7,508 research outputs found
Performing Site; Symposium of practice-based research
No full textPerforming Site was a symposium of practice based research presented by diverse PhD students and research artists. This event was a Falmouth based edition of the Sensing Site series curated by Susan Trangmar/Steven Ball from Central St.Martin College, London. The series is an exchange of the diverse strategies and manifestations of practice as research
Steven Johnson Author Talk Poster
No full textK-State Book NetworkA poster advertising an author talk by Steven Johnson at Kansas State University on September 3, 2014. Steven Johnson's book "The Ghost Map" was the 2014-2015 common book
sensingsite 2
No full textSensingsite is a research forum investigating materialities of landscape and place. Research presentations, events and performances explore the transformative potential of media such as moving image, photography, interactive technologies and sound. The events aim to provide an open and constructive environment within which participants and audience can interact to provide feedback and peer review.
The second sensingsite symposium event, organised by Susan Trangmar, Duncan White and Steven Ball for Fine Art Research at Central Saint Martins, was held at Parasol unit on 16-17 April 2013.
Following on from the success of sensingsite 1 in Spring 2012, the hosting of the event by Parasol unit allowed for performance presentations in the gallery alongside more conventional papers. This gave a dynamic atmosphere of genuine dialogue concerning research practice alongside conventional research paper based delivery.
‘The use of space, nomadic audience participation and intimacy of the whole thing [...] allowed some wonderful terrain to be covered during all Q+A’s. Personally it was very inspiring for me to be around such eclectic approaches to ‘site’ and [...] the three of you chaired and facilitated all discussions with such a fantastic breadth of understanding and critical thinking.’ Mark Peter Wright (participant).
2013 contributors:
Bram Thomas Arnold (Falmouth University)
Katrina Brown (Falmouth University)
Samuel Burford (Chelsea College of Art and Design)
Magz Hall (LCC/UAL)
John Hillman (Falmouth University)
Jane Madsen (Bartlett School of Architecture/UCL)
Idit Nathan (CSM/UAL)
Corinne Silva (LCC/UAL)
Tansy Spinks (LCC/UAL)
Mark Peter Wright (LCC/UAL
Steven Bialer and Patti Smith, July 1978
No full textMusician, poet, and author Patti Smith sits on a bed in a hotel room in July 1978. The photograph was taken by Don Hamerman as part of a session for "Unicorn Times," an alternative performing arts periodical in Washington, D.C. Steven Bialer, the Design Director for "Unicorn Times," is seated on the bed next to Smith
Steven Garber
No full textSteven Garber speaks on the importance and value of truth.
Steven Garber is the principal of The Washington Institute for Faith, Vocation & Culture, which is focused on reframing the way people understand life, especially the meaning of vocation and the common good. A consultant to foundations, corporations and educational institutions, he is a teacher of many people in many places. The author of The Fabric of Faithfulness: Weaving Together Belief and Behavior, and Visions of Vocation: Common Grace for the Common Good, he is also a contributor to the books, Faith Goes to Work: Reflections from the Marketplace, and Get Up Off Your Knees: Preaching the U2 Catalogue. He lives with his wife Meg in Virginia
Steven Yedinak Interview
No full textLTC (RET) Steven M. Yedinak commissioned in the U. S. Army Infantry in 1963 and subsequently spent 26 years in Special Forces and Airborne Infantry. He served two combat tours in Vietnam (1966-67 & 1971-1972), and started the Mobile Guerrilla Force. He is the author of Hard to Forget: An American with the Mobile Guerrilla Force in Vietnam (Random House, 1998). He retired from the Army in 1989
Gamification is broken. An interview with Steven Poole
No full textSteven Poole is the author of Trigger Happy (2000. New York, NY: Arcade Publish), Unspeak (2006. New York, NY: Grove Press), and You Aren’t What You Eat (2012. In press). He has written extensively on books, culture, and videogames for The Guardian and other publications
Steven Pinker on language and thought
No full textEducação Superior::Linguística, Letras e Artes::LinguísticaThis video presents an exclusive preview of Steven Pinker's book: the stuff of thought. The author looks at language and how it expresses what goes on in our minds and how the words we choose communicate much more than we realize. For Steven Pinker, the brilliance of the mind lies in the way it uses just two processes to turn the finite building blocks of our language into infinite meanings. The first is metaphor: we take a concrete idea and use it as a stand-in for abstract thoughts. The second is combination: we combine ideas according to rules, like the syntactic rules of language, to create new thoughts out of old one
Steven Pinker on language and thought
No full textEducação Superior::Linguística, Letras e Artes::LinguísticaThis video presents an exclusive preview of Steven Pinker's book: the stuff of thought. The author looks at language and how it expresses what goes on in our minds and how the words we choose communicate much more than we realize. For Steven Pinker, the brilliance of the mind lies in the way it uses just two processes to turn the finite building blocks of our language into infinite meanings. The first is metaphor: we take a concrete idea and use it as a stand-in for abstract thoughts. The second is combination: we combine ideas according to rules, like the syntactic rules of language, to create new thoughts out of old one
Steven Pinker on language and thought
No full textEducação Superior::Linguística, Letras e Artes::LinguísticaThis video presents an exclusive preview of Steven Pinker's book: the stuff of thought. The author looks at language and how it expresses what goes on in our minds and how the words we choose communicate much more than we realize. For Steven Pinker, the brilliance of the mind lies in the way it uses just two processes to turn the finite building blocks of our language into infinite meanings. The first is metaphor: we take a concrete idea and use it as a stand-in for abstract thoughts. The second is combination: we combine ideas according to rules, like the syntactic rules of language, to create new thoughts out of old one
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