4,436 research outputs found
Structured becoming: evolutionary processes in design engineering
No full textComputational design techniques are changing the role of analysis tools in collaborations between architects and engineers. Digital feedback loops of synthesis, analysis and evaluation establish a ‘process of becoming’ in which structural solutions evolve and adapt to specific requirements. Highly differentiated constructions are possible when digital techniques are fully integrated in design and production. Klaus Bollinger, Manfred Grohmann and Oliver Tessmann discuss these novel paradigms in relation to recent projects from engineering office Bollinger + Grohmann.</p
Structured Becoming : Evolutionary Processes in Design Engineering
No full textComputational design techniques are changing the role of analysis tools in collaborations between architects and engineers. Digital feedback loops of synthesis, analysis and evaluation establish a ‘process of becoming’ in which structural solutions evolve and adapt to specific requirements. Highly differentiated constructions are possible when digital techniques are fully integrated in design and production. Klaus Bollinger, Manfred Grohmann and Oliver Tessmann discuss these novel paradigms in relation to recent projects from engineering office Bollinger + Grohmann.</p
Form, Force, Performance : Multi-Parametric Structural Design
No full textIn the 20th century, the classification of structures according to defined building typologies was central to engineering design. Here Professor Klaus Bollinger, Professor Manfred Grohmann and Oliver Tessmann of design engineers Bollinger + Grohmann challenge this preconception. By considering each structure as an individual case in point with inherently complex behaviour, they move away from the notion of a building being a variant of an established type. They further discuss this mode of working, in relation to their own recent projects, in terms of relevant methods and generative techniques, as well as the respective consequences that it has had on the relationship between force, form and structural performance.</p
The British ‘Bluesman’ Paul Oliver and the Nature of Transatlantic Blues Scholarship
No full textRecent revisionist studies have argued that much of what is known about music known as the blues’ has been 'invented' by the writing of enthusiasts far removed from the African American culture that created the music. Elijah Wald and Marybeth Hamilton in particular have attempted to sift through the clouds of romanticism, and tried to unveil more empirical histories that were previously obscured by the fallacious genre distinctions conjured up during the 1960s blues revival. While this revisionist scholarship has shed light on some previously ignored historical facts, writers have tended to concentrate on the romanticism of blues writing strictly from an American perspective, failing to acknowledge the genesis and influence of transatlantic scholarship, and therefore ignoring the work of the most prolific and influential blues scholar of the twentieth century, British writer Paul Oliver. By examining the core of Oliver’s research and writing during the 1950s and 1960s, this study aims to place Oliver in his rightful place at the centre of blues historiography. His scholarship allows a more detailed appreciation of the manner in which the blues was studied, through lyrics, recordings, oral histories, photography and African American literature. These historical sources were interpreted in accordance with the author’s attitudes to the commercial popular music, which allowed the ‘reconstruction’ of an African American ‘folk’ culture in which the blues became the antithesis of pop. Importantly, this study seeks to transcend dominant discourses of national cultural ownership or ethnocentrism, and demonstrate that representations of African American music and culture were constructed within a transatlantic context. The blues is music with roots in the African American experience within the United States; however, as Paul Oliver’s writing shows, its reception and representation were not limited by the same national, cultural or racial boundaries
Sensitive assembly: Gamifying the design and assembly of facade wall prototypes
No full textThe article describes a method for gamifying the design and assembly of computationally integrated structures built out of discrete identical blocks. As a case study, the interactive installation Sensitive Assembly was designed and built at the Digital Design Unit (Prof. Dr Oliver Tessmann) at the Technische Universit\ue4t of Darmstadt and exhibited during the digital art festival NODE 2015 in Frankfurt in 2015. Sensitive Assembly invites people to play a Jenga-like game: starting from a solid wall, players are asked to remove and replace the installation\u27s building blocks to create windows to a nurturing light while challenging its stability. A computational system that senses the current state of the wall guides the physical interaction and predicts an approaching collapse or a new light beam breaking through. The installation extends the notion of real-time feedback from the digital into the physical and uses machine-learning techniques to predict future structural behaviour
A Reading By Poet Mary Oliver
Get PDFMary Oliver\u27s poetry, with her lyrical connection to the natural world, has firmly established her in the highest realm of American poets. She is renowned for her evocative and precise imagery, which brings nature into clear focus, transforming the everyday world into a place of magic and discovery. As poet Stanley Kunitz has said, Mary Oliver\u27s poetry is fine and deep; it reads like a blessing. Her special gift is to connect us with our sources in the natural world, its beauties and terrors and mysteries and consolations. Please join Pulitzer Prize-winning poet Mary Oliver as she shares her joyous, accessible, and intimate observations of the natural world.
Mary Oliver is the celebrated author of more than a dozen books of poetry and prose. With her lyrical connection to the natural world, Oliver\u27s poetry has firmly established her in the highest realm of American poets. Oliver has been honored with the National Book Award for Poetry, the Pulitzer Prize for Poetry, and a Guggenheim Foundation Fellowship, among others
Roll-Locks: A Fabrication to Self-Assembly Design-Framework for Reusable Discrete Concrete Elements
No full textRoll-Lock is a research project in which building elements are informed for motion and future reuse. This paper gives technical insight into systematically investigating lightweight, hollow, and kinetic concrete elements’ geometrical and physical properties. The massive-looking yet lightweight, hollow, robotically materialized concrete elements are designed to join together, but not permanently. A single person can move and assemble them with their dry-joint, interlocking connection and charged center of mass (CoM) (Fig. 1). The elements are programmed for guided self-assembly, disassembly, and re-assembly through embedded geometrical and physical attributes (Fig. 2). The reconfiguration allows for a more circular approach and reuse of concrete elements in the architectural context. Furthermore, this research seeks to provide novel strategies to save building material resources by rotoforming (Tessmann and Mehdizadeh 2020), thereby minimizing material consumption and significantly reducing the weight of hollow concrete elements (Fig. 4)
"Hi, fellas. come on in." Norman Carlson, the Federal Bureau of Prisons, and the Rise of Prison Fellowship
Get PDFThis is a pre-copyedited, author-produced version of an article accepted for publication in the Journal of Church and State following peer review. The version of record - Kendrick Oliver; “Hi, Fellas. Come on in.” Norman Carlson, the Federal Bureau of Prisons, and the Rise of Prison Fellowship, Journal of Church and State, Volume 55, Issue 4, 1 December 2013, Pages 740–757 - is available online at: https://doi.org/10.1093/jcs/css05
Biography of Mary Jane Oliver
No full textTypescript of a sketch biography about Mary Jane (Oliver) Barlow, who came came from England around 1851 and with her husband, Oswald Barlow, helped to settle Saint George. Author unknown, but copied on January 13, 1937 by Virginia M. Lee of the Federal Writers Project, WPA, at Ogden, Uta
Print! Architecture
No full text3D printing has matured from a hobbyist and prototyping tool to a technology with potential to disrupt entire industries in and around the built environment. The developments in additive manufacturing are transforming architecture and design no less than they impact engineering and construction. The book portrays the rapid advances in research and industrial processes that have paved the road for this upheaval. In five chapters that cover historical development, engineering aspects, the digital design process, interactions with other technologies and potential for functionalization through additive manufacturing, the editors have curated a text that illustrates how a complex network of actors inspires and influences each other to make this technological transformation possible. The book follows the trail of scientists who prove the technology’s viability and documents design explorations, prototypes and entire buildings that are demonstrating their readiness for the commercial market
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