4,003 research outputs found
The Echo: November 3,1978
No full textWhat’s News – Registration Begins – Courses Not Stimulating – Self-Regulation Needed – Special to the Echo – Solzhenitzyn’s Harvard Address – Climbing the Walls – Confessions of a Mad Knitter – CLEP: Credit by Exam – In Search of Whitewater – Nostalgia – ECHOS From the Past – Editorial – Rules should put end to football injuries – Letters to the Editor – Political Commentary – Not Voting, Why? – “An Evening With T.S. Eliot” Tonight – The Indy Circuit – S.U.B. Presents – Weekend Movies – Taylor Volleyball Wins It All – Field Hockey Takes Earlham – Marion College Slides By Taylor – Volleyball Sees More Action – Gridders Fall in Tough Game with Findlay – Taylor Cross Country: District Champs!https://pillars.taylor.edu/echo-1978-1979/1008/thumbnail.jp
T.S. Eliot and the music of poetry
No full textThis thesis is a study of T.S. Eliot's poetry in the light of the different ways in which it can be considered 'musical'. Two concerns central to the thesis are: (1) Eliot's enduring interest in the musical quality of poetry; (2) the critical usefulness and viability of drawing analogies between his poetry and music. The thesis considers three important related topics: (1) Eliot's preoccupation with language, its inevitability and its inadequacy; (2) the figure of the seeker in his poetry; (3) his interest in mysticism. The thesis begins by exploring affinities between music and literature in the context of Wagner’s ideal of the 'Gesamtkunstwerk' and its influence on French Symbolist writers. It goes on to trace the development of T.S. Eliot's poetic style as influenced by the French Symbolist poets, by Dante and the mediaeval mystics, and by the music of Wagner, Stravinsky and other composers. Throughout, Eliot's poetry presents variations on the theme of detachment and involvement in relation to the figure of the seeker: consciousness is most engaged and challenged when it journeys. In the early poetry, music serves to emphasize failed relationships: the closer the physical proximity between protagonists, the greater the psychological distance. From The Waste Land on, Eliot makes use of myth and leitmotif to portray consciousness in the role of seeker urged on by the need for meaning. After his conversion to Anglo-Catholicism in 1927, Eliot's characters embark on a journey inward, where music, now "unheard", no longer signifies neurosis and despair, but becomes the only language for the ineffable
T.S. Eliot : a bibliography of T.S. Eliot criticism, 1987-2013
No full textThis bibliography of scholarship related to the writer T.S. Eliot is arranged chronologically by year and alphabetically within each year. This bibliography contains 1624 entries. Select entries have been annotated. Where available, annotations have been taken from the research database and are enclosed in brackets ([ ]). Annotations that have been taken from the works themselves are enclosed by asterisks. Annotations written by the author of this thesis have no special characters to distinguish them from other annotations. An annotated bibliography of Eliot criticism is essential to keep up with the recent resurgence in Eliot studies. The last bibliography published regarding Eliot's works was Sebastian Knowles and Scott A. Leonard's T.S. Eliot: Man and Poet, Volume 2: An Annotated Bibliography of a Decade of T.S. Eliot Criticism, 1977-1986. This new bibliography creates a central location for Eliot research for the years of 1987-2013
T.S. Eliot's Murder in the Catherdral program, 1939
No full texthttps://rdc.reed.edu/v1/resources/8da1bb28-b6c3-4ad5-a74d-e975a753b36d/thumb/128.jpgProgram for the Reed College Players' presentation of T.S. Eliot's Murder in the Cathedral, 1939. Directed by drama director Kay Stuurman, the play featured designs by Joshua C. Taylor '39 and make-up by professor Lloyd J. Reynolds
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In search of genius: T.S. Eliot as publisher
No full textThe article discusses about the literary style of the author T.S. Eliot. A systematic examination of T.S. Eliot's interactions as a publisher with almost every aspiring poet of his time is yet to be undertaken. Such an examination would be of interest for two reasons. It would reveal more about the creative and critical principles with which Eliot himself worked and it would give some indication of the manner in which he molded English literary culture by introducing and sponsoring younger poets
Salix candida (Hoary Willow) : Hoary Willow
No full textClass: Dicotyledoneae
Family: Salicaceae
Genus: Salix
Species: candid
Gutierrezia sarothrae (Broomweed) : Broomweed
No full textClass: Dicotyledoneae
Family: Asteraceae
Genus: Gutierrezia
Species: sarothra
Motifs of four elements in T.S. Eliot's The Waste Land
No full textTato bakalářská práce je zaměřena na interpretaci možných významý metafor, literárních odkazů a symbolů spojených s klasickými živly v Básni T.S. Eliota The Waste Land. Práce nabízí souhrn mnoha různých interpretací literárních expertů a kritiků z rozmanitých zdrojů,a zároveň původníí myšlenky a výklad autora této práce.Katedra anglického jazykaObhájenoThis thesis is focused on interpretation of possible meanings of the classical elements-connected metaphors, allusions and symbols in the T.S. Eliot's poem The Waste Land. This work offers summary of different interpretations from literary experts and critics from different sources and time periods while at the same time contains original thoughts and interpretations by the author
T.S. Kuhn se bydrae tot die wetenskapsleer
No full textIn this paper the author gives an exposition of T.S. Kuhn’s contribution to the philosophy and historiography of science. He discusses Kuhn’s rejection of the “received view "of science and places Kuhn’s critique on Logical Positivism within the framework of an historicist and sociological approach to the philosophy of science. The author pays attention to Kuhn s rival theory on the revolutionary growth oj science, with special reference to the role of the disciplinary matrix and exemplars in the formation of scientific knowledge. Kuhn’s differences form and attack on the basic premises oj the “received view" are clearly slated. After this exposition the author briefly evaluates Kuhn's influential contribution to the philosophy of science. He concludes with some remarks on the relevance of Kuhn’s theories for a Christian view of science
J.V. Foix, traductor de T.S. Eliot (1927)
No full textAquest article vol demostrar que J.V. Foix és l’autor de les traduccions al català, publi-cades anònimament el 1927, de dos textos crítics de T.S. Eliot i de la tercera secció de The WasteLand. Les fonts són: «Note sur Mallarmé et Poe» (1926) i, en versió de Jean de Menasce, «Deuxattitudes mystiques: Dante et Donne» (1927) i La Terre mise à nu(1926). L’interès d’Eliot i Foixper Guido Cavalcanti és remarcable, i tal vegada remet a Rémy de Gourmont.This article argues that J.V. Foix was the author of the Catalan translations, pu -blished anonymously in 1927, of two essays by T.S. Eliot as well as the third section of Eliot’sThe Waste Land. The sources of these translations are Eliot’s «Note sur Mallarmé et Poe» (1926)and, in Jean de Menasce’s rendering, «Deux attitudes mystiques: Dante et Donne» (1927) and LaTerre mise à nu(1926). Eliot and Foix’s common interest in Guido Cavalcanti is worthy of note,and is perhaps rooted in Rémy de Gourmont
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