17,444 research outputs found

    Land Deed, Thomas Allen to William Thompson

    No full text
    January 5, 1859. Deed between Thomas B. Allen to William Thompson, land lots in Oxford.https://egrove.olemiss.edu/wml_corr/1009/thumbnail.jp

    Pioneer personal history questionnaire, Charles L. Allen

    No full text
    Typescript of answers by Charles L. Allen of Ogden for a questionnaire filled out for Utah Works Progress Administration\u27s "Pioneer personal history" survey. He was born on the Isle of Jersey, Channel Islands, in 1856, and his family immigrated to Utah in 1862. Typed by Ralph S. Thompson of Ogden in 194

    Judge and Eliza Jane Trimble "Mother" Thompson photograph

    No full text
    Photograph showing Judge Thompson and his wife, Eliza Jane Trimble "Mother" Thompson. Eliza (1815-1905) was the only daughter of Allen Trimble (1783-1870), Ohio's eighth and tenth governor. She was a national and local leader of the Temperance movement from Hillsboro, Ohio. She married James H. Thompson in 1837, and together they were the parents of eight children. The photograph was taken in one of the room's in Governor Trimble's home in Hillsboro

    [Affidavit In Any Fact by Warren Allen Reynolds, March 16, 1964 #1]

    No full text
    Statement by Warren Allen Reynolds concerning a man, identified by the author as Lee Harvey Oswald, running up Jefferson Street from Tenth Street

    [Affidavit In Any Fact by Warren Allen Reynolds, March 16, 1964 #2]

    No full text
    Statement by Warren Allen Reynolds concerning a man, identified by the author as Lee Harvey Oswald, running up Jefferson Street from Tenth Street

    Crime: Murder - Thompson, George Allen Folder

    No full text
    1 pages of subject files containing and related to Crime: Murder - Thompson, George Alle

    Marriage record of Allen, Thomas and Thompson, Annie

    No full text
    Marriage license for Thomas Allen and Annie Thompson. Y.F. Ford was the officiant

    Personal Papers (MS 80-0002)

    No full text
    Letter from Allen Kimberly to I. H. Kempner discussing Kempner's postponed trip to Hawaii and Kimberly's upcoming trip to Washington D.C. and inquiring about Clark Thompson

    MD Thompson Home on First Avenue West

    No full text
    Former home of M.D. Thompson at 1618 1st Avenue West with large porch and white columns. By 1974, it was owned by Robert C. Allen

    Tropical ginsberg: the resonance of Allen Ginsberg on the Tropicália

    No full text
    Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-graduação em Letras/Inglês e Literatura Correspondente, Florianópolis, 2010Through a dialogical relation between poems and song lyrics, and the socio-political contexts which surrounded these texts, this research discusses the resonance that North American poet, Allen Ginsberg, had over the Brazilian musical movement, the Tropicália. The corpora are the poems "Howl" (1956), "America" (1956), "Supermarket in California" (1955), "Sunflower Sutra" (1955), "Song" (1954), and "Wild Orphan" (1952), written by Allen Ginsberg, and the songs "Batmacumba" (1968), composed by Caetano Veloso, and Gilberto Gil, "Baby" (1968), composed by Caetano Veloso, "Geléia Geral" (1968), composed by Gilberto Gil and Torquato Neto, "Alegria, Alegria" (1967), composed by Caetano Veloso, and "Domingo no Parque" (1967), composed by Gilberto Gil. The main theoretical and critical parameters of this research include: Mikhail Bakhtin and his reflections on intertextuality; James J. Farrell, who believes that the American counterculture began with the Beats; Claudio Willer, who stresses the importance of Allen Ginsberg to the Beat movement, as well as to the birth of the American counterculture; Christopher Dunn, who emphasizes the historical, social, and political relevance of the Tropicália; and Celso Favaretto, who discusses in depth the complexity of most of the Tropicália songs. Based on such parameters, this research suggests that the life and work of Allen Ginsberg had great resonance over the creation of the Tropicália.Através de uma relação dialógica entre poesia e letras de música e o contexto sócio-político que circundava tais textos, este estudo discute a ressonância que o poeta Norte Americano, Allen Ginsberg, teve sobre o movimento musical Brasileiro, a Tropicália. A corpora são os poemas "Howl" (1956), "America" (1956), "Supermarket in California" (1955), "Sunflower Sutra" (1955), "Song" (1954), e "Wild Orphan" (1952), escritos por Allen Ginsberg, e as músicas "Batmacumba" (1968), composta por Caetano Veloso, e Gilberto Gil, "Baby" (1968), composta por Caetano Veloso, "Geléia Geral" (1968), composta por Gilberto Gil e Torquato Neto, "Alegria, Alegria" (1967), composta por Caetano Veloso, e "Domingo no Parque" (1967), composta por Gilberto Gil. Os principais parâmetros teóricos e críticos desta pesquisa incluem: Mikhail Bakhtin e suas reflexões sobre intertextualidade; James J. Farrell, que acredita que a contracultura Americana começou com os Beats; também em Claudio Willer, que salienta a importância de Allen Ginsberg no movimento Beat e no nascimento da contracultura Americana; Christopher Dunn, que enfatiza a relevância histórica, social e política da Tropicália; e Celso Favaretto, que discute em profundidade a complexidade da grande maioria das músicas da Tropicália. Baseando-se em tais parâmetros identificados, esta dissertação sugere que a vida e obra de Allen Ginsberg tiveram grande ressonância sobre a criação da Tropicália
    corecore