3,958 research outputs found

    Interview with Marek Tesar

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    Editorial: The infant toddler landscape 20 years on: Where have we got to?

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    https://catalogue.library.auckland.ac.nz/permalink/f/t37c0t/uoa_alma2113125203000209

    Re-writing the Writer-Subject Qualitatively: A Philosophical Perspective

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    Writing qualitatively is a condition that, once performed, governs the writer-subject, the reader-subject, and the writing process. This chapter considers the possibilities and capacities of writing both philosophically and methodologically, which is how I interpret the question "what does it mean to write qualitatively?". In this chapter, it is performed as a drive to read, to think, and to perform the entanglement of self, philosophy, and method through the notion of "re-writing the writer-subject" via philosophy as a method (Tesar, 2021) , which explores genealogies of intersections of education, philosophy, and methodology. The ideas that are part of this chapter are related to political philosophy (Havel, 1992), re-writing and substance (Lyotard, 2011), and critique, inter-subjectivity, and urgency (Irigaray, 1992)

    Power, ideology and children: Socialist childhoods in Czechoslovakia

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    There was not one, singular childhood in socialist Czechoslovakia, but many and diverse, plural, childhoods. Spanning over 40 years (1948–1989), the Czechoslovak communist governance produced diverse conceptualisations of childhoods that remain often invisible, unexplored, and the current analyses are at best sketchy and refer mostly to pedagogical nuances of strong ideological pedagogical struggles. One way to explore such an abundance of historical data in a short journal article is to utilise a somewhat personal narrative of a child. This dialogic approach allows the strong presence of the voice of a child, re-told from an adult’s perspective, and it methodologically justifies an approach to thinking and theorising of socialist childhoods through Vaclav Havel’s (1985; 1989; 1990) theoretical thinking that has been utilised in philosophy of education previously (see Tesar, 2015e). There are also other examples of complex and thorough analyses of socialist childhoods in other countries (see for example Aydarova et al, 2016), and theoretical thinking about the socialist child as a foreigner to its own land, can be done through Kristeva’s lens (Arndt, 2015)

    “Poland represented existential experiences of resistance, political experiences and intellectual impact”. Marek Zybura in conversation with Wolfgang Templin, the author of the German biography of Józef Piłsudski

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    Wolfgang Templin (born in 1948) was active in the democratic resistance in the former GDR. He co‑founded the party Bündnis 90 in reunified Germany and was writer and author of history books. In the conversation with Marek Zybura (born in 1957) —the Chair of History of Literature and Culture of Germany in the Willy Brandt Centre of German and European Studies at the University of Wroclaw—Templin discusses the origins of his Piłsudski biography (2022), which is being published in the Polish translation by Bellona in Warsaw

    Opening sentences in Marek Krajewski’s novels

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    Opening sentences raise a lot of interest of both linguists and common Polish speakers. It is evident from numerous websites in which Internet users share their observations on the best opening sentences of books (most often novels), as well as theoretical papers and writing guides. The analysis of opening sentences of ten novels by Marek Krajewski (co-author of two of them being Mariusz Czubaj) is to provide an answer to the question to what extent the utterance opening of the texts of the Wroc³aw-based prose writer fulfill the requirements to be met by such type of constructions. It turns out that most crucial are syntactic and semantic features rather than lexical ones. The clash between theoretical assumptions and the M. Krajewski’s writing practice shows that opening sentences of his novels not always fall into classical determinants of incipient formulas. It also illustrates the thesis that a skillful writer does not need to cling to theoretical assumptions to create good opening sentences and novels translated into nearly twenty languages

    Reality as a feeling – a feeling as reality. On the film by Joseph Cedar, Footnote

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    Hendrykowski Marek, Reality as a feeling – a feeling as reality. On the film by Joseph Cedar, Footnote. “Images” vol. XXV, no. 34. Poznań 2019. Adam Mickiewicz University Press. Pp. 57–xx. ISSN 1731-450X. DOI 10.14746/i.2019.34.04. This analytical study by Marek Hendrykowski is an attempt to re-read one of the most valuable contemporary films of Israeli production, Footnote, written and directed by Joseph Cedar. The author paid particular attention to the specific way of conducting a seemingly dependent narration, skillfully combining the image of external reality with the sphere of thought and the feelings of the main character.Hendrykowski Marek, Reality as a feeling – a feeling as reality. On the film by Joseph Cedar, Footnote. “Images” vol. XXV, no. 34. Poznań 2019. Adam Mickiewicz University Press. Pp. 57–xx. ISSN 1731-450X. DOI 10.14746/i.2019.34.04. This analytical study by Marek Hendrykowski is an attempt to re-read one of the most valuable contemporary films of Israeli production, Footnote, written and directed by Joseph Cedar. The author paid particular attention to the specific way of conducting a seemingly dependent narration, skillfully combining the image of external reality with the sphere of thought and the feelings of the main character

    The trend of nominal and real exchange rate of koruna

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    Bachelor work, topic: The trend of nominal and real exchange rate of koruna Author: Marek Kolman Supervisor: Doc. Ing. Josef Taušer, Ph.D. Size: 58 page

    O Słowackim ponowocześnie [rec. Marek Troszyński: Słowacki. Poza kanonem. Gdańsk: Wydawnictwo Słowo/ Obraz Terytoria, 2014, ss. 411, nlb. 5, il. 65.]

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    The title of Marek Troszyński’s book Słowacki. Poza kanonem is excellent from the perspective of marketing, but at the same time, it succeeds in conveying thecontent of the 11 chapters of different length, supplemented with 8 interesting appendices and 65 aptly selected and described illustrations. In a way, it has a character of sylwa; its previous versions (published in refereed magazines and collective monographs) became considerably re‑edited in order to achieve the result in the form of monography. I accept the opening form of this dissertation, which is proposed by the author, as well as his affirmative attitude to the poet’s quasi‑literary achievements, which makes the author “a friendly witness” of Słowacki’s biography and writing. The work is undoubtedly original, own, exceptional and quite unique. I do not expect that in the foreseeable future we will encounter any gifted follower of the method, inquisitiveness, a highly interesting narration, and at the same time a lucky discoverer of so many philological findings, offering such a great number of the conjectures of the poems, not necessarily canonical ones, however, coming after the “canonical”, because critical, edition of Juliusz Kleiner. The title of Marek Troszyński’s book Słowacki. Poza kanonem is excellent from the perspective of marketing, but at the same time, it succeeds in conveying thecontent of the 11 chapters of different length, supplemented with 8 interesting appendices and 65 aptly selected and described illustrations. In a way, it has a character of sylwa; its previous versions (published in refereed magazines and collective monographs) became considerably re‑edited in order to achieve the result in the form of monography. I accept the opening form of this dissertation, which is proposed by the author, as well as his affirmative attitude to the poet’s quasi‑literary achievements, which makes the author “a friendly witness” of Słowacki’s biography and writing. The work is undoubtedly original, own, exceptional and quite unique. I do not expect that in the foreseeable future we will encounter any gifted follower of the method, inquisitiveness, a highly interesting narration, and at the same time a lucky discoverer of so many philological findings, offering such a great number of the conjectures of the poems, not necessarily canonical ones, however, coming after the “canonical”, because critical, edition of Juliusz Kleiner.&nbsp
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