny as a result of their treble choir membership. Furthermore, scholars have yet to deeply explore the relationship between adolescents’ perceptions of their own gender and their participation in treble choirs. Therefore, the purpose of this instrumental case study was to explore how singers interact with, explore, and understand their gender in one high school treble choir. In this study, I sought (a) to describe how participants viewed their treble choir experience, (b) to describe their values related to the treble choir and, (c) to explore how they interacted with, explored, and understood their gender in treble choir. After selecting one choir–The Girls Choir–to participate, I used criterion-based selection (Patton, 2015) to select four adolescent singers (ages 14-17) to serve as focus participants in the study. Data sources included individual and focus group interviews, observations, a researcher journal, and artifacts. Study results indicated that students perceived many benefits to their membership in The Girls Choir, such as belonging, development of individual skills, pride in musical product, and unique opportunities. Furthermore, participants reported feeling comfortable exploring and experimenting with their gender identities in The Girls Choir. While more work is necessary to maximize inclusivity in treble choirs, this study has important implications gender identity exploration in treble choirs.University of Delaware, School of MusicM.M
Treble Chorus, April 10, 1999
Recorded during a live performance at Dalton Center Recital Hall, Western Michigan University, Kalamazoo, Michigan, April 10, 1999, 2:00 p.m., the 450th concert of the School of Music's 1998-1999 season.Western Michigan University Treble Chorus, Karen J. Wicklund, conductor ; David Close, piano and synthesizer.Information from performance program.Program selected from the following: -- How merrily we live / Michael Este -- Ständchen (Serenade), op. 135 / Franz Schubert -- Annunciation / Lloyd Pfautsch -- And nature smiled / Allen Koepke -- Dance on my heart / Allen Koepke -- What passion cannot music raise or quell? : 1995 / Robert A. Harris -- Apple-tree wassail / Traditional British carol ; arranged by Stephen Hatfield -- A child said / James McCray ; text by Walt Whitman -- Niska banja / Serbian gypsy dance ; arranged by Nick Page -- I'm goin' up a yonder / Walter Hawkins ; arranged by Sirvatka -- Clap yo' hands / George Gershwin ; arranged by King -- Dirait-on / Morten Lauridsen -- Ain'a that good news / Spiritual ; arranged by William Dawson
Spring session Treble Choir, June 19, 1977
Recorded during a live performance at Oakland Recital Hall, Western Michigan University, Kalamazoo, June 19, 1977, program no. 250 of the Department of Music's 1976-1977 season.Spring session Treble Choir, Marcella Faustman, conductor ; Jerry Ryan, piano.Information from performance program.O lovely peace from Judas Maccabaeus / George Frideric Handel -- Caro bell 'idol: canon for women's voices / Wolfgang Amadeus Mozart -- Messe basse. Kyrie ; Sanctus ; Benedictus ; Agnus Dei / Gabriel Faure -- Lift thine eyes from Elijah / Felix Mendelssohn -- Spring wind / Eric H. Thiman -- Barcarolle [i.e. Belle nuit] from Tales of Hoffman / Jacques Offenbach -- Sometimes I feel like a motherless child / Spiritual ; arranged by Howorth -- Swing low, sweet chariot / Spiritual ; arranged by Huntley -- Bali Ha'i from South Pacific / Rodgers & Hammerstein -- Do-re-mi from The sound of music / Rodgers & Hammerstein
UW Sings How Can I Keep from Singing? featuring Collegiate Treble Choir Glee Club University Singers May 25, 2018
Concert ProgramConcert Program for UW Sings How Can I Keep from Singing? featuring Collegiate Treble Choir Glee Club University Singers May 25, 201
Civil RICO: Statutory and Implied Elements of the Treble Damage Remedy
Details the development, use, and statutory and judicially implied elements of the civil application of the Racketeer Influenced and Corrupt Organizations Act (RICO)—warranting treble damages. The author discusses fears from critics who claim that the treble damages are unduly harsh. While the author agrees, he believes the extent to which these claims will be utilized is still unknown
Empowering Treble Voices
Treble choirs have been prominent throughout history, but are there new issues that are unique to these choirs? As the ideas of gender and identity progress, treble choirs are working hard to adapt to this change and to research and discuss the best ways to acclimate to these current changes. Everyone from composers to music businesses are becoming more inclusive with their ideas of attire and repertoire for this ever-changing society. My researched focused on the new ideas and discussions relating to treble voices as well as the repertoire that they might sing
Test av Treble Acoustics Suite
Arbetet gjordes för att testa akustiksimuleringsprogrammet Treble. Det är ett nyare program på marknaden som säger sig ha noggranna och snabba simuleringar. För att utvärdera programmets användbarhet i praktisk projektering gjordes mätningar av efterklangstiden i en ungdomsföreningsloka där de skulle vilja förbättra akustiken, särskilt talhörbarheten vid tillställningar med en stor folkmängd. Studien fördjupar sig inte i resultaten eller åtgärdsförslagen till ungdomsföreningen, utan arbetet redogör endast för arbetsprocessen, från mätningar i lokalen till simuleringar i Treble.
Lokalen skannades med Trimble X7 3D Laser Scanner och pekplatta med Trimble Perspective program. Efterklangstiden mättes med B&K ljudmätare och startpistol. För att städa skanningen användes CloudCompare. SketchUp Web och SketchUp 2017 Make användes för 3D modellen. Akustiksimuleringarna gjordes i Treble.
Resultaten visade att Treble var användarvänligt, snabbt och har flera utmärkta funktioner. Det lämpar sig väl för att skapa överskådliga jämförelser mellan olika akustikåtgärder, vilket gör det till ett värdefullt verktyg i tidiga skeden av akustikprojektering.The purpose with this thesis is to get an insight into Treble acoustic simulation program. Treble is a newer program on the market, claiming to offer accurate and fast simulations. To evaluate its usefulness in practical design work, reverberation time measurements were conducted in a youth association hall where they were looking to improve the acoustics, particularly speech intelligibility during larger gatherings. The results and proposed acoustic improvements for the association are not covered in this report. Instead, it presents my work process, from on site measurements to the simulations in Treble.
The space was scanned using a Trimble X7 3D Laser Scanner and a tablet running the Trimble Perspective software. Reverberation time was measured using a B&K sound level meter and a starting pistol. CloudCompare was used to clean the point cloud, and both SketchUp Web and SketchUp 2017 Make were used to create the 3D model. Acoustic simulations were then carried out in Treble.
The results showed that Treble is user friendly, fast, and offers several excellent features. It is well suited for generating clear comparisons between different acoustic treatments, making it a valuable tool in the early stages of acoustic design
Torso and treble clef
Medium: etchingprintssigned and dated."Torso and treble clef" [2020.0254.000.000], Kahan, LouisExtent: plateExtent: shee
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