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Proceedings of the 20th IPSAPA/ISPALEM International Scientific Conference. The Erratic Behavior of the Landscape-cultural Mosaic: Emotion, Energy, Experience
No full textThe 20th IPSAPA conference was held in Reggio Calabria on July 7-8, 2016.
The call for papers was followed by the participants more faithfully than usual,
and the papers cover most of the foreseen items in a balanced way. The call for
papers therefore is also a good outline for the introduction to this book.
Since 2005 IPSAPA conference focuses on the successful keyword "landscapecultural
mosaic". Sometimes it prevailed realism, sometimes economic
sustainability, sometimes the evolutionary dynamics, sometimes the pursuit of
excellence. This time we went back to the domain of the imagination and to the
fascination of discovery, taking the line of the conferences of 2009 and 2010,
called respectively: "The backstage of the landscape-cultural mosaic: Invisible,
Inaccessible, Inexistent" and "The Wonderland in the landscape-cultural mosaic:
Idea, Image, Illusion". The fantastic invention was present in part also in the
2013 conference entitled "Utopias and dystopias in the landscape-cultural
mosaic: Visions, Values, Vulnerability"
Proceedings of the 19th IPSAPA/ISPALEM - International Scientific Conference. The Turning Point of the Landscape-cultural Mosaic: Renaissance Revelation Resilience
No full textTurning Point is the provocative term geologist and (today) opinion leader Gregg Braden uses to encourage all of us to reflect on the ways that science and culture are traveling. In his work "he is known internationally as a pioneer in building a bridge between science and indigenous skills in view of real solutions for today's world." This is not the first laudator temporis acti (admirer of the past) but his characteristic is to challenge many stereotypes of the contemporary world from the inside, and not just as a confused outside observer as sometimes happens in nostalgic literature. For him the turning point is the obliged moment to bring back the world before it falls into a chaotic structure no longer controllable. Experts of complexity however tell us that progress can only be born in a world that hovers on the brink of chaos. Braden, after living as an expert in the world of complexity, casts doubts on this statement and sets limits beyond which the risk of uncontrollable fall becomes too high. Its wide reflection on resilience shows the need to maintain, while there is still time, a reserve capacity, unexpressed but accessible
Proceedings of the 21st IPSAPA/ISPALEM International Scientific Conference
No full textSince 2005 the IPSAPA conference focuses on the successful keyword
"landscape-cultural mosaic." Sometimes it prevailed realism, sometimes
economics, sometimes evolutionary dynamics, sometimes the pursuit of
excellence. This edition confirms the return to the domain of imagination and
fascination of discovery, taking the line of the conferences of 2009 and 2010,
named respectively "The backstage of the landscape-cultural mosaic . Invisible,
Inaccessible, Inexistent" and "Wonderland in the landscape-cultural mosaic.
Idea, Image, Illusion". The fantastic invention was present in part in the 2013
conference entitled "Utopias and dystopias in the landscape-cultural mosaic.
Visions, Values, Vulnerability". The unstructured reality was the subject of the
previous conference (2016) entitled "Erratic of the landscape-cultural mosaic.
Emotion, Energy, Experience
Proceedings of the 18th IPSAPA/ISPALEM International Scientific Conference - The Usefulness of the Useless in the Landscapecultural Mosaic: Liveability, Typicality, Biodiversity
No full textThis year's IPSAPA/ISPALEM conference urged attendees, as usual, to critically reflect on certain fundamental concepts for the analysis of the landscape-cultural mosaic, by encouraging on the one hand, methodological analysis, and on the other, their application in the field. The fundamental concepts for this year were the true, the beautiful, the good and their counterpoints (false, ugly, bad) viewed in their relationship with the two ambiguous parameters of useful and useless. The last two conferences were decidedly oriented towards the '"useless", as they were titled Wonderland and Utopia, while in this edition the orientation was directed towards the equilibrium between the two worlds of the useful and the useless (first volume), with the operative corollaries of biodiversity and of typicality, in a frame of liveability (second volume)
FROM ORDER TO ERRATICITY
No full textAccording to the laws of physics, order has a cost, in terms of the creation of some form of disorder somewhere else, as the entropy states. The paper considers examples taken from everyday’s life, and their empirical solutions. There exist exact methods for creating and maintaining order, found at the origin of artificial intelligence by Simon, referred to as linked lists. Unlike what is generally supposed erraticity is not a pure randomness problem, but rather must take into account actual bifurcations, possibly not reversible. Since we are interested also on the cultural side of mosaic, it is correct to start from persons whose life has been important, but erratic, with relevant turns in their activity, or in their long time fortune. The examples we give, should suggest the reader to look for other examples according to his own inspiration. An exercise, that is only sketched in the paper, is to look for the turning points that we can find in the history of landscape or in the history of towns. When does erraticity arise, how long does it remain undefined and subject to randomness, when becomes irreversible
THE INTERTWINED THREADS: CARDS, FRAGMENTS, MEMORIES
No full textThe note is mainly based on the structural bonds that connect the landscape-cultural mosaic. Sometimes there are clear and well-coordinated links, sometimes they are instead fragments of the past or vague intuitions for the future that must be replaced in a coherent framework. By transferring what was affirmed by De Mauro (1990) we can imagine a vague and imprecise conceptual framework where "we speak ill and we understand each other badly", but where interaction and negotiation allow us to refine a possible understanding. The palimpsest is one of the tools that allow time travel, while protocols are those that reduce the likelihood of false interpretations, even if they limit the fantasy of artistic perception. The conclusion recalls the splendid synthesis of the changing fate of the fragments of spiritual and material life that was given by Calvino in one of his invisible cities. Clarice, a city that alternates splendor and misery, succeeds in regenerating and reusing all the material signs of its past, in improper and paradoxical ways, because in the end the order of succession of the eras has been forgotten
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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