1,721,254 research outputs found
Das Auto ist oft gar nicht die naheliegendste Lösung
Am 7. Juni findet an der HAW Hamburg zum zweiten Mal ein Themenkongress zur städtischen Mobilität statt. Wir haben mit den Organisatoren Prof. Tankred Müller und Prof. Henner Gärtner gesprochen.Forschungs- und Transferzentrum Intelligent Industrial InnovationsHamburgische Investitions- und FörderbankNonPeerReviewe
<i>Eiszeit</i> Tankred Dorst’s Hamsun: "alt, taub, und tod"
In this paper I will take a closer look at Tankred Dorst’s play and show how it uses well-known motifs from the Hamsun legend and weaves them together to create a provocative new image of him
From « Kleines Spiel » (Small play) to big stage : the influence of puppet theater on Tankred Dorst's plays
The German author Tankred Dorst (1925-2017) started his theatre career in a small student puppet theatre, before he became one of the most famous German theatre authors from 1980 to 2005. By comparing his early dramas for marionettes and his first plays for actors (with a focus on two versions of Aucassin and Nicolette) the differences between his plays for human and wooden actors shall be detected, in comparison with plays for marionettes by other authors of the time, and including Dorst’s reflexions about an aesthetic of the puppet theatre
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
POSTMODERNIST POETICS OF TANKRED DORST’S DRAMA DIE SCHATTENLINIE
The topic of these deliberations is the drama Die Schattenlinie by Tankred Dorst.
The focus is on the demise oft he fundamental pillars of the literature created by
the world based on the metaphysical structure of good and evil, truth and falsehood. That
was the enclosed world, which was reflected in the unity of action, space, time, subject,
thinking, family etc. Die Schattenlinie illustrates the transition to the postmodernist world, with its vanishing center being replaced with ‚differance‘ (Derrida). Polarization
and the antithesis of values have lost their old grandeur. The unrelenting dominance
of abstract logic, plan, progress and constraint of tradition have become a seemingly
perfect structure since they do not fulfill the ambitions of modern-day varieties of life.
Thinking as an image oft he world in its casual and linear dimension has lost a cognitive
value. Dorst’s drama encompasses many parallel realities, many worlds, with events
taking place simultaneously
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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