65 research outputs found
Faculty concert: George Neikrug, Gisela Depkat, and Andor Toth, January 29, 1996
No full textThis is the concert program of the Faculty Concert: George Neikrug, Gisela Depkat, and Andor Toth performance on Monday, January 29, 1996 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Suite for Cello Solo by Gaspar Cassado, Duo for Two Cellos by Jacques Offenbach, Sonata for Cello Solo, Op. 8 by Zol Kodály, Sonata for Cello Solo by Levon Chaoushian, Concert for Two Cellos by Nicolas Karjinsky, and Three Visually Impared Mice by Fred Katz. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund
Henri Temianka Correspondence; (toth)
No full textThis collection contains material pertaining to the life, career, and activities of Henri Temianka, violin virtuoso, conductor, music teacher, and author. Materials include correspondence, concert programs and flyers, music scores, photographs, and books.https://digitalcommons.chapman.edu/temianka_correspondence/4215/thumbnail.jp
SHEPHERD SCHOOL SYMPHONY ORCHESTRA ANDOR TOTH, guest conductor Friday, October 19, 1990 8:00 p.m. in Hamman Hall
No full textPROGRAM: Symphony no. 3 in F major, op. 90 / Johannes Brahms -- Divertimento for string orchestra / Béla Bartók -- La valse / Maurice Rave
ANALISIS NARASI VISUAL FILM SERI STAR WARS: ANDOR (2022) DALAM MEMBANGUN TEMA PERJUANGAN, IDENTITAS DAN MORALITAS
No full textAndor (2022) merupakan film dengan gaya penceritaan yang berbeda dan baru dari film-film Star Wars produksi Disney. Gaya naratif unik dan penceritaan yang menarik menjadikan film ini salah satu serial Star Wars terbaik di tahun belakangan ini. Kualitas film yang dibawa oleh Andor dapat dilihat dari detail penceritaan yang mencakup berbagai hal dari karakter, motivasi, suasana, set dan lain-lain. Tentu topik yang diteliti dalam artikel ini adalah elemen visual penceritaan. Artikel ini meneliti gaya penceritaan dari film seri Andor secara kualitatif deskriptif menggunakan metodologi teori naratif Seymour Chatman. Metodologi penelitian dari teori narasi Seymour Chatman diterapkan dalam meneliti narasi visual film seri Star Wars: Andor karena pendekatannya yang komprehensif terhadap analisis cerita dan wacana dalam medium visual. Tujuan penelitian ini adalah untuk membedah narasi film yang memberi kualitas dan makna cerita pada film serta menjadi sebuah inspirasi dan referensi ilmu bagaimana kualitas film Andor menjadikan salah satu produksi Disney yang menonjol setelah Rogue One. Penelitian ini akan membahas dan menjabarkan narasi dari Andor menggunakan metode Seymour Chatman dan memetakan narasi sesuai teori Chatman. Jabaran tersebut akan membagi narasi film menjadi dua bagian yaitu konten cerita dan ekspresi dari cerita sehingga menghasilkan bentuk dan substansi dari masing-masing bagian. Hasilnya adalah sebuah pemetaan kompleksitas narasi dari film seri ini sehingga pembaca dapat memahami komunikasi pesan dari pelaku film (real author) hingga penikmat film (real reader)
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Cello music in an eighteenth century manuscript: The "Opus 1" sonatas of Giuseppe Dall'Abaco (1710-1805).
No full textGiuseppe Dall'Abaco was one of a small group of Italian cellists active as composers and performers in London at the midpoint of the eighteenth century. The majority of his cello sonatas, together with those of several cellist colleagues, appears in Manuscript 31528 (dated after 1760) at the British Library. Only four other Dall'Abaco cello sonatas are known to exist, and there is no record that any of his works were published during his lifetime. However, the first group of twelve sonatas in Manuscript 31528 appears to have been intended for publication since it is headed by an embryonic title page and the sonatas are arranged with regard to balance of key plan, increasing length, and progressively greater technical difficulty. Although it has been assumed that the sonatas were composed in the 1760s, this study will demonstrate that Dall'Abaco's nobility, acquired in 1766, was inscribed later on the title page of these sonatas; thus their actual date of composition presumably preceded this date. The sonatas, which exhibit style characteristics typical of the time of transition from the late baroque to the early classic era (primarily the decade of the 1740s), are shown to be a coherent collection because of common melodic, harmonic, and rhythmic gestures. Since four movements from the Dall'Abaco sonatas appear as the published works of "Signor Martino," dated 1745 by the British Library, Martino's sonatas are also evaluated. It will be shown that these four similar movements, two of which appear as part of the well-known Sonata in G major attributed to Giovanni Battista Sammartini, most probably have their origin in Dall'Abaco's manuscript. Although Martino's true identity has long been in dispute, this study will demonstrate that he was in fact the French cellist Martin Berteau. The eleven Dall'Abaco sonatas existing only in manuscript are transcribed in Part II. In Part III of this document, three of these manuscript sonatas have been realized and edited for modern performance.This item was digitized from a paper original and/or a microfilm copy. If you need higher-resolution images for any content in this item, please contact us at [email protected] file replaced with corrected file April 2023
Concierto del Nuevo Cuarteto Húngaro en temporada de la Cámara de Comercio de Medellín 1979
No full text- Cuarteto en Re Mayor, Op. 64 No. 5, "La Alondra" (J. Haydn)
- Cuarteto No. 4 (Bela Bartok)
- Cuarteto en Re menor Op. Postumo, "La Muerte y la Doncella" (F. Schubert)Medellín, Biblioteca Luis Echavarría Villegas, Sala de Patrimonio Documental, Colección Programas de manoMedellín. Auditorio de la Cámara de Comerci
Untersuchung über die orale Immunisierung mit Outer-Membrane-Protein und deren Schutzwirkung unter Immunsuppression und oraler Belastung mit P. aeruginoasa bei der Maus
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