6,008 research outputs found

    Genom tron talar han alltjämt. Aspekter på Bo Giertz författarskap

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    A previously printed summary of Bishop Bo Giertz as an author

    Massekhet Keritot. Text, Translation and Commentary. A Feminist Commentary on the Babylonian Talmud

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    The tractate Keritot of the Babylonian Talmud belongs to the Order of Qodashim in the Mishnah. It discusses the Temple and its rituals, especially sacrifices, but deals mostly with laws of incest, sexual transgressions, childbirth, and miscarriages. In this commentary, Federico Dal Bo provides a historical, philological and philosophical investigation on these gender issues. He discusses almost the entire tractate, referring to many other sources, Jewish (the Dead Sea Scrolls, the Sifra, and other rabbinic texts) as well as non-Jewish (Akkadian, Hittite, and Ugaritic). The author also provides accurate philological observations both on the Mishnah and the Gemara. Finally, he addresses gender issues by combining a reductionistic approach to Talmudic study (the so called "Brisker method") with philosophical deconstruction. Dal Bo shows that in nearly the entire tractate Keritot the rabbis discuss human sexuality in a tendentious and restrictive way, claiming that heterosexuality is the only proper sexual contact and progressively stigmatizing any other kind of sexual behavior

    Little Bo-Peep

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    Here is another Donohue surprise-a book, like Jack and Jill (1895?) that contains only the title-story and fables. This book has the same cover border, the same back cover, and the same Mother Goose endpapers as that book. Its selection of fables surprises me because it seems to complement carefully the selection of fables there. Though they seem to draw on the same sources (see my comments there), there are no repeaters here. After Little Bo-Peep there are four fables, three of which (The Larks and the Farmer, FS, and BW) identify their texts as by Clara Doty Bates. The fourth, TH, has illustrations by Childe Hassam. The first fable is curious for presenting first a full-page illustration by one hand, titled The Larks and the Farmers. Then come five pages with the title The Larks and the Farmer and illustrations by a different hand. Other than Bates and Hassam, I cannot identify the author and artists. There is some material missing at the end, including the finish of BW and one of the endpapers. This book has no spine left. All its pages are separated. Still, I was lucky to get it at this price!This is a hardbound book (hard cover)Clara Doty Bates et a

    Print, Power, and Cultural Hegemony. A Material History of Early Hebrew Prints

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    Federico Dal Bo examines the design of early Hebrew books from the late fifteenth and sixteenth centuries, focusing not only on the words in these early books but also on how they were arranged on the page. He follows in the tradition of scholars such as Christopher de Hamel, Marvin J. Heller, and David Stern, who have explored the importance of these Hebrew books in influencing Jewish learning and attracting the interest of Christians. The author discusses important prints, such as the first Talmud and rabbinical bibles, which marked a shift from being for Jewish readers only to being for both Jews and Christians. The collaboration between Jewish editors and Christian printers changed the way these books looked and the audience for whom they were intended. At first, these early prints copied the style of handwritten Hebrew manuscripts. The simple layout could be difficult to read, especially for long books like the Bible or Talmud. But over time, influenced by the humanism of the Italian Renaissance, the layout became more complex. The book also looks at how the layout changed from full-page commentaries to a more complicated design in which the main text and commentaries shared the same page. This shift challenged the idea of who was the primary author and emphasized the role of editors. The layout, with the main text in the center and the commentaries on the sides, created a kind of unwritten rule for how to read religious texts. Dal Bo's study also includes new information about a 1553 trial in which the Talmud was burned. Overall, it explores how the layout of these early Hebrew books shaped cultural power and influenced how people read

    Genom tron talar han alltjämt. Aspekter på Bo Giertz författarskap

    No full text
    A previously printed summary of Bishop Bo Giertz as an author

    Bo Richmond Photograph Collection

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    Roosevelt "Bo" Richmond was an amateur photographer from Alabama. He photographed events, buildings, people, and documented the Civil Rights movement in Atlanta in the late 1960s and early 1970s. This collection contains photographs of people, events and places in Atlanta, Georgia. Included are photographs of Henry "Hank" Aaron, Hosea Williams at the sanitation workers strike, Jesse Jackson at the March Against Repression, Martin Luther King, Jr. at the barber shop and photos of the funeral procession for Martin Luther King, Jr. At the AUC Robert W. Woodruff Library we are always striving to improve our digital collections. We welcome additional information about people, places, or events depicted in any of the works in this collection. To submit information, please contact us at [email protected]

    [Letter to "Bo" Mildred, "Benny" Connie and "Bill"]

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    Letter from unknown author to "Bo" Mildred, "Benny" Connie and "Bill" telling them of the new occurrences in his life and work

    An environmental and social approach in Brazil’s modern architecture:the work of Lina Bo Bardi

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    AbstractThe architecture of Brazil, which has recently been in the focus with major events (World Cup and Olympics) holds a particular place in Latin America's architecture and is known for its bold modernism. One of the most remarkable Brazilian architects in the 20th Century was Italian émigré Lina Bo Bardi (born Rome 1914-died São Paulo 1992).This article first looks at the regional diversity in modern Brazilian architecture and then at the ways in which Bo Bardi's sustainable and socially-conscious design is informed by regionalism. Regions are defined through their local materials, tectonics and particular typologies, and the architectural character defining regional spaces, in turn, shapes, retains and enhances social identity. It is timely to reassess the diverse work of Bo Bardi within Latin-America's modernism. Arriving in Brazil in 1946, Bo Bardi was, as well as an architect, a furniture designer, urbanist, political activist, writer and curator.Previous studies have sought to identify the architects and theorists involved in the making of the modern cultural identity of Brazil, and the mechanisms that created such identity, from Lucio Costa to Oscar Niemeyer. Bo Bardi's work marks the beginning of sustainable design within Brazilian modern architecture; especially the adaptive re-use projects in Salvador, Bahia, identify the beginning of a new approach to heritage and urban renewal.Therefore, in this article I ask: what exactly is the contribution and role of the work of Bo Bardi in Brazilian modernism? And: discussing regional identity in the Brazilian context, how is such local character expressed
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