398,668 research outputs found
Rainbow Falls
No full textJames E. (Jim) Thompson (1880-1976) was a noted photographer, hiker, and outdoor enthusiast who played a major role in promoting a national park in the Southern Appalachians. In the 1920s, up to the park’s dedication in 1940, Thompson was often referred to as the “Official Photographer of the Great Smokies National Park Movement.” His work was reproduced in brochures and reports promoting the idea of a park and many of his photographs depict the landscape before park construction
Huggins Hell
No full textJames E. (Jim) Thompson (1880-1976) was a noted photographer, hiker, and outdoor enthusiast who played a major role in promoting a national park in the Southern Appalachians. In the 1920s, up to the park’s dedication in 1940, Thompson was often referred to as the “Official Photographer of the Great Smokies National Park Movement.” His work was reproduced in brochures and reports promoting the idea of a park and many of his photographs depict the landscape before park construction. Several of Thompson’s photographs, which illustrate locations in today’s Great Smoky Mountains National Park, were reproduced and captioned for distribution
Gregory Bald
No full textJames E. (Jim) Thompson (1880-1976) was a noted photographer, hiker, and outdoor enthusiast who played a major role in promoting a national park in the Southern Appalachians. In the 1920s, up to the park’s dedication in 1940, Thompson was often referred to as the “Official Photographer of the Great Smokies National Park Movement.” His work was reproduced in brochures and reports promoting the idea of a park and many of his photographs depict the landscape before park construction. This undated photograph was made in and around the location of today’s Great Smoky Mountains National Park
Mt. Chapman
No full textJames E. (Jim) Thompson (1880-1976) was a noted photographer, hiker, and outdoor enthusiast who played a major role in promoting a national park in the Southern Appalachians. In the 1920s, up to the park’s dedication in 1940, Thompson was often referred to as the “Official Photographer of the Great Smokies National Park Movement.” His work was reproduced in brochures and reports promoting the idea of a park and many of his photographs depict the landscape before park construction
Little Pigeon River
No full textJames E. (Jim) Thompson (1880-1976) was a noted photographer, hiker, and outdoor enthusiast who played a major role in promoting a national park in the Southern Appalachians. In the 1920s, up to the park’s dedication in 1940, Thompson was often referred to as the “Official Photographer of the Great Smokies National Park Movement.” His work was reproduced in brochures and reports promoting the idea of a park and many of his photographs depict the landscape before park construction
Ramsey Cascades
No full textJames E. (Jim) Thompson (1880-1976) was a noted photographer, hiker, and outdoor enthusiast who played a major role in promoting a national park in the Southern Appalachians. In the 1920s, up to the park’s dedication in 1940, Thompson was often referred to as the “Official Photographer of the Great Smokies National Park Movement.” His work was reproduced in brochures and reports promoting the idea of a park and many of his photographs depict the landscape before park construction
Mt. Sterling
No full textJames E. (Jim) Thompson (1880-1976) was a noted photographer, hiker, and outdoor enthusiast who played a major role in promoting a national park in the Southern Appalachians. In the 1920s, up to the park’s dedication in 1940, Thompson was often referred to as the “Official Photographer of the Great Smokies National Park Movement.” His work was reproduced in brochures and reports promoting the idea of a park and many of his photographs depict the landscape before park construction
Laura Thornborough
No full textA native of Tennessee, Laura Thornborough (born Laura Thornburgh, 1885-1973) was the author of several books; her most well-known work is “The Great Smoky Mountains.” In this 1937 publication, Thornborough describes the mountains and surrounding communities and provides a first-hand history of the park’s formation. James E. (Jim) Thompson (1880-1976) was a noted photographer, hiker, and outdoor enthusiast who played a major role in promoting a national park in the Southern Appalachians. In the 1920s, up to the park’s dedication in 1940, Thompson was often referred to as the “Official Photographer of the Great Smokies National Park Movement.” His work was reproduced in brochures and reports promoting the idea of a park and many of his photographs depict the landscape before park construction
Classe, cultura e experiência: E.P. Thompson e o culturalismo nas ciências sociais
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humans. Programa de Pós-graduação em Sociologia PolíticaA proposta da pesquisa é indicar as conseqüências teóricas presentes nas concepções de classe, cultura e experiência em E. P. Thompson por meio de critérios ontológicos do objeto de estudo da Sociologia e do instrumental teórico do Realismo Crítico. Dessa forma, identificamos as possibilidades de um intercâmbio/diálogo entre as categorias de cultura e experiência no âmbito da Antropologia, da Sociologia e da História. Destacamos nesse processo a categoria cultura em relação #àquilo que não é cultura#, i.e., relacionando as condições materiais de existência com as perspectivas de transformação social fundadas na luta, consciência e experiência de classe. Para tanto, analisamos o desenvolvimento teórico de algumas proposições do culturalismo e sua inserção no debate sobre o ser social, bem como o conceito de cultura para Thompson. Abrimos assim a possibilidade do estudo científico do ser social, relacionando as implicações teóricas de sua obra com o modelo transformacional de sociedade delimitado pelo Realismo Crítico de Roy Bhaskar Para contextualizar os debates, sistematizamos as críticas de Thompson às tendências funcionalistas das Ciências Sociais e discutimos alguns críticos de sua obra. Como conclusão, apontamos as contribuições de Thompson ao amplo debate das Ciências Sociais no campo dos estudos sobre cultura e sociedade, sem perder de vista ou abandonar os referenciais marxistas de sua obra no intuito de afastá-lo da corrente culturalista pósmoderna a que é, por vezes, impropriamente vinculado. The aim of this research is to indicate the theoretical consequences within the categories of class, culture and experience in E. P. Thompson by relating them with the ontological criteria of sociology#s subject of study and the achievements of Critical Realism theory. Doing that we hope to help to identify the possibilities of an exchange/dialog between the categories of culture and experience within Anthropology, Sociology and History
Views in the Great Smoky Mountains National Park
No full text“Views in the Great Smoky Mountains National Park,” is a 26-page album of original photographs. While the last page of the album is labeled “Photographs by Thompsons,” referring to Knoxville photographers Jim and Robin Thompson, most likely, these images were made by Jim Thompson. James E. (Jim) Thompson (1880-1976) and brother, Robin Thompson (1895-1977) were both photographers. In the 1920s they were partners in Thompson Brothers Commercial Photography, a firm started by their father in 1902. In 1927, the brothers went their separate ways, each taking on various photographic interests
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