1,721,053 research outputs found
Tim Youngs, The Cambridge Introduction to Travel Writing
Dans la collection « Cambridge Introductions to Literature », destinée aux étudiants et aux programmes universitaires, Tim Youngs propose un volume qui présente le récit de voyage sous l’étiquette large et accueillante de « travel writing ». C’est d’ailleurs à la question de la définition et des limites du genre qu’est consacrée l’introduction, riche et stimulante. Tim Youngs prend pour corpus les récits en prose racontés à la première personne par leur auteur et fondés sur un voyage réel, do..
Interview with Robyn Davidson
In an interview with Tim Youngs, conducted on 8 July 2004, Robyn Davidson discusses her relationship to Australia and her peripatetic existence, which she compares with the movement of traditional nomads. Refusing an easy identification with them, she nevertheless admits having a romantic feeling for their lifeways. Modern forms of post-industrial rootlessness, she acknowledges, are not the same as ancient forms of nomadism, which are disappearing with globalisation, a process whose effects she plans to represent in a series of films. Reflecting on her travel books, Tracks and Desert Places, Davidson talks of how they are artefacts and their narrators creations. The construction of a persona affords her a welcome anonymity. Writing about a journey is to relive it but also creates a distance between the event and the writing. Davidson likens travel writing to the novel and she considers some of the characteristics of women's writing. Finally, developing some comments made in her introduction to the Picador Book of Journeys, Davidson talks about the future of travel writing
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Dream of an elsewhere: contemporary African American travel writing
African American literature is infused with travel. Experiences of physical journeying have been pivotal to the story of men and women of African descent in the United States for hundreds of years, since the original traumatic forced displacement of the Middle Passage that generated a diasporic subjectivity intertwined with corporeal motion. The subsequent emancipatory journey to freedom, as recited in slave narratives, decentred the coercive migrations of the slave trade by coupling the subversive act of self-directed movement through geographical space with a collective understanding of liberty. Wanderings in the period after the Civil War, followed by the momentous collective Great Migratory journeys of the twentieth century, as well as the countless and ongoing voyages to the ancestral continent of Africa spanning four centuries, has only deepened the criticality of travel to African American history and cultural production. However, African American travel writing has received only a small amount of scholarly attention. Moreover, of that scant consideration, the focus has tended to be on narratives of involuntary or economically necessitated movement. Thorough academic study of the contemporary literature of African American travel beyond these domains is rare, despite the potential rewards of such an endeavour for researchers interested in the contemporary (re)construction of African American subjectivity and in the continuing artistic evolution of the changeable and indeterminate travel book form
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Writing the Southern Cross: Religious Travel Writing in Nineteenth-Century Australasia
In November 1824, the Reverend Daniel Tyerman wrote from Sydney to fellow religious men in Britain extolling the opportunities that Australia and the Pacific region offered. The region, he enthused, will ‘form an interesting branch of the Missionary Tree which is growing — and flourishing — and stretching its branches over the whole Earth — and the leaves of it, are for the healing of the Nations’. As late eighteenth-century additions to Britain's imperial fold, the Pacific Islands and Australian colonies seemed to Tyerman to sit at the nexus of imperial and evangelical interests. Despite the fluid and de facto colonial relations between the Islands and Britain, and the unpromising penal origins of the Southern continent, the region offered missionaries and their supporters a whole new field of evangelical activity, particularly when conceived as a geographical totality. This Southern part of the world offered a tabula rasa where Protestant Evangelicals could spread the gospel alongside British enterprise, a zone where Protestantism seemed assured of unimpeded access to virgin territory, territory that was not also being claimed by Catholicism. The Southern Cross constellation, which emblazoned the Southern skies, seemed a prophetic metaphor for the spread of religion and empire under British Protestant guidance. This chapter examines the contribution that religious travel writing about nineteenth-century Australasia made to British understandings of the region
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