1,721,215 research outputs found
Biologische Charakterisierung von unterschiedlichen FLT3 internen Tandemduplikationen (ITD) in der akuten myeloischen Leukämie (AML)
Full text linkMagdeburg, Univ., Fak. für Naturwiss., Diss., 2014von Thomas Sebastian Mac
Castor-Like Postcranial Adaptation In An Uppermost Miocene Beaver From The Staniantsi Basin (Nw Bulgaria)
No full textLechner, Thomas Sebastian, Böhme, Madelaine (2020): Castor-Like Postcranial Adaptation In An Uppermost Miocene Beaver From The Staniantsi Basin (Nw Bulgaria). Fossil Imprint 76 (1): 128-164, DOI: 10.37520/fi.2020.009, URL: http://dx.doi.org/10.37520/fi.2020.00
Text-fig. 4. Right humerus of the large Staniantsi-beaver (GPIT/MA/10660) in caudal, cranio-lateral and proximal view with markings of the anatomical terms used for the description of the humerus. in Castor-Like Postcranial Adaptation In An Uppermost Miocene Beaver From The Staniantsi Basin (Nw Bulgaria)
No full textText-fig. 4. Right humerus of the large Staniantsi-beaver (GPIT/MA/10660) in caudal, cranio-lateral and proximal view with markings of the anatomical terms used for the description of the humerus.Published as part of Lechner, Thomas Sebastian & Böhme, Madelaine, 2020, Castor-Like Postcranial Adaptation In An Uppermost Miocene Beaver From The Staniantsi Basin (Nw Bulgaria), pp. 128-164 in Fossil Imprint 76 (1) on page 134, DOI: 10.37520/fi.2020.009, http://zenodo.org/record/538263
Text-fig. 7. Right tibia of the large Staniantsi-beaver (GPIT/MA/10657) in distal, lateral and caudal view with the illustration of the anatomical terms used for the description of the tibia. in Castor-Like Postcranial Adaptation In An Uppermost Miocene Beaver From The Staniantsi Basin (Nw Bulgaria)
No full textText-fig. 7. Right tibia of the large Staniantsi-beaver (GPIT/MA/10657) in distal, lateral and caudal view with the illustration of the anatomical terms used for the description of the tibia.Published as part of Lechner, Thomas Sebastian & Böhme, Madelaine, 2020, Castor-Like Postcranial Adaptation In An Uppermost Miocene Beaver From The Staniantsi Basin (Nw Bulgaria), pp. 128-164 in Fossil Imprint 76 (1) on page 139, DOI: 10.37520/fi.2020.009, http://zenodo.org/record/538263
Text-fig. 2. Staniantsi open cast mine seen from south-east (a) and in a more detailed view from the south (b). Most of the studied castorid material originates from the black coal bearing areas (swamp facies). in Castor-Like Postcranial Adaptation In An Uppermost Miocene Beaver From The Staniantsi Basin (Nw Bulgaria)
No full textText-fig. 2. Staniantsi open cast mine seen from south-east (a) and in a more detailed view from the south (b). Most of the studied castorid material originates from the black coal bearing areas (swamp facies).Published as part of Lechner, Thomas Sebastian & Böhme, Madelaine, 2020, Castor-Like Postcranial Adaptation In An Uppermost Miocene Beaver From The Staniantsi Basin (Nw Bulgaria), pp. 128-164 in Fossil Imprint 76 (1) on page 130, DOI: 10.37520/fi.2020.009, http://zenodo.org/record/538263
Text-fig. 8. Cross section through the right metatarsal II in distal view. Additionally, the tilt of the greatest shaft diameter compared to the original proximal horizontal orientation is shown. in Castor-Like Postcranial Adaptation In An Uppermost Miocene Beaver From The Staniantsi Basin (Nw Bulgaria)
No full textText-fig. 8. Cross section through the right metatarsal II in distal view. Additionally, the tilt of the greatest shaft diameter compared to the original proximal horizontal orientation is shown.Published as part of Lechner, Thomas Sebastian & Böhme, Madelaine, 2020, Castor-Like Postcranial Adaptation In An Uppermost Miocene Beaver From The Staniantsi Basin (Nw Bulgaria), pp. 128-164 in Fossil Imprint 76 (1) on page 144, DOI: 10.37520/fi.2020.009, http://zenodo.org/record/538263
Text-fig. 6. Right femur of the large Staniantsi-beaver (GPIT/MA/09934) in cranial and caudal view with the illustration of the anatomical terms used for the description of the femur. Drawing: T. Lechner. in Castor-Like Postcranial Adaptation In An Uppermost Miocene Beaver From The Staniantsi Basin (Nw Bulgaria)
No full textText-fig. 6. Right femur of the large Staniantsi-beaver (GPIT/MA/09934) in cranial and caudal view with the illustration of the anatomical terms used for the description of the femur. Drawing: T. Lechner.Published as part of Lechner, Thomas Sebastian & Böhme, Madelaine, 2020, Castor-Like Postcranial Adaptation In An Uppermost Miocene Beaver From The Staniantsi Basin (Nw Bulgaria), pp. 128-164 in Fossil Imprint 76 (1) on page 137, DOI: 10.37520/fi.2020.009, http://zenodo.org/record/538263
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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