1,908,925 research outputs found
David Tomas : Duction
No full text“Duction” is a collaboration between Thériault and Tomas, an exhibition in book form. Tomas periodically intervenes in Thériault’s text, commenting on highlighted passages. The project is designed to highlight translation and transformation, in the text, as well as in Tomas’ transcultural, interdisciplinary practice of “photographic drawing” and “performed installations.” Text in English and in French. Biographical notes. 25 bibl. ref
Jacqueline Tomas Honors Portfolio
No full textJacqueline Tomas\u27 honors portfolio captured in May 2021
[Tomas Bustos Carving Red Texas Elm Sculpture of Giant Eagle]
No full textTomas Bustos, former student and apprentice to Octavio Medellin, carving an outdoor wood sculpture made from red Texas elm, in the shape of an eagle.Description obtained from Tomas Bustos
David Tomas : Chemical Skins
No full textJohnstone's analysis of four works by Tomas, all of which are interpretations of Magritte's 1938 painting "Time Transfixed," presents the artist's concerns and interest in systems of representation. Tomas reveals his process, reflects on the impact of photography on understanding the nature of memory and identity, and offers a discussion of the works. Brief biographical notes. 3 bibl. ref
Tomas Hrozensky
No full textTomas is a research fellow at the European Space Policy Institute in Vienna, Austria. He holds MA and PhD in international relations from the Matej Bel University in Banska Bystrica, Slovakia. Previously he was a visiting Fulbright Scholar at the Space Policy Institute of the George Washington University, researcher for the Space Security Index 2017 project and member of Slovak delegation to the UN COPUOS. During his studies he also completed several internships in the state administration and international organisations. Tomas has several years of volunteer engagement experience in the Space Generation Advisory Council and in his home country he currently chairs the Slovak Space Policy Association NGO, which also serves as a national point of contact for Slovakia in the European Centre for Space Law.https://commons.erau.edu/stm-images/1117/thumbnail.jp
Deborah Tomas Interview, May 29, 2001
No full textDeborah Tomas describes her involvement with the CETA [Comprehensive Employment and Training Act] program and Women’s Place. She discusses the Women’s Place’s initiatives and activities. She explains the difference in the terms “woman” versus “lady” and talks about her definition of feminism. Tomas recalls the history of the Women’s Place from its inception to its end.https://scholarworks.umt.edu/mtfeminist/1027/thumbnail.jp
Retratos y autorretratos de Baudelaire: un itinerario visual por sus ideas sobre arte.
No full textFil: Tomas, Silvia. Universidad Nacional de Río Negro; Argentina
[Tomas Bustos Working on Red Texas Elm Sculpture of Giant Eagle]
No full textTomas Bustos, former student and apprentice to Octavio Medellin, applying wood sealant to an outdoor wood sculpture made from red Texas elm, in the shape of an eagle.Description obtained from Tomas Bustos
Postdisciplinary Knowledge, Edited by Tomas Pernecky
No full textWhere does postdisciplinarity stand in relation to the other forms of non-disciplinarity? What critiques of academia does it launch? Postdisciplinary Knowledge edited by Tomas Pernecky, aims to theorise postdisciplinarity as a rebellious and subversive movement. This article reviews this work with the aim of finding out what makes postdisciplinarity unique and whether there is a need for it? It also provides an evaluative description of the individual chapters of the book. I conclude that the input of postdisciplinarity is a necessary contribution to discussions surrounding the nature of academia and the university
Live Rightly, Die, Die... : Un projet de David Tomas = Live Rightly, Die, Die... : A Project by David Tomas
No full text"'Live Rightly, die, die…' by David Tomas is a stand-alone title among Dazibao’s published collections. It is structured by the doubled logic of essay, in English and French, and visual journey, that retraces the two part exhibition of the same title held at Dazibao, in residence at the Cinématèque québécoise, from March 1st to April 25th, 2012. These two approaches, textual and visual, offer Tomas distinct solutions to the issues raised by the project’s various components. The result is a singular work, a hybrid essay and artist’s book, where the distinct functions of each genre are deployed, come together, are contaminated." -- Publisher's website
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