1,722,494 research outputs found
Hanano Jūdō, Tendai hongaku shisō to Nichiren kyōgaku (Tendai Original Enlightenment Thought and Nichiren Doctrinal Studies), 2010
Stone Jacqueline I. Hanano Jūdō, Tendai hongaku shisō to Nichiren kyōgaku (Tendai Original Enlightenment Thought and Nichiren Doctrinal Studies), 2010. In: Cahiers d'Extrême-Asie, vol. 20, 2011. Buddhism, Daoism, and Chinese Religion. pp. 259-268
203. Tendai-shū
Iwao Seiichi, Iyanaga Teizō, Ishii Susumu, Yoshida Shōichirō, Fujimura Jun'ichirō, Fujimura Michio, Yoshikawa Itsuji, Akiyama Terukazu, Iyanaga Shōkichi, Matsubara Hideichi. 203. Tendai-shū. In: Dictionnaire historique du Japon, volume 19, 1993. Lettre T. pp. 74-75
203. Tendai-shū
Iwao Seiichi, Iyanaga Teizō, Ishii Susumu, Yoshida Shōichirō, Fujimura Jun'ichirō, Fujimura Michio, Yoshikawa Itsuji, Akiyama Terukazu, Iyanaga Shōkichi, Matsubara Hideichi. 203. Tendai-shū. In: Dictionnaire historique du Japon, volume 19, 1993. Lettre T. pp. 74-75
202. Tendai-sanne
Iwao Seiichi, Iyanaga Teizō, Ishii Susumu, Yoshida Shōichirō, Fujimura Jun'ichirō, Fujimura Michio, Yoshikawa Itsuji, Akiyama Terukazu, Iyanaga Shōkichi, Matsubara Hideichi. 202. Tendai-sanne. In: Dictionnaire historique du Japon, volume 19, 1993. Lettre T. p. 74
Financial exclusion : an analysis of the evolution and development of microfinance in Zimbabwe
Zimbabwe's inclusive economic turnaround hinges upon an integrated alignment of different facets of the economy. These include the recovery of smallholder agriculture, stimulating the micro, small to medium scale enterprises to ensure production for the home and export markets. However, central to any intervention that seeks to achieve economic and social justice is a conscious strategy that targets the majority bottom of pyramid (BOP) group of citizens who survive on less than $2.00 per day and make up more than 65% of the total population
Zenyu, Senkan, and the Beginning of Tendai Pure Land Discourse
This chapter takes up the issue of how a distinctive Japanese Tendai Pure Land discourse was created by Tendai monks who were contemporaries of Kūya. The chapter focuses on two monks, Zenyu (913-990) and Senkan (918-983), who wrote the Amida shinjūgi and Jūgan hosshinki, respectively. They are the first extant treatises on Pure Land Buddhism written by Japanese Tendai monks. These treatises provided the foundation upon which Genshin was to write the Ōjōyōshū a generation later.</p
A Special Postgraduate Issue of New Mango Season
Imoinda: Criticism and Response
Volume 3 No 3 2010
Guest Editors
Marl'ene Edwin, Goldsmiths, University of London
Natasha Bonnelame, Goldsmiths, University of London
Tendai Marima, Goldsmiths, University of Londo
From a cyber dissident’s diary
Meet the well-known Tunisian journalist and human rights activist Sihem Bensedrine in a conversation with Tendai Frank Tagarira.</p
Songs From a Forgotten Past
SONGS FROM A FORGOTTEN PAST is an artist film exhibition programme curated by Tendai John Mutambu for the British Council and LUX, which explores themes of marginality, community, storytelling, world-building and reframing histories.
The SONGS FROM A FORGOTTEN PAST programme contains a curated compilation of three works, alongside associated installations. The flexible nature of the programme means that collaborating curators choose some or all of the works for their exhibition and can introduce other artworks as they wish.
‘How can we see the world from the perspective of the marginalised and stand by them in solidarity? Can marginalisation be undermined by reframing its representations? The works in SONGS FROM A FORGOTTEN PAST move beyond idealisation and romanticisation. Instead, they point towards the potential to write new narratives that critically recast old images, perspectives and tools of analysis. These works remind us that amongst the ruins of failed historical projects lies the potential for a vision of the future.’ – Tendai John Mutambu, curator
Artworks exhibited:
Ayo Akingbade, Street 66, 2018, 13 minutes (LUX)
John Akomfrah, The Silence, 2014, 17 minutes (British Council)
Duncan Campbell, Arbeit, 2011, 39 minutes (LUX)
Luke Fowler, Depositions, 2014, 24 minutes, 32 seconds (LUX)
Susan Hiller, The Last Silent Movie, 2007, 20 minutes, 41 seconds (British Council)
Samson Kambalu, I Take My Place in History, 28 seconds, I Take the Stairs to 1952, 56 seconds, Cathedral, 28 seconds, Superfly, 36 seconds, 2016 (British Council)
Rehana Zaman, I, I, I, I and I, 2013, 14 minutes, 25 seconds (LUX
Business unusual : new markets, doing business with the base of the pyramid
The beginning of the new millennium signified a number of mile-stones and recognition of new trends that were likely to dominate the world of business and development studies. One such development was the emergence of global discussion on the need to recognize the importance of the world’s disadvantaged inhabitants who, from a business perspective, had been ignored as an irrelevant and unattractive market. Traditionally the focus of business marketing has been on identifying and serving markets that have consumers with a capacity to pay a sustainable price for the product whilst paying arguably superficial attention to these consumers and their communities’ broad social and economic development needs. This is the business model that has shaped the business of multinational corporations (MNCs) and small to medium-size enterprises (SMEs) in the developed world and in many developing countries including Zimbabwe. But is this model relevant to the economic and social make-up of a country such as Zimbabwe which has undergone significant and dynamic cycles of change? This chapter seeks to address this question by exploring emerging new markets and ways of doing business that are influenced by the changed environment and which are responsive to the needs and demands of these new markets
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