1,721,096 research outputs found
Game Belajar Berhitung “Tang Ting Tung” berbasis Android
Full text linkTang Ting Tung adalah Game berbasis Android sebagai media pembelajaran berhitung untuk anak tingkat taman kanak-kanak. Game media pembelajaran berhitung ini berisi materi pengenalan angka dasar dengan gambar angka dan buah, kemudian juga ada materi dan quis untuk perhitungan, pengurangan, pembagian, lebih besar, lebih kecil dan sama dengan. Dengan adanya media pembelajaran berhitung dengan game berbasis android ini anak-anak tingkat taman kanak-kanak akan lebih senang dan mudah dalam belajar berhitung angka dasar
Tang Ting-Chi : Etude de grammaire transformationnelle du chinois. Vol. 1 : transformations de mouvement
No full textParis Marie-Claude. Tang Ting-Chi : Etude de grammaire transformationnelle du chinois. Vol. 1 : transformations de mouvement. In: Cahiers de linguistique - Asie orientale, vol. 6, 1979. pp. 111-115
AlGaN/GaN HEMT micro-sensor technology for gas sensing applications
No full text Wide bandgap gallium nitride material has highly favorable electronic properties for next generation power and high frequency electronic devices. A less widely studied application is highly miniaturized chemical and gas sensors capable of operating in harsh environment conditions. In this work we present our recent developments on design, fabrication and testing of AlGaN/GaN high electron mobility transistor (HEMT) based sensors for detection of various gases. First, the method of as-fabricated device baseline value stabilization is demonstrated. Secondly, the impact of sensor design is discussed with the emphasis on gate electrode geometry optimizations to enhance sensing performance. Then we present the sensing characteristics of Pt-HEMTs towards H 2 S and compare them to H 2 and NO 2 . Finally we demonstrate recent results of NO 2 detection with Ti/Au based HEMT sensors, which are superior to those using Pt based devices. Accepted author manuscriptElectronic Components, Technology and Material
A Combined Experimental and Theoretical Electron Density Study of Intra- and Intermolecular Interactions in Thiourea S,S-Dioxide
No full textTranscriptomic analysis of the housefly (Musca domestica) larva using massively parallel pyrosequencing
No full text
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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