994 research outputs found
Dr. H. Brauscomb, B. R. Thompson, Dr. Lawrence Parrish and Jesse F. Stalling
No full textBack row left to right, Dr. H. Brauscomb and Mr. B. R. Thompson, front row left to right Dr.Lawrence Parrish and Mr. Jesse F. Stalling pose for a group picture
Author Jesse Hill Ford, 1970 Guest Speaker 1
No full textWell known author Jesse Hill Ford spoke at Jacksonville State University July 2, 1970 in the Student Commons Auditorium. His visit was sponsored by the JSU English Department. Shown left are Jesse Hill Ford and Dr. William Calvert, head of the English Dept.https://digitalcommons.jsu.edu/lib-ac-histimg/40509/thumbnail.jp
Mrs. Sterling Hamlet with Jesse Stuart (on right), ca. 1958,
No full textMrs. Sterling Hamlet with Jesse Stuart (on right), ca. 1958, b&w. Note on back reads: L. Mrs. Sterling Hamlet (nee Theodosia Kirkland), past president, Women\u27 s Club of Huntington. R. Jesse Stuart (Author\u27s luncheon).https://mds.marshall.edu/doris_miller_papers/1106/thumbnail.jp
Dr. James N. Thompson
No full textDr. James N. Thompson (far right) came to Bowman Gray School of Medicine in 1979 as Assistant Professor of Surgery in Otolaryngology. He was promoted to Associate Professor in 1981, Professor in 1988, Associate Dean in 1987 and named the eighth Dean of the Medical School following a national search in 1994. Dr. Thompson is shown here with (L-R) Drs. Jesse Meredith and son, Wayne Meredith. The three physicians worked together as a trauma team for nine Catawba County youth who unknowingly gulped a highly corrosive lye-like chemical from a bottle located in a refrigerator. Radical surgical treatment from the three doctors saved their lives.Information from North Carolina Baptist Hospital Topics, vol. 38, no. 2, Spring 1994, p. 2; Topics, vol. 31, no. 3, Fall 1987, p. 1. Published in The Legacy and Promise: 100 Years of Medicine at WFUSM, p. 85
Land manager experiences with resilience in national forest planning and management
No full textMichael R. Coughlan, Autumn Ellison, Jesse Abrams, and Heidi Huber-Stearns.This archived document is maintained by the Oregon State Library as part of the Oregon Documents Depository Program. It is for informational purposes and may not be suitable for legal purposes.Supported by the Joint Fire Science Program 16-3-01-10.Mode of access: Internet from the Oregon Government Publications Collection.Text in English
Supplemental material for A randomized 500-subject open-label phase 3 clinical trial of minimally invasive surgery plus alteplase in intracerebral hemorrhage evacuation (MISTIE III)
No full textSupplemental Material for A randomized 500-subject open-label phase 3 clinical trial of minimally invasive surgery plus alteplase in intracerebral hemorrhage evacuation (MISTIE III) by Wendy C Ziai, Nichol McBee, Karen Lane, Kennedy R Lees, Jesse Dawson, Paul Vespa, Richard E Thompson, A David Mendelow, Carlos S Kase, J Ricardo Carhuapoma, Carol B Thompson, Steven W Mayo, Pat Reilly, Scott Janis, Craig S Anderson, Mark R Harrigan, Paul J Camarata, Jean-Louis Caron, Mario Zuccarello, Issam A Awad, Daniel F Hanley and On Behalf of the MISTIE III Investigators in International Journal of Stroke</p
Land manager experiences with resilience in national forest planning and management
No full textMichael R. Coughlan, Autumn Ellison, Jesse Abrams, and Heidi Huber-Stearns.Title from PDF cover (viewed on July 22, 2021).This archived document is maintained by the Oregon State Library as part of the Oregon Documents Depository Program. It is for informational purposes and may not be suitable for legal purposes.Includes bibliographical references (page 14).This project was funded by the Joint Fire Science Program (grant #16-3-01-10).Mode of access: Internet from the Oregon Government Publications Collection.Text in English
Thiesky, Jesse (Birth, 1887-03-12)
No full textAddress: 332 Eastern Ave.1593/Pg. 39/1887/WM/Am./Am./Dr. T. R. LuffOriginal record filed in drawer labeled 'THIE- THOMPSON'
The invisible artist: Arrangers in popular music (1950-2000): Their contribution and techniques
No full textThis thesis was submitted for the degree of Doctor of Philosophy and was awarded by Brunel University.This thesis is based on the research conducted by the author for the series,
Richard Niles' History of Pop Arranging, seven thirty-minute documentary
programmes for BBC Radio 2, researched, written and presented by the author and
broadcast in 2003. It also draws on interviews conducted by the author (and other
research) between 2002 and 2007 both for the radio series and for this thesis and on
the author's experience as a professional arranger in popular music working with
many of the genre's significant recording artists including Paul McCartney, Ray
Charles, Cher, Tina Turner, Westlife, Tears For Fears, Dusty Springfield, James
Brown, Pet Shop Boys, Kylie Minogue and producers including Trevor Hom, Steve
Lipson, Steve Mac and Steve Anderson.
It will be argued that the role of the arranger in popular music has often been
undervalued and that during a critical period of popular music history (1950-2000)
arrangers played a significant part in the evolution of musical content. This thesis is,
to the best of the author's knowledge, the first time (apart from the above mentioned
documentary) the subject has ever been examined. The arranger is "invisible" because musical arrangers are often un-credited on
record liner notes or in books or articles concerning popular music. A considerable
amount of research has been necessary to determine who wrote many of the
arrangements considered herein. Motown's Berry Gordy purposely kept the names of
musicians and arrangers off the records because he feared others might 'poach' the
trademark 'Motown Sound'. Other record labels considered the job of the arranger to
be reminiscent of an earlier era, diluting the Rock 'n' Roll image of emotion and
spontanaeity they wished to promote. Some producers and recording artists disliked
sharing credit for their work. Motown arranger David Van dePitte told the author that
arranging was "thankless and anonymous - a very service-oriented profession where
others often take credit for what you've done." Arranging has therefore remained an
intrinsically unseen art created by 'invisible' artists. By analyzing many recordings,
revealing the techniques and concepts they have used in their work to create popular
records, arrangers and their art will be made more 'visible'
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Reconstruction in Collin County, Texas, 1865-1876
No full textThis is a work of local history examining the course of Reconstruction in Collin County, Texas. National and state level surveys of Reconstruction often overlook the experiences of communities in favor of simpler, broader narratives. The work proceeds chronologically, beginning with the close of the Civil War, and tells the story of Collin County as national Reconstruction progressed and relies on works of professional and non-academic historians, oral histories, census data, and newspapers to present a coherent picture of local life, work, and politics. The results exemplify the value of local history, as local conditions influenced the course of events in Collin County as much as those in Austin and Washington D.C. The story of Reconstruction in Collin County is one of anomalous political views resulting from geographical exclusion from the cotton culture of Texas followed by a steady convergence. As Reconstruction progressed, Collin County began to show solidarity with more solidly conservative Texas Counties. The arrival of railroads allowed farmers to move from subsistence agriculture to cash crop production. This further altered local attitudes toward government, labor, voting rights, and education for Freedmen. By the end of Reconstruction, Collin County had all but abandoned their contrarian social and political views of the 1850s and 1860s in favor of limited rights for blacks and Redemption. The results show the importance of local history and how Collin County’s Reconstruction experience enriches and deepens how historians view the years after the Civil War. The author recommends further research of this kind to supplement broader syntheses
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