220 research outputs found
Evaluating the Elementary Multilingual Capabilities of Large Language Models with MultiQ
No full textFive ‘don’ts’ for introducing a female speaker
No full textThis is a guest post by Janina Dill, Assistant Professor at the Department of International Relations at the London School of Economics and a Research Fellow at the Center for Ethics, Law and Armed Conflict at the University of Oxford. Her research focuses on international law and ethics in international relations, specifically in war. She is the author of “Legitimate Targets? Social Construction, International Law and US Bombing.
Metamorphic Petrology and Geochemistry Across the Grenville Province Southern Province Boundary, Dill Township, Sudbury
No full textTitle: Metamorphic Petrology and Geochemistry Across the Grenville Province Southern Province Boundary, Dill Township, Sudbury, Author: Teunis A.P. Kwak, Location: ThodeThe geology and geochemistry of an area in Dill
township, Sudbury, Ontario are studied in detail. Emphasis is placed
on the nature of the boundary between the two provinces and the geochemistry of a sequence of pelitic schists in the Grenville province. The boundary appears to be marked by a mylonite zone separating
pelitic schists containing andalusite-staurolite assemblages from kyanitesillimanite-staurolite ones. The pelitic schists in the Grenville province show a steep increase
in temperature and pressure extending from the lower almandine amphibolite
to the lower granulite facies. Electron microprobe, spectrographic and wet
chemical analyses were performed on kyanite , sillimanite, biolite, muscovite
and garnet and indicated many systematic changes of elemental distribution
coefficients with changing metamorphic grade.ThesisDoctor of Philosophy (PhD
Anethum graveolens (Dill) : Dill
No full textClass: Dicotyledoneae
Family: Apiaceae
Genus: Anethum
Species: graveolen
Popular herb throughout the ages, dill packs flavor
No full textMedical and dietetic students often co-author a column for the Daily Reflector under Dr. Kolasa's byline. The students research the topic a reader or patient has asked. Dr. Kolasa reviews their draft for technical accuracy, patient friendly language, people first language. She fact checks the study or other evidence-based reference the student provides. If a physician review is appropriate, Dr. Kolasa requests a colleague from ECU physicians to review the article. The final draft is submitted to the Reflector with the editor having the final say. The headline is written by the Reflector headline writer. The food and nutrition column has run weekly since 1987. Starting in 2020, in addition to the Daily Reflector, the article is published in daily and weekly papers owned by the Adams Publishing Group East (https://adamspg.com).This is a weekly Q and A newspaper column under the byline of Dr. Kathy Kolasa. The importance of today's column is to provide information to readers about dill weed, which is a popular herb that has been utilized for ages. Dill weed has many uses and for those unfamiliar with this herb and how to use it, today's column highlights why it is referred to as a "good herb".Non
Literatura juvenil de Luís Dill (1965): lo estético y lo social en la narrativa contemporánea
No full textA narrativa brasileira contemporânea propõe vários desafios no que diz respeito à sua análise. Entre eles destaca-se a reverberação do contexto mercadológico na produção de obras juvenis. Nesse contexto, a presente tese analisa, interpreta e categoriza as configurações do projeto literário do escritor gaúcho Luís Dill (1965) no entrecruzamento de arte e indústria cultural, procurando compreender como se constitui o capital simbólico correspondente à produção da literatura juvenil produzida pelo escritor. A pesquisa é de perspectiva bibliográfica, com um corpus de 31 obras submetidas à grade de análise literária desenvolvida por Ceccantini (2000), tendo constituído a base metodológica para formularmos as primeiras categorias de análise da estética do escritor gaúcho. Os conceitos de Candido (1980), Bourdieu (1996), Cruvinel (2009), Villa-Forte (2019), Benjamin (2000), Eco (2001), Borelli (1996), Pellegrini (1999) entre outros estudiosos da área, foram nosso suporte teórico para se examinar a relação entre escritor, mercado, obra e leitor. Diante dessas reflexões, evidenciou-se que Dill é um autor que se formou e se forma à medida que o mercado interfere em sua produção, posto que é um escritor que consegue manter uma relação harmoniosa e significativa com o mercado editorial. O escritor gaúcho se submete às regras do jogo da arte, correspondendo não só aos aspectos almejados pelo mercado e o público, mas também aos seus, enquanto escritor engajado em formar leitores e produzir uma literatura de qualidade. Além disso, conceituamos o diálogo direto que Dill faz com os textos clássicos e a integração da linguagem das redes sociais e cinematográficas na estrutura do texto literário. Tais aspectos funcionam como modificadores da estrutura do romance juvenil, o que nos levou a questionar e refletir sobre a unidade do gênero e como ele se molda para corresponder às expectativas do público. Portanto, o projeto literário de Luís Dill apresenta-se como pluridimensional, posto que integra múltiplas linguagens para significar e potencializar a estrutura do texto e a fruição do leitor. Dill configura-se, assim, como um escritor de nosso tempo, com um olhar sensível para se apropriar daquilo que nos é contemporâneo, ressaltando valores estéticos e sociais no conjunto das suas obras.The contemporary Brazilian narrative proposes several challenges with regard to its analysis. Among them, the reverberation of the market context in the production of youth works stands out. In this context, the present thesis analyzes, interprets and categorizes the configurations of the literary project of the writer Luís Dill (1965) in the intersection of art and cultural industry, trying to understand how is constituted the symbolic capital that corresponds to the youth literature produced by the writter. The research is from a bibliographic perspective, with a corpus of 31 works submitted to the grid of literary analysis developed by Ceccantini (2000), having constituted the methodological basis for formulating the first categories of analysis of the aesthetics of the gaucho writer. The concepts of Candido (1980), Bourdieu (1996), Cruvinel (2009), Villa-Forte (2019), Benjamin (2000), Eco (2001), Borelli (1996), Pellegrini (1999) among other scholars of the area, were our theoretical support for examining the relationship between writer, market, work and reader. In the face of these reflections, it became evident that Dill is an author who was formed and forms himself as the market interferes, since he is a writer able to maintain a harmonious and significant relationship with the publishing market. The gaucho is able to make the rules of the art game, corresponding not just for the desired aspects by the market and by the public, but to his own, as a writer engaged in training readers and producing quality literature. In addition, we conceptualize the direct dialogue that Dill does with classic texts and the integration of the language of social and cinematic networks in the structure of the literary text. Such aspects work as modifiers of the structure of the youth novel, which led us to question and reflect on the genre unity and how it shapes itself to meet the expectations of the public. Therefore, the literary project of Luís Dill presents itself as multidimensional, since it integrates multiple languages to signify and enhance the structure of the text and the enjoyment of the reader. Dill is configured as a writer of our time, with a sensitive eye to appropriate what is contemporary, emphasizing aesthetic and social values in the set of his worksLa narrativa brasileña contemporánea plantea varios desafíos en cuanto a su análisis. Entre ellos se destaca la reverberación del contexto del mercado en la producción de obras juveniles. En este contexto, la presente tesis analiza, interpreta y categoriza las configuraciones del proyecto literario del escritor Luís Dill (1965) en la intersección del arte y la industria cultural, buscando comprender cómo se constituye el capital simbólico corresponde a la producción de literatura juvenil producida por el escritor. La investigación es desde una perspectiva bibliográfica, con un corpus de 31 trabajos sometidos a la cuadrícula de análisis literario desarrollado por Ceccantini (2000), habiendo constituido la base metodológica para formular las primeras categorías de análisis de la estética del escritor gaucho. Los conceptos de Cándido (1980), Bourdieu (1996), Cruvinel (2009), Villa-Forte (2019), Benjamin (2000), Eco (2001), Borelli (1996), Pellegrini (1999) entre otros estudiosos del área, fueron nuestro soporte teórico para examinar la relación entre escritor, mercado, obra y lector. Ante estas reflexiones, se hizo evidente que Dill es un autor que se formó y se forma a medida que el mercado interfiere, ya que es un escritor que logra mantener una relación armónica y significativa con el mercado editorial. El gaucho logra hacer el juego de las reglas del arte, correspondiendo no solo a los aspectos deseados por el mercado y el público, como también a los suyos , como escritor comprometido con la formación de lectores y la producción de literatura de calidad. Además, conceptualizamos el diálogo directo que Dill hace con los textos clásicos y la integración del lenguaje de las redes sociales y cinematográficas en la estructura del texto literario. Dichos aspectos actúan como modificadores de la estructura de la novela juvenil, lo que nos llevó a cuestionar y reflexionar sobre la unidad del género y cómo se configura para satisfacer las expectativas del público. Por tanto, el proyecto literario de Luís Dill se presenta multidimensional, ya que integra múltiples lenguajes para significar y realizar la estructura del texto y el disfrute del lector. Dill se configura como un escritor de nuestro tiempo, con una mirada sensible para apropiarse de lo contemporáneo que nos es, enfatizando los valores estéticos y sociales en el conjunto de sus obrasCoordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)CAPES: 88882.432687/2019-0
Love is in the stomach, not the heart /
No full textAdvertisements for other works by author: [3] p. at end.On verso of t.p.: Vincent Dill, Electrotyper, N.Y.In verse and prose.Mode of access: Internet
Faces da violência na literatura de Luís Dill : um estudo de três narrativas para jovens
No full textThis thesis is linked to the investigations of the Research Line “Literature: creative writing, translation and teaching” of the Postgraduate Program in Literature at the Federal University of Espírito Santo, integrating the dialogues of the Research Group “Literature and Education” of the same institution. With a qualitative approach and bibliographic-documentary character, this study aimed to investigate the different faces of violence in the youth literature of the Gaucho author Luís Dill. For this, three works were selected that make up the main corpus of analysis: The night of the emeralds (1997), The day in which Luca did not return (2009) and 100 thousand followers (2019), each representing a different decade of the writer's literary production. The analysis and interpretation of the presence of different forms of violence in the selected works were based on theoretical studies on the subject, such as those by Yves Michaud, Slavoj Žižek, Byung-Chul Han and Marilena Chauí, among other researchers. Furthermore, the work dialogued with research on contemporary Brazilian literature, from authors such as Karl Erik Schøllhammer, Tânia Pellegrini and Jaime Ginzburg, and investigations on Brazilian youth narrative, with contributions from João Luís Ceccantini and Alice Áurea Penteado Martha, among others. The analyzes indicated a progression in the forms and manifestations of violence in Luís Dill's narratives, reflecting the current political-economic system in contemporary times. Through his texts, the author constructs a credible reality, based on the historical and social conditions of the objective world, at the same time as he carries out a scathing critique of the modus operandi of capitalist society. His works show how violence finds different ways of existing and reinventing itself over timeA presente tese vincula-se às investigações da Linha de Pesquisa “Literatura: escrita criativa, tradução e ensino” do Programa de Pós-Graduação em Letras da Universidade Federal do Espírito Santo, integrando os diálogos do Grupo de Pesquisa “Literatura e Educação” da mesma instituição. Com abordagem qualitativa e caráter bibliográfico-documental, este estudo teve como objetivo investigar as diferentes faces da violência na literatura juvenil do autor gaúcho Luís Dill. Para isso, foram selecionadas três obras que compõem o corpus principal de análise: A noite das esmeraldas (1997), O dia em que Luca não voltou (2009) e 100 mil seguidores (2019), representando, cada uma, uma década distinta da produção literária do escritor. A análise e interpretação da presença de diferentes formas de violência nas obras selecionadas basearam-se em estudos teóricos sobre o tema, como os de Yves Michaud, Slavoj Žižek, Byung-Chul Han e Marilena Chauí, entre outros pesquisadores. Além disso, o trabalho dialogou com pesquisas sobre a literatura brasileira contemporânea, a partir de autores como Karl Erik Schøllhammer, Tânia Pellegrini e Jaime Ginzburg, e investigações sobre a narrativa juvenil brasileira, com contribuições de João Luís Ceccantini e Alice Áurea Penteado Martha, entre outros. As análises indicaram uma progressão nas formas e manifestações da violência nas narrativas de Luís Dill, refletindo o sistema político-econômico vigente na contemporaneidade. Por meio de seus textos, o autor constrói uma realidade verossímil, fundamentada nas condições históricas e sociais do mundo objetivo, ao mesmo tempo em que realiza uma crítica contundente ao modus operandi da sociedade capitalista. Suas obras mostram como a violência encontra diferentes faces e formas de existir e de se reinventar ao longo do tempoFundação de Amparo à Pesquisa e Inovação do Espírito Santo (Fapes
Chancellor\u27s Report to Community, 1995, 4714
No full textChancellor\u27s Report to Community, 1995, Karen Foss, John Dill (Author of the Alma Mater), Chancellor Touhill, Alma Mater Was Introduced at This Event 4714https://irl.umsl.edu/photo/5716/thumbnail.jp
I’m Not an Archivist But I Played One For a Year: Lessons For Librarians Who Step Outside Of Their Comfort Zones
No full textThe author reports on her experiences in a temporary archivist position and the lessons she learned about archives and libraries during this time
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