1,721,005 research outputs found
Augustine and the "Chair of Lies": Rhetoric in The Confessions
Get PDFPublished as Tell, Dave. “Augustine and the ‘Chair of Lies’: Rhetoric in The Confessions.” Rhetorica 28.4 (Autumn 2010): 384-407. © 2010 by [the Regents of the University of California/Sponsoring Society or Association]. Copying and permissions notice: Authorization to copy this content beyond fair use (as specified in Sections 107 and 108 of the U. S. Copyright Law) for internal or personal use, or the internal or personal use of specific clients, is granted by The International Society for the History of Rhetoric for libraries and other users, provided that they are registered with and pay the specified fee via Rightslink® on http://caliber.ucpress.net or directly with the Copyright Clearance Center, http://www.copyright.com."Augustine's highly dramatized resignation as a professor
of rhetoric in Book Nine of The Confessions has caused a number
of hermeneutic problems for scholars seeking to claim Augustine
as an important part of rhetorical histories. By situating the resignation
in the context of Augustine's critique of Manichaean practices
of speech, I argue that Augustine's resignation marks a fundamental
affirmation of rhetoric—an act in which Augustine's deep
commitment to the arts of rhetoric shines forth with uncommon
brilliance
Communication and the Art of Improvisation
Get PDFOver the last 15 years, improvisational theater has been increasingly applied in organizational contexts to improve the communicative environment of that organization. It is widely held that improv benefits the communicative environment, but the reasons for its effectiveness are illusive in the literature. This study seeks to better understand the reasons for its effectiveness in application in extra-theatrical application. It does this through analyzing significant improv texts and interviews conducted by the author with several highly experienced improvisers in Chicago, the birthplace of modern improv. Through thematic analysis, nine significant topoi were established that provide understanding for what is happening when people engage in improv. Ultimately it was found that when all the topoi are combined in practice improv serves as a communicative method designed for spontaneously solving problems as they arise
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Stuck: Time, Difference, and Power in American Visual Culture
Get PDFThis dissertation analyzes four case studies in American visual culture to propose a theory of stuckness, a way of doing time in visual culture. Using a theoretical grounding in queer theory, performance studies, and ecocritical theory, I engage with stuckness utilizing a methodological approach I call sitting with stuckness, paying close attention to those moments where unimaginable losses (of life, of power, of position) become visible in culture, revealing alternative ways of doing time. I start by examining Charles Darwin’s entrance into the American public consciousness alongside the end of the Civil War and the compressive violence of depictions of black Americans as less-than-human “missing links.” Then, I look to the political actions and art of HIV/AIDS activist group ACT UP and Daniel Goldstein to see the reparative production of their engagements with waste as a productive site of politics and aesthetics. In the third chapter I and a co-author engage the website of FBI anti-trafficking effort Operation Cross Country X, noting its usage of spectacular instants to encourage state-serving understandings of trafficking and its possible solutions. In the conclusion, I examine depictions of behavioral deviance and paralyzing emotions in My Strange Addiction and the complex narrative and temporal juxtapositions taking place within the reality television format between its subject and the production team, ending with future directions for a method of sitting with stuckness
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