1,720,959 research outputs found
Multilevel Generalised Low-Density Parity-Check Codes
No full textMultilevel coding invoking generalised low-density parity-check component codes is proposed, which is capable of outperforming the classic low-density parity check component codes at a reduced decoding latency
Three-Dimensional EXIT Chart Analysis of Iterative Detection Aided Coded Modulation Schemes
No full textThe iterative convergence of iteratively detected coded modulation schemes having different block lengths, decoding complexity and an unequal error protection capability is studied, when communicating over AWGNchannels using 8PSK modulation. More specifically, the coded modulation schemes investigated include Multilevel Coding (MLC), Trellis Coded Modulation (TCM), Turbo Trellis Coded Modulation (TTCM), Bit-Interleaved Coded Modulation (BICM) as well as Bit-Interleaved Coded Modulation employing Iterative Decoding (BICM-ID). A novel three dimensional EXIT chart was introduced for studying the iterative convergence behaviour of the Multistage Decoding (MSD) scheme used in MLC
Joint design of twin-antenna assisted space-time multilevel sphere packing aided coded modulation
No full textA new multilevel coding (MLC) scheme invoking sphere packing (SP) modulation is proposed, where the SP arrangement is jointly designed with a space time block code (STBC) for the sake of attaining an additional space diversity gain. An iterative multistage decoding (MSD) aided multilevel sphere packing demodulator is proposed for attaining a high decoding performance at a low decoding complexity, when communicating over a correlated Rayleigh channel. The appropriate design of a 4-dimensional (4D) sphere packing bit-to-SP-symbol mapping scheme and the beneficial choice of the individual coding rates of the MLC scheme allows us to provide an unequal error protection capability, which is often required for efficient audio or video transmissions
Generalized Low-Density Parity-Check Coding Aided Multilevel Codes
No full textClassic Low-Density Parity-Check (LDPC) codes have recently been used as component codes in Multilevel Coding (MLC) due to their impressive BER performance as well as owing to their flexible coding rates. In this paper, we proposed a Multilevel Coding invoking Generalized Low-Density Parity-Check (GLDPC) component codes, which is capable of outperforming the classic LDPC component codes at a reduced decoding latency, when communicating over AWGN and uncorrelated Rayleigh fading channels
Serially Concatenated Luby Transform Coding and Bit-Interleaved Coded Modulation Using Iterative Decoding for the Wireless Internet
No full textIn Bit-Interleaved Coded Modulation (BICM) the coding and modulation schemes were jointly optimized for the sake of attaining the best possible performance when communicating over fading wireless communication channels. The iterative decoding scheme of BICM (BICM-ID) invoking an appropriate bit-to-symbol mapping strategy enhances its achievable performance in both AWGN and Rayleigh channels. BICM-ID may be conveniently combined with Luby Transform (LT) codes, which were designed for handling packetized wireless Internet data traffic in erasure channels without retransmitting the corrupted packets. By jointly designing a serially concatenated LT-BICM-ID code, an infinitesimally low Bit Error Rate (BER) is achieved for Signal to Noise Ratios (SNR) in excess of 7.5dB over wireless Internet type erasure channels contaminated by AWGN
Turbo Coding, Turbo Equalisation and Space-Time Coding: EXIT-Chart Aided Near-Capacity Designs for Wireless Channels
No full textEquivalent-Capacity-Based Design of Space-Time Block-Coded Sphere-Packing-Aided Multilevel Coding
Full text linkA multilevel coding (MLC) scheme invoking sphere packing (SP) modulation combined with space time block coding (STBC) is designed. The coding rates of each of the MLC component codes are determined using the so-called equivalent capacity based constituent-code rate-calculation procedure invoking a 4-dimensional (4D) sphere packing bit-to-symbol mapping scheme. Four different-rate Low-Density Parity Check (LDPC) constituent-codes are used by the MLC scheme. The performance of the resultant equivalent capacity based design is characterized using simulation results. Our results demonstrate an approximately 3.5dB gain over an identical scheme dispensing with SP modulation. Furthermore although a similar performance gain is attained by both the proposed MLC scheme and its benchmarker, which uses a single-class LDPC code, the MLC scheme is preferred, since it benefits from the new classic philosophy of using low-memory, low-complexity component codes as well as providing an unequal error protection capability
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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