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Performowanie – odczucie, autotransformacja i ekspresja: Tang Shu-wing i jego Stu-dio Teatralne w Hong Kongu
No full textThis article presents the multifaceted persona of Tang Shu-wing, an acclaimed director, actor, and drama teacher, and examines his profound connections with the Polish theater tradition, particularly Jerzy Grotowski. The text also discusses Tang Shu-wing’s Shakespearean productions staged in Warsaw and Gdańsk. Marzenna Wiśniewska’s introduction contextualizes the appendix, which contains the edited transcript of a lecture delivered by Tang Shu-wing during the international online conference Contemporary Acting Techniques in Eurasian Theatre, Performance and Audiovisual Art: Intercultural and Intermedia Perspective (2021). In this lecture, the director characterizes the main ideas underlying his actor training and work on performances at the Tang Shu-wing Theatre Studio in Hong Kong. An essential part of the presentation is the characterization of Tang Shu-wing’s philosophy of art, including the four stages of an artist’s development and the methodology of authorial performance grounded in pre-verbal expression and body-based minimalist aesthetics.Artykuł prezentuje wszechstronną osobowość Tang Shu-winga, uznanego reżysera, aktora oraz pedagoga teatru, i bada jego głębokie związki z polską tradycją teatralną, zwłaszcza z Jerzym Grotowskim. Tekst omawia także szekspirowskie spektakle Tang Shu-winga wystawiane w Warszawie i w Gdańsku. Wprowadzenie Marzenny Wiśniewskiej kontekstualizuje aneks, będący opracowanym zapisem wykładu wygłoszonego przez Tang Shu-winga podczas międzynarodowej konferencji online Contemporary Acting Techniques in Eurasian Theatre, Performance and Audiovisual Art: Intercultural and Intermedia Perspective (2021). Reżyser charakteryzuje w nim główne idee stanowiące podstawę treningu aktorskiego i pracy nad spektaklami w Studiu Teatralnym Tang Shu-winga w Hongkongu. Ważną część prezentacji stanowi charakterystyka filozofii sztuki Tanga Shu-winga, obejmująca cztery etapy rozwoju artysty oraz metodę autorskiego performansu, której fundamentem jest ekspresja przedwerbalna połączona z opartą na cielesności minimalistyczną estetyką
Zhai ju ji shi
No full text[V.1-11]. 渭南文集 : 五十卷 -- [v.12-45]. 劍南詩稾 : 八十五卷 -- [v.45]. 放翁逸稾 : [二卷] -- [v.46-48]. 南唐書 : 十八卷, 附音釋 -- [v.48]. 家世舊聞 -- 齋居紀事.[V.1-11]. Weinan wen ji : wu shi juan -- [v.12-45]. Jian nan shi gao : ba shi wu juan -- [v.45]. Fangweng yi gao : [er juan] -- [v.46-48]. Nan Tang shu : shi ba juan, fu yin shi -- [v.48]. Jia shi jiu wen -- Zhai ju ji shi.[陸游].綫裝, 6函.框19.1x14.4公分, 8行18字, 小字雙行同. 白口, 左右雙邊, 無魚尾. 版心上鐫子目題, 中鐫卷次, 下鐫"汲古閣"叢書第一冊內封背頁記"楚澴李氏森寶齋藏板", 並注子目"渭南文集", "劍南詩稾", "逸稾", "南唐書", "家世舊聞"每題卷末均有毛晋言及刻書事.《放翁逸稾》分上, 下卷.《南唐書》附: 南唐書音釋 / 戚光校并音釋.Xian zhuang, 6 han.Kuang 19.1 x 14.4 gong fen, 8 hang 18 zi, xiao zi shuang hang tong. Bai kou, zuo you shuang bian, wu yu wei. Ban xin shang juan zi mu ti, zhong juan juan ci, xia juan "Ji gu ge"Cong shu di yi ce nei feng bei ye ji "Chuhuan Li shi Sen bao zhai cang ban", bing zhu zi mu "Wei nan wen ji", "Jian nan shi gao", "Yi gao", "Nan Tang shu", "Jia shi jiu wen"Mei ti juan mo jun you Mao Jin yan ji ke shu shi."Fang weng yi gao" fen shang, xia juan.[Lu You]."Nan Tang shu" fu: Nan Tang shu yin shi / Qi Guang jiao bing yin shi
Gu wen guan zhi: [12 juan. v.1
No full text吳乘權, 吳大職手錄 ; 吳留村鑒定.Block print.In oriental style.寶文堂書莊藏版.Wu Chengquan, Wu Dazhi shou lu ; Wu Liucun jian ding]Bao wen tang shu zhuang cang ban
Tai shang gan ying pian tu shuo
No full text[黃正元撰].綫裝, 1函.題名據內封頁.內封頁鐫"光緖壬辰仲春 上海二馬路千頃堂書局經售"Xian zhuang, 1 han.Ti ming ju nei feng ye.Nei feng ye juan "Guangxu ren chen zhong chun Shanghai er ma lu Qian qing tang shu ju jing shou"[Huang Zhengyuan zhuan]
Floating emotions : solo painting exhibition by Tang Shu
No full textTang Shu adalah salah seorang perupa Cina yang hidup di zaman kemajuan ekonomi dan perubahan politik negerinya dewasa ini. Tradisi Cinayang telah ribuan tahun kokoh mengakar dalam kehidupan bangsa Cina,tetap ada walaupuntelah mengalami berbagai perubahan besar sejak zaman kekaisaran yang agraris hingga percepatan industri dewasa ini. Berbagai persoalan dan benturan telah dialami oleh masyarakat dan individu Cina dari zaman ke zaman sama seperti yang terjadi pada masyarakat-masyarakat lain yang memiliki akar tradisi yang sama kuatnya dengan hempasan gelombang modernisasi yang berusaha mencabutnya
Sun shi ci tang shu mu ji qi ta er zhong.
No full textChong kan ben.Sun shi ci tang shu mu nei, wai bian, qi juan / Sun Xingyan zhuan ; Ping jin guan jiao cang shu ji ji san juan bu yi, xu bian / Sun Xingyan zhuan ; Lian shi ju cang shu ji nei, wai bian, er juan / Sun Xingyan zhuan ; Chen Zongyi bian ci.Mode of access: Internet
Buscando Peroz : a política imperial chinesa e a representação do declínio sassânida no Jiu Tang Shu
Get PDFDissertação (mestrado) — Universidade de Brasília, Instituto de Ciências Humanas, Departamento de História, Programa de Pós-Graduação em História, 2024.A história de Peroz, filho do último imperador sassânida Yazdgerd III, que atuou na
resistência contra os árabes no Irã Oriental com o apoio do imperador Tang Gaozong, foi
registrada pelos historiadores chineses no Jiu Tang Shu, a história oficial da Dinastia Tang. A
historiografia moderna utiliza essa obra como uma simples fonte de informações para a
reconstrução factual do final do Império Sassânida, ignorando seu contexto de produção e as
intenções dos historiadores chineses ao escrevê-la. Neste trabalho, proponho uma abordagem
diferente para o relato sobre Peroz e os últimos Sassânidas no Jiu Tang Shu, questionando sua
função política na obra e o seu significado para os seus autores a partir do propósito da
historiografia oficial na política chinesa, as concepções das elites letradas sobre sua identidade
e as relações entre as dinastias chinesas e povos estrangeiros desenvolvidas ao longo do
período imperial e entrelaçadas no discurso historiográfico oficial, bem como o contexto
político dos compiladores do Jiu Tang Shu. Concluímos que a trajetória de Peroz narrada na
fonte reforça as virtudes do imperador Tang Gaozong e a autoridade da Dinastia Tang, assim
como a superioridade da civilização chinesa como um todo. Mas o relato também nos
forneceu o ponto de vista da corte imperial sobre o Império Sassânida e o povo persa, os
critérios de legitimidade política que influenciaram o julgamento dos compiladores sobre os
últimos imperadores sassânidas, e mostrou que, para os chineses, o final do Império Sassânida
se deu após a morte de Peroz, e não de Yazdgerd III, divergindo da historiografia moderna. Os
resultados da pesquisa contribuem para os estudos das relações sino-sassânidas e seu impacto
no imaginário da corte imperial chinesa sobre o Império Sassânida.The story of Peroz, son of the last Sasanian emperor Yazdgerd III,, who fought in the
resistance against the Arabs in Eastern Iran with the support of Emperor Tang Gaozong, was
recorded by Chinese historians in the Jiu Tang Shu, the Standard History of the Tang Dynasty.
Modern historiography uses this work as a simple source of information for an accurate
description of the Late Sasanian Empire period, ignoring its context of compilation and the
purposes of Chinese historians in writing it. In this study, I propose a different approach to the
account about Peroz and the late Sasanians in the Jiu Tang Shu and question its political
function in the book and its meaning for its authors, analyzing the purpose of official
historiography in Chinese politics, the literate elites’ conceptions about their identity and the
relations between Chinese dynasties and foreign peoples develop throughout the imperial
period and intertwined in the official historiography discourse, as well as the political context
of the compilers of the Jiu Tang Shu. We conclude that Peroz’s trajectory as narrated in the
book reinforces the virtues of Emperor Gaozong and the authority of the Tang Dynasty as
well as the superiority of Chinese civilization as a whole. The account also provides us with
the imperial court’s view of Sasanian Empire and the Persian people, the criteria of political
legitimacy that influenced the compilers’ judgments of the last Sasanian emperors, and shows
us that, for the Tang, the end of the Sasanian Empire took place after Peroz’s death, not
Yazdgerd III’s, as modern historiography proposes. The results of this research contribute to
the study of Sino-Sasanian relations and their impact on the Chinese imperial court’s
imagination of the Sasanian Empire.Instituto de Ciências Humanas (ICH)Departamento de História (ICH HIS)Programa de Pós-Graduação em Históri
Jiu yao shi kao
No full text[翁方綱錄].綫裝, 1函.內封背頁印"光緖歲在辛卯[1891]秌七月廣州石經堂書局影印"見《香港中文大學圖書館中國古藉目錄》(2004, p. 210)附: 九曜石考 : 上, 下卷.Xian zhuang, 1 han.Nei feng bei ye yin "Guangxu sui zai xin mao [1891] qiu qi yue Guangzhou Shi jing tang shu ju ying yin"Jian "Xianggang Zhong wen da xue tu shu guan Zhongguo gu ji mu lu" (2004, p. 210)[Weng Fanggang lu].Fu: Jiu yao shi kao : shang, xia juan
Zhai ju ji shi
No full text[V.1-16]. 渭南文集 : 五十卷 -- [v.17-68]. 劍南詩稾 : 八十五卷 -- [v.68]. 放翁逸稾 : [二卷] -- [v.68-72]. 南唐書 : 十八卷, 附音釋 -- [v.72]. 家世舊聞 -- 齋居紀事.[V.1-16]. Weinan wen ji : wu shi juan -- [v.17-68]. jian nan shi gao : ba shi wu juan -- [v.68]. Fangweng yi gao : [er juan] -- [v.68-72]. Nan Tang shu : shi ba juan, fu yin shi -- [v.72]. Jia shi jiu wen -- Zhai ju ji shi.陸游.綫裝, 8函.框18.6x14.2公分, 8行18字, 小字雙行同. 白口, 左右雙邊, 無魚尾. 版心上鐫子目題, 中鐫卷次, 下鐫"汲古閣"叢書第一冊內封背頁記"虞山詩禮堂張氏藏板", 並注子目"渭南文集", "劍南詩稾", "逸稾", "南唐書", "家世舊聞"每題卷末均有毛晋言及刻書事.《放翁逸稾》分上, 下卷.見《香港中文大學圖書館古籍善本書錄》(增訂版)(p.351)《南唐書》附: 南唐書音釋 / 戚光校并音釋.Xian zhuang, 8 han.Kuang 18.6 x 14.2 gong fen, 8 hang 18 zi, xiao zi shuang hang tong. Bai kou, zuo you shuang bian, wu yu wei. Ban xin shang juan zi mu ti, zhong juan juan ci, xia juan "Ji gu ge"Cong shu di yi ce nei feng bei ye ji "Yushan Shi li tang Zhang shi cang ban", bing zhu zi mu "Weinan wen ji", "Jian nan shi gao", "Yi gao", "Nan Tang shu", "Jia shi jiu wen"Mei ti juan mo jun you mao jin yan ji ke shu shi."Fangweng yi gao" fen shang, xia juan.Jian "Xianggang Zhong wen da xue tu shu guan gu ji shan ben shu lu" (zeng ding ban)(p.351)Lu You."Nan Tang shu" fu: Nan Tang shu yin shi / Qi Guang jiao bing yin shi
On applied functional analysis and application in optimization theory.
No full textby Tang Shu Yan.Thesis (M.Phil.)--Chinese University of Hong Kong, 1995.Includes bibliographical references (leaves 75-76).Introduction --- p.1Chapter 1 --- Efficient point and proper efficient point --- p.3Chapter 1.1 --- Introduction --- p.3Chapter 1.2 --- Definition and properties --- p.4Chapter 1.3 --- Existence of bases and proper efficient points --- p.14Chapter 2 --- Density theorem for positive proper efficient point in normed space --- p.18Chapter 2.1 --- "Theorem of Arrrow, Barankin and Blackwell" --- p.18Chapter 2.2 --- Cone with strictly positive linear functionals --- p.20Chapter 2.3 --- Cone with closed bounded base --- p.25Chapter 2.4 --- Density theorem for other proper efficiency --- p.34Chapter 3 --- Density theorem in Topological Vector Space --- p.43Chapter 3.1 --- D-cone --- p.43Chapter 3.2 --- Space ordered by a D-cone --- p.47Chapter 3.3 --- Space ordered by a cone with closed bounded base --- p.49Chapter 4 --- Some results on multifunction --- p.52Chapter 4.1 --- Open mapping theorem --- p.53Chapter 4.2 --- Inverse function theorem --- p.63Chapter 4.3 --- Subtraction theorem --- p.66Bibliograph
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