1,720,958 research outputs found
Ornamenti un Simetrijas: Ornamentālo Rakstu Zīmju Valoda (intervija ar Modri Tenisonu)
No full textOrnaments and Symmetry: Language of Signs of Ornamental Tracery (see interview with Modris Tenisons http://www.blip.tv/file/3173653)
In his first interview Modris Tenisons explains language of ornamentalistic signs for national ornamental belts using his discovered law of sieve displacement, which gives base duality element in ornamentalistic signs, and routine how to generate 240 elements of signs from 10 “seeds of chaos” sufficient to produce all ornametal belts of first order. He tells also about his discoverd 16 sign alphabet, that does the same.
Pirmajā mutvārdu liecinājumā Modris Tenisons stāsta par ornamentālo rakstu zīmju veidošanās likumsakarībām sakrustojot divu krāsu diegus audumā. Modris Tenisons izskaidro viņa atklāto sieta noņemšanas tehniku un sieta nobīdi, kas dod pamatu dualitātei jostu rakstos, ko jostu rakstu pētnieki apzīmē ar gaišā/tumšā vīrišķo/sievišķo pretstatu vienotību. Modrim Tenisonam pieder alfabēta atklāšana ornamentālistikā -16 pamatelementi 6*6 režģī, kura ģeneriskie elementi ir 2*2 režģī. No šiem burtiem - pamatelementiem var izveidot jebkuru pirmā līmeņa ornamentālo rakstu jostu, piemēram, Nīcas jostu. M. Tenisons ir ieviesis jēdzienu „haosa sēkla” - asimetrisku elementu 3*3 režģī, kuru skaits ir 10. Tenisons demonstrē informatīvā lauka “atvēršanu”, nopamato horizontālo un vertikālo zīmes informācijas nolasīšanas virzienus, kā arī diagonālo polaritāti - lauku atverot centrālsimetrijā. No vienas haosa sēklas, pielietojot spoguļsimetriju un centrālsimetriju, var izveidot 24 ornamentālās rakstu zīmes
ZĪMES anatomija (in Latvian) The Anatomy of ZIME (in English)
No full textKas ir ZĪME?
ZĪME ir datu kopu standartizēta grafiska reprezentācija. ZĪME sastāv no diviem grafiskiem elementiem: (1) Sieta elementa un (2) Koda elementa. Sieta elementu konfigurācija ir nemainīga. Koda elementu konfigurācija mainās saskaņā ar ievadītajiem datiem.
The Anatomy of ZIME
What is ZIME? ZIME is a standardized graphical representation of data sets. ZIME is built of two graphical elements: (1) Sieve element and (2) Code element. Sieve elements have always the same configuration, while Code elements are configured according to the input data
ORNAMENTAL SIGN LANGUAGE IN THE FIRST ORDER TRACERY BELTS
Full text linkWe consider ornamental sign language of first order where principles of sieve displacement, of asymmetric building blocks as base of ornament symmetry, color exchangeability and side equivalence principles work. The generic aspects of sieve and genesis of ornamental pattern and ornament sign in it are discussed. The hemiolia principle for ornamental genesis is introduced. The discoverer of most of these principles were artist Modris Tenisons [4, 5, 6, 7 (refs. 23, 24), 8 (ref. 65)]. Here we apply systematical research using simplest mathematical arguments.
We come to conclusions that mathematical argument in arising ornament is of much more significance than simply symmetries in it as in image. We are after to inquire how ornament arises from global aspects intertwinned with these local. We raise argument of sign’s origin from code rather from image, and its eventual impact on research of ornamental patterns, and on research of human prehension of sign and its connection with consciousness
ORNAMENTAL SIGN LANGUAGE IN THE FIRST ORDER TRACERY BELTS
No full textWe consider ornamental sign language of first order where principles of sieve displacement, of asymmetric building blocks as base of ornament symmetry, color exchangeability and side equivalence principles work. The generic aspects of sieve and genesis of ornamental pattern and ornament sign in it are discussed. The hemiolia principle for ornamental genesis is introduced. The discoverer of most of these principles were artist Modris Tenisons [4, 5, 6, 7 (refs. 23, 24), 8 (ref. 65)]. Here we apply systematical research using simplest mathematical arguments.
We come to conclusions that mathematical argument in arising ornament is of much more significance than simply symmetries in it as in image. We are after to inquire how ornament arises from global aspects intertwinned with these local. We raise argument of sign’s origin from code rather from image, and its eventual impact on research of ornamental patterns, and on research of human prehension of sign and its connection with consciousness
ORNAMENTAL SIGN LANGUAGE IN THE FIRST ORDER TRACERY BELTS
Full text link18 pagesWe consider ornamental sign language of first order where principles of sieve displacement, of asymmetric building blocks as base of ornament symmetry, color exchangeability and side equivalence principles work. The generic aspects of sieve and genesis of ornamental pattern and ornament sign in it are discussed. The hemiolia principle for ornamental genesis is introduced. The discoverer of most of these principles were artist Modris Tenisons [4, 5, 6, 7 (refs. 23, 24), 8 (ref. 65)]. Here we apply systematical research using simplest mathematical arguments. We come to conclusions that mathematical argument in arising ornament is of much more significance than simply symmetries in it as in image. We are after to inquire how ornament arises from global aspects intertwinned with these local. We raise argument of sign's origin from code rather from image, and its eventual impact on research of ornamental patterns, and on research of human prehension of sign and its connection with consciousness
ORNAMENTAL SIGN LANGUAGE IN THE FIRST ORDER TRACERY BELTS
No full text18 pagesWe consider ornamental sign language of first order where principles of sieve displacement, of asymmetric building blocks as base of ornament symmetry, color exchangeability and side equivalence principles work. The generic aspects of sieve and genesis of ornamental pattern and ornament sign in it are discussed. The hemiolia principle for ornamental genesis is introduced. The discoverer of most of these principles were artist Modris Tenisons [4, 5, 6, 7 (refs. 23, 24), 8 (ref. 65)]. Here we apply systematical research using simplest mathematical arguments. We come to conclusions that mathematical argument in arising ornament is of much more significance than simply symmetries in it as in image. We are after to inquire how ornament arises from global aspects intertwinned with these local. We raise argument of sign's origin from code rather from image, and its eventual impact on research of ornamental patterns, and on research of human prehension of sign and its connection with consciousness
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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