1,720,976 research outputs found
Nico Roymans & Ton Derks (Ed.), Villa Landscapes in the Roman North. Economy, Culture and Lifestyles, 2011
No full textRaepsaet Georges. Nico Roymans & Ton Derks (Ed.), Villa Landscapes in the Roman North. Economy, Culture and Lifestyles, 2011. In: L'antiquité classique, Tome 82, 2013. pp. 704-705
Smakelijk weidegras loont : Ton Derks: "Goed weidegras is beter dan krachtvoer"
No full textElk jaar is het weer lastig om de koeien constant smakelijk weidegras aan te bieden. Dit jaar waren natte perioden de spelbreker. Adviseurs Ton Derks en Dirk Jan den Boer van het project Koe & Wij geven praktische handvatten voor smakelijk gras en een hoge opname Availability INTERNET; ; No. 1(1984)-; Vanaf jrg. 20(2003) full text compleet beschikbaa
Nico Roymans & Ton Derks (Ed.), De tempel van Empel. Een Hercules- heiligdom in het woongebiet van de Bataven. 's-Hertogenbosch
No full textRaepsaet Georges. Nico Roymans & Ton Derks (Ed.), De tempel van Empel. Een Hercules- heiligdom in het woongebiet van de Bataven. 's-Hertogenbosch. In: L'antiquité classique, Tome 66, 1997. pp. 713-714
Ton Derks Gods, Temples and Ritual Practices. The Transformation of Religious Ideas and Values in Roman Gaul
No full textVan Andringa William. Ton Derks Gods, Temples and Ritual Practices. The Transformation of Religious Ideas and Values in Roman Gaul . In: Annales. Histoire, Sciences Sociales. 57ᵉ année, N. 3, 2002. pp. 720-721
Nico Roymans & Ton Derks (Ed.), De tempel van Empel. Een Hercules- heiligdom in het woongebiet van de Bataven. 's-Hertogenbosch
No full textRaepsaet Georges. Nico Roymans & Ton Derks (Ed.), De tempel van Empel. Een Hercules- heiligdom in het woongebiet van de Bataven. 's-Hertogenbosch. In: L'antiquité classique, Tome 66, 1997. pp. 713-714
Ton Derks & Nico Roymans (Ed.), Ethnic Constructs in Antiquity. The Role of Power and Tradition. Amsterdam, University Press, 2009
No full textRaepsaet Georges. Ton Derks & Nico Roymans (Ed.), Ethnic Constructs in Antiquity. The Role of Power and Tradition. Amsterdam, University Press, 2009. In: L'antiquité classique, Tome 81, 2012. pp. 611-612
La perception du panthéon romain par une élite indigène : le cas des inscriptions votives de la Germanie inférieure
No full textTon Derks, La perception du panthéon romain par une élite indigène : le cas des inscriptions votives de la Germanie inférieure, p. 7-23.
Le propos de cette étude est l'analyse du panthéon indigène et de ses principales transformations après la conquête romaine. La question centrale est celle des personnes ou des groupes à l'origine des associations entre dieux indigènes et dieux romains, attestés dans les inscriptions religieuses qui y sont liées. On pense que c'est une perception indigène spécifique, c'est-à-dire martiale, qui est à la base de la plupart des associations. On peut supposer qu'elles sont dues aux membres des familles aristocratiques indigènes qui ont occupé des postes administratifs dans leur civitas et qui, après la défaite, ont pris le parti de Rome et commandé des troupes auxiliaires de l'armée romaine. Il apparaît que ce sont également eux qui ont exercé des prêtrises dans les cultes indigènes.Derks Ton. La perception du panthéon romain par une élite indigène : le cas des inscriptions votives de la Germanie inférieure. In: Mélanges de l'École française de Rome. Antiquité, tome 104, n°1. 1992. pp. 7-23
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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