1,721,005 research outputs found
Compliance Update with Tom Fox
No full textJoin us for lunch with Tom Fox, compliance professional, author and creator of the Compliance Podcast Network, hosting a variety of compliance related podcasts, including a succinct daily compliance tip
Tom fox
No full texttom nFox Sparrow: Tom Fox; Foxy Tom (from its "foxy" colouration.)PRINTED ITEM G.M. Story JAN 1970JH 1/70Used IUsed INot use
Proteine machen Muskeln munter
No full textNahrung – eine Vokabel, die man täglich im wahrsten Sinne des Wortes „in den Mund nimmt“. Aber woraus besteht Nahrung eigentlich? Welche Substanzen sind für den Körper wertvoll, welche nicht? Die Antworten gibt Tom Fox in diesem Artikel. Er erklärt auch, warum beim Muskelaufbau Proteine eine zentrale Rolle spielen.</jats:p
Corporate Social Responsibility and Development: In quest of an agenda
No full textTHE CONTEMPORARY CSR AGENDA IS SKEWED BY THE DOGMA THAT OFTEN LIMITS IT TO VOLUNTARY BUSINESS ACTIVITIES, BY ITS DOMINATION BY ACTORS IN THE NORTH, AND ITS FOCUS ON LARGE ENTERPRISES. TOM FOX ARGUES THERE IS AN URGENT NEED FOR A MORE DEVELOPMENT-ORIENTED APPROACH THAT FOCUSES ON THE ENABLING ENVIRONMENT FOR RESPONSIBLE BUSINESS IN THE SOUTH AND THAT BRINGS THE ECONOMIC AND EQUITY ASPECTS OF SUSTAINABLE DEVELOPMENT TO THE FOREFRONT OF THE AGENDA:. Development (2004) 47, 29–36. doi:10.1057/palgrave.development.1100064
Muskelaufbau Schritt für Schritt
No full text„Kräftigung“ ist ein gängiger Begriff in der Physiotherapie. Aber was ist eigentlich Kraft? Hans-Josef Haas und Tom Fox fassen das Wichtigste zum Thema Kraft zusammen und erklären ein Modell für systematisches Training.</jats:p
Muskelphysiologie verstehen
No full textIn physiopraxis 1/05 haben Hans-Josef Haas und Tom Fox ein Phasenmodell für Krafttraining vorgestellt. Jetzt gehen sie ins Detail und erklären, wie man die Übungsintensität des Trainings an den Wundheilungsphasen ausrichtet. Außerdem erklären sie Begriffe wie intermuskuläre Koordination, Hypertrophietraining und Ermüdungsresistenz. Eine Reise ins Innere der Muskulatur.</jats:p
Group picture of University of Texas at Arlington (U. T. A.) President Spaniolo with Bill McKenzie, Michael Ainsworth, Tom Fox, Brad Loper
No full textGroup picture of University of Texas at Arlington (U. T. A.) President Spaniolo with Bill McKenzie, Michael Ainsworth, Tom Fox, Brad Loper; Maverick Celebration, 2010https://mavmatrix.uta.edu/specialcollections_spaniolomaterials/1044/thumbnail.jp
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
- …
