1,720,967 research outputs found
Techniques for studying movements of vertebrates in the field
Full text linkTester, John R.. (1961). Techniques for studying movements of vertebrates in the field. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/169609
Minnesota prairie management techniques and their wildlife implications
Full text linkTester, John R.; Marshall, William H.. (1962). Minnesota prairie management techniques and their wildlife implications. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/169610
A study of certain plant and animal interrelations on a native prairie in northwestern Minnesota
Full text linkTester, John R.; Marshall, William H.. (1961). A study of certain plant and animal interrelations on a native prairie in northwestern Minnesota. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/169611
Pine forests in Itasca State Park, Minnesota. A review of the literature relevant to restortion of pine forests in Itasca State Park, Minnesota
Full text linkTester, John R.; Kenyon, Mary Jo. (1994). Pine forests in Itasca State Park, Minnesota. A review of the literature relevant to restortion of pine forests in Itasca State Park, Minnesota. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/172448
Plants of prairies west of Itasca Park
Full text linkTester, John R.; Bray, J. R.; Thorne, R. F.. (1968). Plants of prairies west of Itasca Park. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/172531
Mammals of Itasca State Park
Full text linkSikes, Robert S.; Tester, John R.; Thoma, Ben. (2003). Mammals of Itasca State Park. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/169551
Effect of human disturbance on small mammal communities in Itasca State Park, Minnesota
Full text linkStaus, Nancy L; Conforti, Kathleen; Clapper, Leslie N.; Longhenry, Jennifer A.; Schoenbauer, C.C.; Rentz, Michael S.; Tester, John R.. (1999). Effect of human disturbance on small mammal communities in Itasca State Park, Minnesota. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/172711
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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