51,871,923 research outputs found
[Report to Chief J. E. Curry, by an unknown author #1]
No full textReport to Chief J. E. Curry, by an unknown author. The report contains a list of officers who gave depositions to the United States Attorney
[Report to Chief J. E. Curry, by an unknown author #2]
No full textReport to Chief J. E. Curry, by an unknown author. The report contains a list of officers who gave depositions to the United States Attorney
[Newspaper Clipping: Judge Blocks Author In Move to Aid Shaw #1]
No full textPhotocopy of a newspaper clipping which states that Judge Edward A. Haggerty Jr. blocked Saturday Evening Post author James Phelan from providing defense testimony
[Newspaper Clipping: Judge Blocks Author In Move to Aid Shaw #2]
No full textPhotocopy of a newspaper clipping which states that Judge Edward A. Haggerty Jr. blocked Saturday Evening Post author James Phelan from providing defense testimony
[Letter from an unknown author to the Dallas Police Chief, December 29, 1964 #1]
No full textHandwritten letter by an unknown author to the Dallas Police Chief, containing information from a prisoner
[Letter from an unknown author to the Dallas Police Chief, December 29, 1964 #2]
No full textHandwritten letter by an unknown author to the Dallas Police Chief, containing information from a prisoner
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Appropriate Similarity Measures for Author Cocitation Analysis
No full textWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Human-AI Collaboration in Academic Writing: towards a Synergy Model and A Case to Include AI as a Co-Author
No full textAs generative AI systems such as ChatGPT and Gemini 2.5 become increasingly integrated into academic workflows, the question of their legitimacy, limitations, and potential in scholarly writing has become urgent. This paper presents a reflexive case study of a sustained collaboration between a domain expert in consciousness studies and Gemini 2.5, culminating in the co-authorship of a peer-reviewed research article. By analyzing exactly 37,440 words of recorded interactions, we identify patterns of synergy, including recursive refinement, conceptual amplification, and accelerated manuscript development. We argue that when guided by a knowledgeable human author, AI can act as a cognitive partner rather than a passive tool—amplifying scholarly creativity and improving efficiency without compromising academic rigor. The case supports a '1+1=3' synergy model for co-authorship, in which human steering and AI fluency converge to produce novel insights and polished output faster and more effectively than either could achieve alone. The findings advocate for a paradigm shift from prohibitive policies to the responsible, expert-guided integration of AI in academic research and writing, grounded in transparency and accountability, and present arguments for why the AI tool should be listed as a co-author despite current injunctions against such practice
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