1,721,075 research outputs found
Thomas Lambert Schenkel en Giordano Bruno. Een commercieel motief voor cryptische teksten over geheugenkunst
No full textThomas Lambert Schenkel and Giordano Bruno : a Commercial Motive for Cryptic Writings on the Art of Memory.
This article focuses on the way in which magic, art of memory and cryptic writing were intertwined during the sixteenth century. Several mnemonic works of Thomas Lambert Schenkel, a renowned master in the art of memory who was suspected of magic, are taken into consideration. From Schenkels biography and his Apologia
(written after his mnemonics were suspect of magic) it appears that the cryptic style of his mnemonic works, served well commercial goals. This observation raises the question whether the cryptic style of the mnemonic works of the philosopher Giordano Bruno – whose work still brings about controversies with regard to the relation between art of memory and magic – served a similar aim. A hitherto unnoticed reference to Bruno by Schenkel, together with some depositions taken from the documents of Bruno’s inquisitorial trial, confirm this conjecture.</jats:p
Thomas Lambert Schenkel en Giordano Bruno. Een commercieel motief voor cryptische teksten over geheugenkunst
No full textThomas Lambert Schenkel and Giordano Bruno : a Commercial Motive for Cryptic Writings on the Art of Memory.
This article focuses on the way in which magic, art of memory and cryptic writing were intertwined during the sixteenth century. Several mnemonic works of Thomas Lambert Schenkel, a renowned master in the art of memory who was suspected of magic, are taken into consideration. From Schenkels biography and his Apologia
(written after his mnemonics were suspect of magic) it appears that the cryptic style of his mnemonic works, served well commercial goals. This observation raises the question whether the cryptic style of the mnemonic works of the philosopher Giordano Bruno – whose work still brings about controversies with regard to the relation between art of memory and magic – served a similar aim. A hitherto unnoticed reference to Bruno by Schenkel, together with some depositions taken from the documents of Bruno’s inquisitorial trial, confirm this conjecture.Thomas Lambert Schenkel et Giordano Bruno : un motif commercial pour des écrits cryptiques sur l’art de la mémoire.
Cet article se concentre sur la manière dont la magie, l’art de la mémoire et la cryptographie pouvaient être entremêlés au XVIe siècle. Plusieurs livres mnémotechniques de Thomas Lambert Schenkel, à son époque maître renommé de cet art, soupçonné de magie, y sont étudiés. La biographie de Schenkel et son
Apologie (écrite après que son art avait été soupçonné de magie) suggèrent que le style cryptique de ses livres mnémotechniques avait un but commercial. À la suite de cette observation, la question se pose de savoir si le style cryptique des livres sur l’art de la mémoire du philosophe Giordano Bruno – le rapport entre son art de la mémoire et ses écrits sur la magie est toujours source de controverses – servait le même objectif. Une référence, restée inaperçue jusqu’aujourd’hui, de Schenkel à Bruno, ainsi que quelques témoignages lors du procès inquisitorial de Bruno, confirment cette supposition.Dit artikel spitst zich toe op de wijze waarop magie, geheugenkunst en cryptische stijl in de zestiende eeuw met elkaar verbonden waren. Enkele geheugenwerken van Thomas Lambert Schenkel, in zijn tijd een befaamd meester in de geheugenkunst die in verdenking werd gesteld van magie, worden onder de loep genomen. Uit Schenkels biografie en zijn Apologia (geschreven nadat zijn geheugenkunst verdacht werd van magie) blijkt dat de cryptische stijl waarin zijn geheugenwerken opgesteld waren commerciële doeleinden kon dienen. Deze vaststelling doet de vraag rijzen of de cryptische stijl van de geheugenwerken van de filosoof Giordano Bruno – wiens werk tot op heden controverses veroorzaakt omtrent de verhouding tussen magie en geheugenkunst – een gelijkaardige functie vervulde. Een totnogtoe ongekende verwijzing van Schenkel naar Bruno en enkele getuigenissen op Bruno’s proces bevestigen dit vermoeden.Mertens Manuel. Thomas Lambert Schenkel en Giordano Bruno. Een commercieel motief voor cryptische teksten over geheugenkunst. In: Revue belge de philologie et d'histoire, tome 93, fasc. 2, 2015. Histoire médiévale moderne et contemporaine - Middeleeuwse moderne en hedendaagse geschiedenis. pp. 329-342
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
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