170,900 research outputs found
Pippin
No full textSUB (Student Union Building) - Ballroom StagePhotograph of: Name to follow, Name to follow, Terry Smithers, Name to follow; Play by Roger O. Hirson; Directed by Schmidt, Emile O
Oral history interview with Terry Brown
No full textTerry Brown, a 1971 graduate of Oklahoma State University (OSU) with a degree in education, recalls earning a football scholarship to attend and discusses how that opened the door to play professionally later. He talks about experiences on the football team and on campus. Brown also describes his professional football career briefly. Lastly, he talks about his family, their home in Marlow, Oklahoma, and his continued connection to OSU. Brown represents Stephens County in the Cowboys in Every County project.The O-STATE Stories Oral History collection is comprised of interviews which chronicle the rich history, heritage, and traditions of Oklahoma State University
"Disney is the Tiffany’s and I am the Woolworth's of the business": A critical re-analysis of the business philosophies, production values and studio practices of animator-producer Paul Houlton Terry
No full textThis thesis was submitted for the degree of Doctor of Philosophy and awarded by Brunel University.Animator-producer Paul Houlton Terry has been portrayed as having little passion for the animation he produced and being more concerned with making a profit than producing entertaining cartoons with high production values. The purpose of the dissertation is to re-evaluate Terry‘s legacy to animated cartooning by analyzing his business philosophies, production values, and studio practices.
Application of four psychodynamic factors to the early life and career of Terry, 1887-1929, found that his economic decision making was characterized by: an external locus of control, risk-averse financial behaviour, extreme saving behaviour through precaution, and shrewd money management practices. Based on Terry‘s historical responses to twelve major economic, technological, or institutional forces of change for the period 1929-1955, the psychodynamic factors were found to provide accurate explanations for his studio practices and production decisions.
There was no evidence to support the conclusion that three early career disappointments undermined Terry‘s intrinsic motivation to create animated cartoons. Rather, Terry‘s lack of risk taking, external locus of control, tight studio production schedule, desire to compete with neighbour studio Fleischer, difficulty in separating financial rewards from creative processes in animation, and practice of undertaking surveillance measures on staff may have undermined his and his studio‘s creativity. Archival research found Terry to possess strong passions for and to have made significant creative contributions to the field of animation.
Biographical research found that Terry retained a stable nucleus of highly talented artists who dedicated a significant portion of their working careers to the studio. An analysis of the cel aesthetics of a random sample of animated cartoons produced during the years 1930-1955 found that Terry created animated cartoons with above average cel aesthetics when compared to the other studios thereby supporting an inference that Terry was motivated to producing quality crafted animation. Further research is suggested into the role psychodynamic factors and economic decision-making play in the film production process and a clarification of Terry‘s legacy to the field of animated cartoons
Oral history interview with Terry Stuart Forst
No full textTerry Stuart Forst, a 1976 graduate of Oklahoma State University (OSU) with a degree in animal science, talks about some of the organizations she was a part of and her interest in horses. She explains the history of her family's centennial farm and her management of the horse operations and of the ranch. Forst also mentions some of the changes she has noticed in agriculture and in Oklahoma. She ends by commenting on the impact her OSU education has had on her life. Forst represents Jefferson County in the Cowboys in Every County project.The O-STATE Stories Oral History collection is comprised of interviews which chronicle the rich history, heritage, and traditions of Oklahoma State University
George S. Tanner correspondence with Eva H. Terry
No full textScan of a handwritten letter dated 28 October 1970 from Eva H. Terry in Provo, Utah, to George S. Tanner in response to his inquiries about Jesse O. Ballinger of Joseph City, Arizona
Low bridge, everybody down,
No full textvoice; guitarsColl. by Randy Terry For M.C. Parler
Randy Terry Fayetteville, Ark. January 10, 1960
Reel 338, Item 6
The Erie Canal
(I was born in Rome, N.Y. and learned this song from my grandparents.)
I got a mule and her name is Sal,
Fifteen years on the Erie Canal,
She's a good old worker and a good old pal, Fifteen years on the Erie Canal;
We haul some barges in our day,
Filled with lumber coal and hay,
We know every inch of the way,
From Albany to Buffalo.
Chorus:
Low bridge, everybody down,
Low bridge, for we're going through a town, You'll always know your neighbor,
You'll always know your pal,
If you've ever navigated on the Erie Canal.
You'd better get along on your way, old gal, Fifteen years on the Erie Canal,
You bet your life, I'd never part with Sal, Fifteen years on the Erie Canal.
Get off . . . here comes a lock,
We'll make Rome 'bout six o(clock,
One more trip and back we'll go Right back home to Buffalo.
ChorusFunding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
From master narratives to simulacra : analysis of Orwell's 1984 and Terry Gillmam's Brazil
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e ExpressãoEstudo comparativo do livro 1984 de George Orwell e de sua adaptação cinematográfica, o filme Brazil de Terry Gilliam. O primeiro como exemplo de estética modernista e o segundo como exemplo de estética pós-moderna. Do livro e do filme são analisados elementos que funcionam em conjunção com a trama, como o cenário, a importância da palavra e da imagem, o figurino e a representação do herói. O trabalho visa demonstrar a significância das meta-narrativas no período modernista e a situação de crise que passam a enfrentar no cenário pós-moderno atual
MATRIX GENERATOR AND OPTIONALS (MGAO): USERS GUIDE
No full textMatrix Generator and Optionals (MGAO) is a computer software package developed by Paul Ching and Terry L. Roe. The program is designed to generate input data for a linear programming problem approximating a non-linear programming problem, submit the generated problem to an optimization package, from which the user receives standard computer output.Research Methods/ Statistical Methods,
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