1,720,957 research outputs found

    The Old Man Who Made the Dead Trees Blossom - Griffith Farran & Co. version

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    "When a dog began scratching at a certain spot, a kind - hearted old man, the master of the dog, dug there and found a quantity of gold. A neighboring greedy old couple borrowed the dog, which began scratching at another spot. But when they dug there, all they found was a lot of filthy stuff. In a fit of anger, the greedy old man killed the dog and buried it beside a tree. In his grief, the kind old man cut down the tree and made a mortar out of the wood. When he used the mortar to pound barley, the barley multiplied. Hearing of this, the greedy old man again borrowed the mortar, but the barley he pounded split apart. In another fit of anger, he broke the mortar to pieces and burned the pieces as fire wood. The kind old man scattered the ashes from the mortar, and the ashes made dead trees blossom. The prince of the country saw this and plentifully rewarded him. Eager to get the same kind of reward, the greedy old man sprinkled ashes, too, but they flew into the eyes of the prince, who punished him as a result." (Kyoto University of Foreign Studies, https://www.kufs.ac.jp/toshokan/chirimenbon/b_04.html)1886 reprin

    Battle of the Monkey and the Crab

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    "Battle of the Monkey and the Crab tells how the monkey tricked the crab, and how the crabs got revenge with the help of rice - mortar, pounder, bee, and egg." (The International Children's Digital Library, http://www.childrenslibrary.org/icdl/BookPreview?bookid=___batt_00360717&route=text&lang=English&msg=&ilang=English)1886 reprin

    Kachi - Kachi Mountain - T. Hasegawa version

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    "An old man captured a mischievous badger and hung it to a rafter by the feet. While the old man was away, the badger tricked his wife into undoing the cord, and then killed her. Later, as the old man lamented his wife's death, a hare came forward and offered to avenge the murder. The hare lured the badger out of his hole with parched beans, had it shoulder a bundle of dried - grass, and then set fire to the bundle. When the badger retired to its hole to nurse the burns, the hare applied a sticking plaster that he said would heal them but that actually contained red pepper. Afterward, inviting the badger to go fishing, the hare boarded a boat of wood, but tricked the badger into boarding one of clay. The clay boat gradually dissolved in the water, and the badger was drowned." (Kyoto University of Foreign Studies, https://www.kufs.ac.jp/toshokan/chirimenbon/b_05.html)1886 reprin

    Momotaro

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    "An old couple find a large peach in a river. When they cut it open, a child emerges. They name him Momotaro, or Little Peachling. The child grows up and decides to set off on an exciting adventure." (The International Children's Digital Library, http://www.childrenslibrary.org/icdl/BookPreview?bookid=___momo_00870532&route=text&lang=English&msg=&ilang=English

    The Mouse's Wedding

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    "A wealthy mouse named Kanemochi picked Hatsuka, daughter of a relative, to be the bride of Fukutaro, his only son. He had a go - between arrange a formal meeting between the two with a view to marriage. The meeting went well, and the two then confirmed their marriage promise by sending each other gifts. The bridegroom - to - be sent the bride - to - be a belt, silk cotton, and dried bonito, etc., and she in turn sent him a linen kami - shimo, dried bonito, dried cuttle - fish, and others. Once the bride's dress had been sewn and the necessary items had been procured, Hatsuka's parents instructed their daughter in what a wife must know, and Kanemochi made arrangements to welcome her into their home. An entourage from the groom's family came to get the bride, who was then carried on a palanquin with a long train of her own people to her new home. The two exchanged nuptial cups in the "three times three", and the wedding ceremony ended with a visit by the newlyweds and the parents of the groom to the home of the bride. And they all lived happily ever after." (Kyoto University of Foreign Studies, https://www.kufs.ac.jp/toshokan/chirimenbon/b_06.html)1888 reprin

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods
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