13,616 research outputs found
Business Maine articles by congressional candidates Tom Allen and Jane Amero o
No full textBusiness Maine articles by congressional candidates Tom Allen and Jane Amero on their support for small business
Focus on Energy & Utilities piece with commentary by Rep. Tom Allen, Democrati
No full textFocus on Energy & Utilities piece with commentary by Rep. Tom Allen, Democratic challenger for the U.S. Senate, and Sen. Susan Collins, Republican incumbent for the U.S. Senate, on federal and state energy policies
Interview with Tom Allen by Andrea L’Hommedieu
No full textBiographical NoteThomas Hodge Tom Allen was born April 16, 1945, in Portland, Maine, to Charles W. “Charlie” and Genevieve (Lahee) Allen. His great-grandfather was John Calvin Stevens, a well known Maine architect. Tom was graduated from Bowdoin College and went on to be a Rhodes Scholar, studying at Oxford in the class immediately behind Bill Clinton\u27s. He worked on Muskie’s 1970 senatorial reelection campaign and on the early part of the presidential campaign. He later attended Harvard Law School and subsequently returned to Maine to practice law. He worked on Mitchell\u27s 1974 gubernatorial campaign. He served in the U.S. House of Representatives from 1996-2008, vacating the seat for an unsuccessful run for the U.S. Senate. Since 2009, he has served as president and CEO of the Association of American Publishers. He is married to his childhood sweetheart, Diana.
SummaryInterview includes discussion of: Allen’s first recollections of Senator Mitchell; tensions in Ed Muskie’s staff; working with George Mitchell in Muskie’s 1972 presidential campaign; Allen’s involvement in Mitchell’s 1974 gubernatorial campaign; Allen’s characterization of George Mitchell socially; Allen’s friendship with Bill Clinton; Mitchell’s involvement in the peace process in Northern Ireland; how Allen has seen the character of Congress change over the years; and Allen working with Republican senators from Maine
Homenaje a Tom Zuidema
No full textTribute to Tom Zuidema by Catherine Allen in the section Testimonies for the history of anthropologyHomenaje a Tom Zuidema por Catherine Allen dentro de la sección Testimonios para la historia de la antropologí
Homenaje a Tom Zuidema
No full textTribute to Tom Zuidema by Catherine Allen in the section Testimonies for the history of anthropologyHomenaje a Tom Zuidema por Catherine Allen dentro de la sección Testimonios para la historia de la antropologí
Tom Allen Interview
No full textThis brief segment features an interview with Tom Allen, Maine’s 1st District Congressmen from 1998 to 2008, about the turbulent economy.https://digitalcommons.usm.maine.edu/wmpg_blunt/1002/thumbnail.jp
Tom Daschle and Allen Gates
No full textTom Daschle with Aberdeen, South Dakota businessman and Democrat Allen Gates
Tropical ginsberg: the resonance of Allen Ginsberg on the Tropicália
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-graduação em Letras/Inglês e Literatura Correspondente, Florianópolis, 2010Through a dialogical relation between poems and song lyrics, and the socio-political contexts which surrounded these texts, this research discusses the resonance that North American poet, Allen Ginsberg, had over the Brazilian musical movement, the Tropicália. The corpora are the poems "Howl" (1956), "America" (1956), "Supermarket in California" (1955), "Sunflower Sutra" (1955), "Song" (1954), and "Wild Orphan" (1952), written by Allen Ginsberg, and the songs "Batmacumba" (1968), composed by Caetano Veloso, and Gilberto Gil, "Baby" (1968), composed by Caetano Veloso, "Geléia Geral" (1968), composed by Gilberto Gil and Torquato Neto, "Alegria, Alegria" (1967), composed by Caetano Veloso, and "Domingo no Parque" (1967), composed by Gilberto Gil. The main theoretical and critical parameters of this research include: Mikhail Bakhtin and his reflections on intertextuality; James J. Farrell, who believes that the American counterculture began with the Beats; Claudio Willer, who stresses the importance of Allen Ginsberg to the Beat movement, as well as to the birth of the American counterculture; Christopher Dunn, who emphasizes the historical, social, and political relevance of the Tropicália; and Celso Favaretto, who discusses in depth the complexity of most of the Tropicália songs. Based on such parameters, this research suggests that the life and work of Allen Ginsberg had great resonance over the creation of the Tropicália.Através de uma relação dialógica entre poesia e letras de música e o contexto sócio-político que circundava tais textos, este estudo discute a ressonância que o poeta Norte Americano, Allen Ginsberg, teve sobre o movimento musical Brasileiro, a Tropicália. A corpora são os poemas "Howl" (1956), "America" (1956), "Supermarket in California" (1955), "Sunflower Sutra" (1955), "Song" (1954), e "Wild Orphan" (1952), escritos por Allen Ginsberg, e as músicas "Batmacumba" (1968), composta por Caetano Veloso, e Gilberto Gil, "Baby" (1968), composta por Caetano Veloso, "Geléia Geral" (1968), composta por Gilberto Gil e Torquato Neto, "Alegria, Alegria" (1967), composta por Caetano Veloso, e "Domingo no Parque" (1967), composta por Gilberto Gil. Os principais parâmetros teóricos e críticos desta pesquisa incluem: Mikhail Bakhtin e suas reflexões sobre intertextualidade; James J. Farrell, que acredita que a contracultura Americana começou com os Beats; também em Claudio Willer, que salienta a importância de Allen Ginsberg no movimento Beat e no nascimento da contracultura Americana; Christopher Dunn, que enfatiza a relevância histórica, social e política da Tropicália; e Celso Favaretto, que discute em profundidade a complexidade da grande maioria das músicas da Tropicália. Baseando-se em tais parâmetros identificados, esta dissertação sugere que a vida e obra de Allen Ginsberg tiveram grande ressonância sobre a criação da Tropicália
[Affidavit In Any Fact by Warren Allen Reynolds, March 16, 1964 #1]
No full textStatement by Warren Allen Reynolds concerning a man, identified by the author as Lee Harvey Oswald, running up Jefferson Street from Tenth Street
[Affidavit In Any Fact by Warren Allen Reynolds, March 16, 1964 #2]
No full textStatement by Warren Allen Reynolds concerning a man, identified by the author as Lee Harvey Oswald, running up Jefferson Street from Tenth Street
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