1,721,121 research outputs found

    A Step Towards the Earth: Interview with Tim Robinson.

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    © Jos Smith (the author) 2013The following is an interview with artist, cartographer and author Tim Robinson. In 1972 Tim left a life as a visual artist working in London and moved with his wife to the Aran Islands off the west coast of Ireland in Galway Bay. After the post-mistress on the island suggested he make a map for the tourists he began to compile an index of the placenames and the history and lore associated with them. There soon came to be far more information than he could represent on the map, and so he began work on his two-volume study of the islands, Stones of Aran, the first volume of which was to be published in 1986. Today Tim lives on the mainland with his wife Máiréad in the headquarters of their small publishing company Folding Landscapes in Roundstone, where 25 years on he has just finished the final book in his Connemara trilogy. In this interview Tim reflects on his early practice as an artist and how this might have affected his choice to move to Aran before discussing his method both as a maker of maps and as an author. Touching also on such subjects as science and its relationship to art, religion and the environment, he shows the depth of thought and the extraordinary commitment to his practice that we have come to expect from perhaps the greatest living literary and documentary author of place

    A Step Towards the Earth: Interview with Tim Robinson.

    No full text
    The following is an interview with artist, cartographer and author Tim Robinson. In 1972 Tim left a life as a visual artist working in London and moved with his wife to the Aran Islands off the west coast of Ireland in Galway Bay. After the post-mistress on the island suggested he make a map for the tourists he began to compile an index of the placenames and the history and lore associated with them. There soon came to be far more information than he could represent on the map, and so he began work on his two-volume study of the islands, Stones of Aran, the first volume of which was to be published in 1986. Today Tim lives on the mainland with his wife Máiréad in the headquarters of their small publishing company Folding Landscapes in Roundstone, where 25 years on he has just finished the final book in his Connemara trilogy. In this interview Tim reflects on his early practice as an artist and how this might have affected his choice to move to Aran before discussing his method both as a maker of maps and as an author. Touching also on such subjects as science and its relationship to art, religion and the environment, he shows the depth of thought and the extraordinary commitment to his practice that we have come to expect from perhaps the greatest living literary and documentary author of place

    Anticipating deep mapping: Tracing the spatial practice of Tim Robinson

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    There has been little academic research published on the work of Tim Robinson despite an illustrious career, first as an artist of the London avant-garde, then as a map-maker in the west of Ireland, and finally as an author of place. In part, this dearth is due to the difficulty of approaching these three diverse strands collectively. However, recent developments in the field of deep mapping encourage us to look back at the continuity of Robinson’s achievements in full and offer a suitable framework for doing so. Socially engaged with living communities and a depth of historical knowledge about place, but at the same time keen to contribute artistically to the ongoing contemporary culture of place, the parameters of deep mapping are broad enough to encompass the range of Robinson’s whole practice and suggest unique ways to illuminate his very unusual career. But Robinson’s achievements also encourage a reflection on the historical context of deep mapping itself, as well as on the nature of its spatial practice (especially where space comes to connote a medium to be worked rather than an area/volume). With this in mind the following article both explores Robinson’s work through deep mapping and deep mapping through the work of this unusual artist

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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