1,720,972 research outputs found
Ortho-polygon visibility representations of 3-connected 1-plane graphs
No full textAn ortho-polygon visibility representation (OPVR) of an embedded graph G is an embedding-preserving drawing that maps each vertex of G to a distinct orthogonal polygon and each edge of G to a vertical or horizontal visibility between its end-vertices. An OPVR Γ has vertex complexity k if every polygon of Γ has at most k reflex corners. A 1-plane graph is an embedded graph such that each edge is crossed at most once. It is known that 3-connected 1-plane graphs admit an OPVR with vertex complexity at most 12, while vertex complexity at least 2 may be required in some cases. In this paper, we reduce this gap by showing that vertex complexity 5 is always sufficient, while vertex complexity 4 may be sometimes required. These results are based on the study of the combinatorial properties of the B-, T-, and W-configurations in 3-connected 1-plane graphs. An implication of the upper bound is the existence of a O ̃(n[Formula presented])-time drawing algorithm that computes an OPVR of an n-vertex 3-connected 1-plane graph on an integer grid of size O(n)×O(n) and with vertex complexity at most 5
Simultaneous FPQ-ordering and hybrid planarity testing
No full textWe introduce and study a constrained planarity testing problem, called 1-FIXED CONSTRAINED PLANARITY, and prove that this problem can be solved in quadratic time for biconnected graphs. Our solution is based on a novel definition of fixedness that makes it possible to simplify and extend known techniques about SIMULTANEOUS PQ-ORDERING. We exploit this result to study different versions of the hybrid planarity testing problem. Namely, we show polynomial-time solutions for a variant of NODETRIX PLANARITY with fixed sides, for POLYLINK PLANARITY, and for CLIQUE PLANARITY with fixed sides. (C) 2021 Elsevier B.V. All rights reserved
A User Study on Hybrid Graph Visualizations
No full textHybrid visualizations mix different metaphors in a single layout of a network. In particular, the popular NodeTrix model, introduced by Henry, Fekete, and McGuffin in 2007, combines node-link diagrams and matrix-based representations to support the analysis of real-world networks that are globally sparse but locally dense. That idea inspired a series of works, proposing variants or alternatives to NodeTrix. We present a user study that compares the classical node-link model and three hybrid visualization models designed to work on the same types of networks. The results of our study provide interesting indications about advantages/drawbacks of the considered models on performing classical tasks of analysis. At the same time, our experiment has some limitations and opens up to further research on the subject
Partial Temporal Vertex Cover with Bounded Activity Intervals
No full textDifferent variants of Vertex Cover have recently garnered attention in the context of temporal graphs. One of these variants is motivated by the need to summarize timeline activities in social networks. Here, the activities of individual vertices, representing users, are characterized by time intervals. In this paper, we explore a scenario where the temporal span of each vertex’s activity interval is bounded by an integer l, and the objective is to maximize the number of (temporal) edges that are covered. We establish the APX-hardness of this problem and the NP-hardness of the corresponding decision problem, even under the restricted condition where the temporal domain comprises only two timestamps and each edge appears at most once. Subsequently, we delve into the parameterized complexity of the problem, offering two fixed-parameter algorithms parameterized by: (i) the number k of temporal edges covered by the solution, and (ii) the number h of temporal edges not covered by the solution. Finally, we present a polynomial-time approximation algorithm achieving a factor of 3/
Evaluating Animation Parameters for Morphing Edge Drawings
No full textPartial edge drawings (ped) of graphs avoid edge crossings by subdividing each edge into three parts and representing only its stubs, i.e., the parts incident to the end-nodes. The morphing edge drawing model (med) extends the ped drawing style by animations that smoothly morph each edge between its representation as stubs and the one as a fully drawn segment while avoiding new crossings. Participants of a previous study on med (Misue and Akasaka, GD19) reported eye straining caused by the animation. We conducted a user study to evaluate how this effect is influenced by varying animation speed and animation dynamic by considering an easing technique that is commonly used in web design. Our results provide indications that the easing technique may help users in executing topology-based tasks accurately. The participants also expressed appreciation for the easing and a preference for a slow animation speed
ChordLink: A New Hybrid Visualization Model
No full textMany real-world networks are globally sparse but locally dense. Typical examples are social networks, biological networks, and information networks. This double structural nature makes it difficult to adopt a homogeneous visualization model that clearly conveys an overview of the network and the internal structure of its communities at the same time. As a consequence, the use of hybrid visualizations has been proposed. For instance, NodeTrix combines node-link and matrix-based representations (Henry et al., 2007). In this paper we describe ChordLink, a hybrid visualization model that embeds chord diagrams, used to represent dense subgraphs, into a node-link diagram, which shows the global network structure. The visualization is intuitive and makes it possible to interactively highlight the structure of a community while keeping the rest of the layout stable. We discuss the intriguing algorithmic challenges behind the ChordLink model, present a prototype system, and illustrate case studies on real-world networks
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
NodeTrix Planarity Testing with Small Clusters
No full textWe study the NodeTrix planarity testing problem for flat clustered graphs when the maximum size of each cluster is bounded by a constant k. We consider both the case when the sides of the matrices to which the edges are incident are fixed and the case when they can be chosen arbitrarily. We show that NodeTrix planarity testing with fixed sides can be solved in O(k3k+32·n) time for every flat clustered graph that can be reduced to a partial 2-tree by collapsing its clusters into single vertices. In the general case, NodeTrix planarity testing with fixed sides can be solved in O(n) time for k= 2 , but it is NP-complete for any k> 2. NodeTrix planarity testing remains NP-complete also in the free sides model when k> 4
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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