2,178 research outputs found
Frank Moorhouse interviewed by Suzanne Hayes
No full textWhile at the Adelaide Festival of Arts in 1980, Australian author Frank Moorhouse spoke with Suzanne Hayes of the Adelaide college of Technical and Further Education (TAFE) about his techniques in fiction, the subject matter of his first four works of fiction, his attitude to expatriate authors and other aspects of his writing life
Realism analysis in Suzanne Collin's "Mockingjay"
No full textin this novel, the writer found kinds of realism viewed that were from moral realism. they are moral requirement hypothetical imperative (MRHI), values and secondary qualities (VASQ), virtues and reasons (VAR). the writer found the author way to perform realism in Suzanne Collin's novel "Mockingjay". from the moral requirement hypothetical imperative Katniss join in the arena to fight district from the president Snow., the second kind is values and secondary qualities where this actions is just known by herself. and virtues and reasons, Katniss did something for nations because social need it.vii, 42 page
The Protesting Body: Suzanne Lacy, Leslie Labowitz-Starus, and Sharon Hayes
No full textSuzanne Lacy, Leslie Labowitz-Starus and Sharon Hayes have created public performances that respond to the socio-political conditions of their time and place, and extend the boundaries of the traditional public sphere to include feminist concerns. In their collaborative performance In Mourning and In Rage (1977), Lacy and Labowitz-Starus utilized the private, feminist practice of consciousness-raising to bring widespread visibility to the politics of the female body. Hayes' works In the Near Future (2007-09) and Everything Else Has Failed! Don't You Think It's Time for Love? (2007), draw attention to issues concerning counterpublics through obliquely referential personal and political narratives. These works all mobilize a performing, protesting body whose corporeality mediates the audience's political realizations, past memories and current subjecthood.Art Histor
Ray R. Reynolds, Utah Uranium Oral History Project
No full textTranscript (22 pages) of an interview by Suzanne Simon with Ray Reynolds, on August 11, 1970. From tape number UR-149 in the Utah Uranium Oral History ProjectReynolds spoke with Suzanne Simon in Fry Canyon, Utah. Subjects: early mining jobs, Moab and uranium mining, Temple Mountain, Hideout mine, future of uranium (22 pages)
The Hothouse Archives
No full textThe ICI Berlin in conjunction with the Max Planck Institute for the History of Science is pleased to announce an exhibition by visual artist and theorist Suzanne Anker. The Hothouse Archives brings together two groups of photographs that picture the blurring of boundaries between nature and culture. The first suite of pictures, ‘Coral Seed Bank’ (2007) capture fragments of brain corals suspended in tanks located at the Mote Marine Laboratory at Summerland Key, Florida. The morphology of coral, similar to the convolutions in the brain, create vital connections between all parts of the organism. The vivid colors are a natural wonder, rendering this stationary carnivore as a masquerading plant. In the second suite of photographs, ‘Laboratory Life’ several layers of images are superimposed on top of one another in the form of a palimpsest. Images garnered from scientific laboratories form the technological base layer. An image of a transparent garden is then transferred as a top layer. The chance provoke questions concerning our enchantment with both nature and technology.
Suzanne Anker (www.geneculture.org) has exhibited her work at the J. P. Getty Museum, the Kunsthaus Meran, the Phillips Collection, the Institute for Art and Urban Resources in NY among others. She has been a guest curator at the New York Academy of Sciences as well as the author of many texts concerning the implications of the bio-technological revolution on culture and society. She currently teaches at the School of Visual Arts in NYC, where she is Chair of the Fine Arts Department
Interview with YA author and Children‘s Editorial Assistant Suzanne Sutherland
No full textAn interview with Young Adult author Suzanne Sutherland. The interview focuses on Toronto, the straight edge scene, music and subculture, Sutherland\u27s first book, When We Were Good and the importance of queer representation in YA books. Sutherland also recommends a number of YA novels
Psalms of assurance: an analysis of the formation and function of Psalms of Solomon in Second Temple Judaism
No full textThis dissertation presents a study of the 1 sI century Jewish document Psalms of Solomon, the primary focus of which concerns the theological framework and authorial intention that gave rise to its formation and function. As a response to Pompey's invasion of Jerusalem, the authors construct an apologetic predicated on a specific theological framework from the Hebrew Bible, herein termed the 'prophetic paradigm'. This paradigm provided the basic elements of punishment for sinfulness and redemption for repentance that constitute the theological trajectory of the document. By reading history through this particular theological lens, the authors effectively create a didactic response to the historical conflagration, and the document reads as 'literature of assurance'. The project proceeds in seven parts. The introduction contains a discussion of the general features of the document, such as authorship, date, provenance, language, textual history, as well as the most recent scholarly conclusions. Specific details pertinent to this particular dissertation are also introduced, such as inter-textuality, working definitions of apocalyptic and prophetic genres, and the need for a re-examination the document. In the first section, Psalms of Solomon and Deuteronomy 32 are set in comparison along the lines of my approach to inter-textuality. The effort in this first section is to ascertain to what extent Psalms of Solomon was written with the biblical prophetic material in mind, and to probe the extent to which this program dominated the composition. With this view in mind, the second section seeks to examine the overall cohesion of the document in light of its poetic structure and reveals certain hermeneutical insights encountered in the process. Section three acts on the observations of the frrst two sections, that a dominant theological program governs the document and that it is to be read as a cohesive whole, by critiquing a particular concept in this light, namely the Temple motif. The findings reveal that the Temple motif figures prominently in the text and that categories such as sinners, righteous, purity, impurity, Jews, non-Jews are defined from the perspective that God is present in the Temple at Jerusalem. Inasmuch as the issues of sinners, righteous, purity, impurity, Jews, and non-Jews are of central importance to the community at Qumran, the fmdings of section three commend a comparison between Psalms of Solomon and Qumran, which gives a point of comparison in highlighting these concepts within the document. In section four, a comparison between the theology of Psalms of Solomon and Qumran is made on three points, the Law of Moses, the Temple, and the will of God. Section five consists of a brief evaluation of the use of Psalms of Solomon by NT scholarship. The intention of this final section is to promote an awareness of the need for re-evaluating Psalms of Solomon's position and place within the history of the deVelopment of religious concepts, in this case messianism and use of the document by NT scholarship
KS: SUZANNE HALL
No full textKEYNOTE SPEAKERS: Suzanne Hall London School of Economics and Political Science (London, UK) Suzanne Hall is Director of the Cities Programme and an Associate Professor in the Department of Sociology at the London School of Economics and Political Science. Her research explores the intersection of global migration and urban marginalisation. Through an ESRC award she has focused on migrant economies and spaces on urban high streets across the UK. Suzi is author of City, Street and Citizen: The..
Suzanne Brazeau’s Story of Vassilka
No full textabusegardenimmigrantNorth Vancouversecond lovewidowWorld War II1910’sEurop
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