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Ranljivost umika: Med stavki zgodnje proze Tao Lin
No full textIn Tao Lin\u27s early books Eeeee Eee Eeee (2007), Bed (2007), Shoplifting from American Apparel (2009), and Richard Yates (2010) vulnerability is linked to a lack of context. Passages and sentences are semantically removed enough from each other that a space of vulnerability opens in which the unexpected can happen. Using the work of Quentin Meillassoux, Judith Butler, Jacques Rancière, and Levi Bryant, among others, this sense of vulnerability is argued to be the primary experience of our lives, but we often forget it. Lin\u27s work makes this primary vulnerability visible in the three works analyzed using three different techniques: incomplete information, withdrawn context, and a monstrous vulnerability. In this sense, the author makes his writing vulnerable to the very problems that it foregrounds.V zgodnjih knjigah Tao Lin Eeeee Eee Eeee (2007), Bed (2007), Shoplifting from American Apparel (2009), and Richard Yates (2010) je ranljivost povezana s pomanjkanjem konteksta, saj so deli teksta in stavki semantično dovolj umaknjeni drug od drugega, da se odpre prostor ranljivosti v katerem se lahko zgodi karkoli
Discussion on Hakujitu No Sho in Manchuria Romance
No full textThe Journal of Japanese Language Literature Studies > Volume 1(1); 2014 > Article
Article
Border Crossings: The Journal of Japanese-Language Literature Studies 2014;1(1): 105-121.
doi: https://doi.org/10.22628/bcjjl.2014.1.1.105
『満洲浪曼』における｢白日の書｣への一考察
Tao LIN
北京師範大学外文学院日文系
Correspondence Tao LIN ,Email: [email protected]
Published online: 30 June 2014.
Copyright ©2019 The Global Institute for Japanese Studies, Korea University
This is an open access article distributed under the terms of the Creative Commons Attribution Non-Commercial License ( http://creativecommons.org/licenses/by-nc/4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
ABSTRACT
Yokota Fumiko’s novel, Hakujitsu No Sho, was a candidate for the third Akutagawa Prize in the first half of 1936. Two years later in 1938, it was published in the opening issue of the Japanese literary and art magazine Manchuria Romantic, which was influential during the Manchukuo period. However, in China this novel has not been adequately researched in academic circles. Centered on the relationship between Hakujitsu No Sho and Manchuria Romantic, this paper explains the essence of the novel and the literary attitude of the author by analyzing the text in detail. Through this lesbian narrative, the social anxiety of the 1930s in Japan is symbolically represented and, at the same time, Yokota Fumiko hinted at her veiled rebellion against society and the times. Progressing from a young Leftist literary girl to a colleague of Japanese Romanticism after eight years in “Manchukuo”, although it was hard for Yokota Fumiko to avoid following the trend, there is a clear difference between the “romance” in her works and the “grand romance” advocated by Kitamura Kennjirou, the editor of Manchuria Romantic. The “romance” in her works has always maintained a certain distance from the center of literary world and embodied her rebellion against the times
Autofiction and social media ˸ self-narratives in the works of Chloé Delaume and Tao Lin
No full textLes images de soi produites par un auteur dans des romans autobiographiques peuvent, dans le contexte actuel, recouper ses représentations sur ses profils numériques, faisant apparaître une dynamique influençant la lecture des textes littéraires, la position institutionnelle de l’écrivain et la relation de ce dernier au lecteur. Nous avons voulu défendre l’idée selon laquelle, s’il n’est pas déterminant de prendre en compte la personne réelle de celui ou celle qui signe l'œuvre (y compris dans le cas d'autofictions), sa figure construite à la fois dans le discours littéraire et dans les espaces d’expression numériques brise la frontière entre texte et hors-texte.Afin d'observer les implications de la rencontre entre double virtuel et double fictionnel de l’auteur, nous nous attachons plus particulièrement aux cas de Chloé Delaume et de Tao Lin. Ce dernier sature ses textes de renvois entre sa vie, internet et son œuvre, mettant en lumière des éléments de référentialité (notamment entre personne et personnage) désormais accessibles à ce que nous nommons des lecteurs-internautes. Concernant Chloé Delaume, c’est au niveau du support de fiction que l’exploration de nouveaux médias se joue : les outils informatiques, comme une contrainte oulipienne, servent de cadre technique à partir duquel l’écriture est appelée à naître. Dans leurs approches respectives, nous nous sommes intéressée à la mise en place d’un récit de soi transmédiatique, induisant une nouvelle matrice diégétique d’une part, et de nouveaux comportements de lecture d’autre part. La curiosité du lecteur peut être nourrie par les réseaux sociaux ; or, non seulement l’accès à la vie de l’auteur reste un mirage, mais cela ne donne à ce dernier que plus d’armes pour manipuler le lecteur s’il le souhaite.The self-images produced by an author within autobiographical novels tend to overlap, in our digital era, his or her online representations, thus influencing the reading of the text, the institutional position of the writer and his or her relationship to the reader. More broadly, although it is not necessary to take into account the actual person producing the work of art (including in the case of autofictions), the figure he or she constructs within literary speech and digital spaces for expression breaks the boundary between text and what is located outside of the text. In order to parse what the encounter between the digital version and the literary version of the author involves, I chose to focus on the works of Chloé Delaume and Tao Lin. The latter uses material coming straight from his own social media in his novels, highlighting elements of referentiality (especially between person and persona), now available to what I call readers-internet users. As for Chloé Delaume, she explores new media through various mediums of fiction: she uses technological tools as a frame, akin to an Oulipian constraint, in order to let a specific kind of writing emerge. What interested me in their approaches is their construction of a transmedia self-narrative leading on the one hand to a new diegetic matrix and on the other to new ways of reading. The reader's curiosity can be nourished by social media; however, not only does the access to the writers' life remain an illusion, but it only gives more power to them if they wish to manipulate the reader
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
sj-docx-1-tam-10.1177_17588359231213621 – Supplemental material for Cost-effectiveness analysis of serplulimab in combination with cisplatin plus 5-fluorouracil chemotherapy compared to cisplatin plus 5-fluorouracil chemotherapy as first-line treatment for advanced or metastatic esophageal squamous cell carcinoma in China
No full textSupplemental material, sj-docx-1-tam-10.1177_17588359231213621 for Cost-effectiveness analysis of serplulimab in combination with cisplatin plus 5-fluorouracil chemotherapy compared to cisplatin plus 5-fluorouracil chemotherapy as first-line treatment for advanced or metastatic esophageal squamous cell carcinoma in China by Ying-Tao Lin, Chong-Chong Zhou, Kai Xu, Meng-Die Zhang and Xin Li in Therapeutic Advances in Medical Oncology</p
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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