1,721,307 research outputs found
The pinocchio algorithm: pinpointing orbit-crossing collapsed hierarchical objects in a linear density field
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Constraining structure formation using EDGES
Full text linkThe experiment to detect the global epoch of reionization signature (EDGES) collaboration reported the detection of a line at 78 MHz in the sky-averaged spectrum due to neutral hydrogen (HI) 21-cm hyperfine absorption of cosmic microwave background (CMB) photons at redshift z similar to 17. This requires that the spin temperature of HI be coupled to the kinetic temperature of the gas at this redshift through the scattering of Lyman-alpha photons emitted by massive stars. To explain the experimental result, star formation needs to be sufficiently efficient at z similar to 17 and this can be used to constrain models in which small-scale structure formation is suppressed (DMF models), either due to dark matter free-streaming or non-standard inflationary dynamics. We combine simulations of structure formation with a simple recipe for star formation to investigate whether these models emit enough Lyman-alpha photons to reproduce the experimental signal for reasonable values of the star formation efficiency, f(*). We find that a thermal warm dark matter (WDM) model with mass m(WDM) 4.3 keV is consistent with the timing of the signal for f(*). less than or similar to 2%. The exponential growth of structure around z similar to 17 in such a model naturally generates a sharp onset of the absorption. A warmer model with 1 m(WDM) similar to 3 keV requires a higher star formation efficiency, f(*) similar to 6%, which is a factor of few above predictions of current star formation models and observations of satellites in the Milky Way. However, uncertainties in the process of star formation at these redshifts do not allow to derive strong constrains on such models using 21-cm absorption line. The onset of the 21-cm absorption is generally slower in DMF than observed in cold dark matter (CDM) models, unless some process significantly suppresses star formation in halos with masses below similar to 10(8) h(-1) M-circle dot
Galactic winds in the intergalactic medium
Full text linkWe have performed hydrodynamical simulations to investigate the effects of galactic winds on the high-redshift (z = 3) universe. Strong winds suppress the formation of low-mass galaxies significantly, and the metals carried by them produce C IV absorption lines with properties in reasonable agreement with observations. The winds have little effect on the statistics of the H I absorption lines, because the hot gas bubbles blown by the winds fill only a small fraction of the volume and because they tend to escape into the voids, thereby leaving the filaments that produce these lines intact
Modelling the IGM and the Ly alpha forest at high redshift from the dark matter distribution
Full text linkA variety of approximate schemes for modelling the low-density intergalactic medium (IGM) in the high-redshift Universe are compared with the results of a large high-resolution hydrodynamical simulation. These schemes use either an analytical description of the dark matter distribution and the IGM or numerical simulations of the dark matter (DM) distributions combined with different approximate relations between dark matter field and the gas distribution. Schemes based on a filtering of the dark matter distribution with a global Jeans scale result in a rather poor description of the gas distribution. An adaptive filtering which takes into account the density/temperature dependence of the Jeans scale is required. A reasonable description of the gas distribution can be achieved using a fit of the mean relation between the dark matter and gas densities in the hydrodynamical simulation to relate dark matter and gas distribution. In the hydrodynamical simulations deviations from this mean relation are correlated with gradients in the dark matter peculiar velocity field indicative of shocks in the gas component. A scheme which takes into account this correlation results in a further improved gas distribution. Such adaptive filtering schemes applied to dark matter simulations will be very well suited for studies of statistical properties of the Lyalpha forest which investigate the IGM and the underlying dark matter distribution and require a large dynamic range and/or an extensive parameter study
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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