1,721,507 research outputs found
Joseph Tobari, Saving the legacy: an oral history of Utah\u27s World War II veterans, ACCN 2070, American West Center, University of Utah
No full textTranscript (26 pages) of an interview by Becky B. Lloyd with Joseph Tobari on May 30, 2001. This is from tape number 250 in the "Saving the Legacy Oral History ProjectJoseph Tobari (b. 1924) grew up in Salt Lake City. He discusses the discrimination he faced as a Japanese-American high school student after Pearl Harbor. He joined the Army in 1943 as a member of the 442nd Regimental Combat Team. He served in Italy, and later worked as a graphic artist for the Salt Lake Tribune and elsewhere in Salt Lake City. 26 pages
"Mamo (Topaz) and Mari Tobari."
No full textPhoto of a wheelchair-bound Japanese-American soldier with two Japanese American woman, identified as "Mamo (Topaz) and Mari Tobari." Probably taken in Utah
Racine et Longepierre : à propos de la querelle des Anciens et des Modernes
No full textTobari Tomô. Racine et Longepierre : à propos de la querelle des Anciens et des Modernes. In: Cahiers de l'Association internationale des études francaises, 1979, n°31. pp. 169-176
La mythologie grecque dans le théâtre français à la fin du XVIIe siècle
No full textTobari Tomô. La mythologie grecque dans le théâtre français à la fin du XVIIe siècle. In: Cahiers de l'Association internationale des études francaises, 1973, n°25. pp. 311-318
Une tragédie provocante : la « Médée » de Corneille
No full textTobari Tomô. Une tragédie provocante : la « Médée » de Corneille. In: Cahiers de l'Association internationale des études francaises, 1985, n°37. pp. 127-136
Milton and Mari Tobari Oda wedding at the Japanese Church of Christ in Salt Lake City .
No full textPhoto of Milton and Mari (Tobari) Oda on their wedding day
Longepierre, Électre, tragédie (1702). Texte établi et présenté par Tomoo Tobari
No full textGhiron-Bistagne Paulette. Longepierre, Électre, tragédie (1702). Texte établi et présenté par Tomoo Tobari. In: Bulletin de l'Association Guillaume Budé, n°1, mars 1983. pp. 96-97
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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