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Further statements made by the Denver Post in a series of articles regarding the operation of the relocation center at Heart Mountain
Statement by the War Relocation Authority responding to a series of articles published in the Denver Post on April 24, 26, 27, 30, and May 2, 1943, that charged that incarcerees at Heart Mountain incarceration camp were being "pampered and petted" with good food and high-wage job offers, that heating coal was being wasted and that whiskey, as well as "guns, ammunition, subversive literature, narcotics -- anything at all, for that matter -- can be carried in without challenge." The charges were brought to the Denver Post for publication by Earl Alfred Best, a resigned assistant steward at Heart Mountain. Was stapled to chs_ms840_0369 at time of digitization. Document number C-0224-[page number]-BU-COS-WP.Personal correspondence, organizational records, government documents, publications, and other papers created or collected by Joseph R. Goodman documenting the forced removal and incarceration of Japanese Americans during World War II, as well as organized resistance to incarceration. Included in the collection are records of the Japanese Young Men's Christian Association and the Japanese American Citizens' League in San Francisco, including papers of the Japanese YMCA's executive secretary Lincoln Kanai; Sakai family papers; Goodman's correspondence to and from Japanese American incarcerees, organizations opposing forced removal and incarceration of Japanese Americans, the War Relocation Authority, and others; publications, photographs, and ephemera from the Topaz Relocation Center, where Goodman taught high school; War Relocation Authority records and publications; and newspaper clippings, pamphlets, and reports about forced removal and incarceration created by various government, religious, and civic organizations, in California and nationwide
Comment on charges made by the Denver Post in the issue of April 23
Statement by the War Relocation Authority responding to a series of articles published in the Denver Post in beginning on April 23, 1943, that charged that "excess stocks of food were being "hoarded" at Heart Mountain," and that incarcerees at the camp were "being "feasted" on food which were not obtainable by the American public generally." Was stapled to chs_ms840_0370 at time of digitization. Document number C-0122-[page number]-BU-COS-WP.Personal correspondence, organizational records, government documents, publications, and other papers created or collected by Joseph R. Goodman documenting the forced removal and incarceration of Japanese Americans during World War II, as well as organized resistance to incarceration. Included in the collection are records of the Japanese Young Men's Christian Association and the Japanese American Citizens' League in San Francisco, including papers of the Japanese YMCA's executive secretary Lincoln Kanai; Sakai family papers; Goodman's correspondence to and from Japanese American incarcerees, organizations opposing forced removal and incarceration of Japanese Americans, the War Relocation Authority, and others; publications, photographs, and ephemera from the Topaz Relocation Center, where Goodman taught high school; War Relocation Authority records and publications; and newspaper clippings, pamphlets, and reports about forced removal and incarceration created by various government, religious, and civic organizations, in California and nationwide
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Freedom of the Press
Freedom of the Press, Remarks by Palmer Hoyt / The John Peter Zenger Award / Tucson, Arizona / November 21, 1954Includes foreword by Douglas D. Martin, University of Arizon
Direct from Headquarters by Bernard "Beck" Beckwith: Commendation Major Leo B. Leonard (The Denver Post newspaper clipping)
Item from Leo Leonard Scrapbook (black cover), 1935 to 1957. Clipping from a 1955 issue of the Denver Post newspaper with a column that mentions Major Leo B. Leonard\u27s retirement
'Different perspectives on growth in the west' news article
'Different perspectives on growth in the west' editorial from an Colorado newspaper contrasting Oregon's approach to attracting Japanese investments compared to Colorado
1950 Denver Post Article Regarding Proposed Echo Park & Split Mountain Dams\u27 Threat to Dinosaur National Monument
Illustration and brief article outlining the proposed tourist development for Dinosaur National Monument as well as the claim that it will be underwater following the construction of the Echo Park and Split Mountain Dams.
Housed in National Archives at Denver; Record Group 79, Box 340, Folder: 660-5.4 Reservoirs [Folder 2]
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Book review: Ken J. Ward, Last paper standing: A century of competition between the Denver Post and the Rocky Mountain News
Review of Ken J. Ward's book, Last paper standing: A century of competition between the Denver Post and the Rocky Mountain News
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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