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A new species of Tamiops (Rodentia, Sciuridae) from Sichuan, China
Liu, Shaoying, Tang, Mingkun, Murphy, Robert W., Liu, Yinxun, Wang, Xuming, Wan, Tao, Liao, Rui, Tang, Keyi, Qing, Jiao, Chen, Shunde, Li, Song (2022): A new species of Tamiops (Rodentia, Sciuridae) from Sichuan, China. Zootaxa 5116 (3): 301-333, DOI: 10.11646/zootaxa.5116.3.
FIGURE 3 in Molecular phylogenetics and diversity of the Himalayan shrew (Soriculus nigrescens Gray, 1842) (Eulipotyphla, Soricidae) in Southwest China
FIGURE 3: A: Plot showing JK values for different K values tested. The K with the highest JK value is most likely to represent the true number of clusters; B: The linear relationship between LnP(D) and the number of clusters. C: Bayesian clustering results at K = 3 from the structure analysis.Published as part of Jiang, Haijun, Fu, Changkun, Tang, Keyi, Li, Fengjun, Faiz, Abu Ul Hassan, Guo, Keji, Liu, Shaoying & Chen, Shunde, 2023, Molecular phylogenetics and diversity of the Himalayan shrew (Soriculus nigrescens Gray, 1842) (Eulipotyphla, Soricidae) in Southwest China, pp. 61-78 in Zootaxa 5263 (1) on page 66, DOI: 10.11646/zootaxa.5263.1.3, http://zenodo.org/record/779780
FIGURE 2 in A new species of Tamiops (Rodentia, Sciuridae) from Sichuan, China
FIGURE 2. Bayesian inference (BI) phylogenetic trees derived from CYTB and three concatenated nuDNA genes. Numbers above branches refer to Bayesian posterior probabilities. Outgroups included species of the genera Callosciurus, Sundasciurus, and Dremomys.Published as part of Liu, Shaoying, Tang, Mingkun, Murphy, Robert W., Liu, Yinxun, Wang, Xuming, Wan, Tao, Liao, Rui, Tang, Keyi, Qing, Jiao, Chen, Shunde & Li, Song, 2022, A new species of Tamiops (Rodentia, Sciuridae) from Sichuan, China, pp. 301-333 in Zootaxa 5116 (3) on page 306, DOI: 10.11646/zootaxa.5116.3.1, http://zenodo.org/record/637214
FIGURE 2 in Molecular phylogenetics and diversity of the Himalayan shrew (Soriculus nigrescens Gray, 1842) (Eulipotyphla, Soricidae) in Southwest China
FIGURE 2: Maximum Likelihood and Bayesian phylogenetic trees based on the mitochondrial Cyt-B (A) and nuclear (APOB, BRCA-1, and RAG-2) (B) sequences. Branch numbers refer to BEAST posterior probabilities (Left: PP), ML posterior probabilities (Middle: PP), and ML bootstrap support values (Right: BS). The mtDNA and nuDNA lineages have been labeled with different colors: blue for Clade A, red for Clade B, and purple for Clade YN. The abbreviations represent the sampling sites (DR: Dingri; NLM: Nielamu; YD: Yadong; MT-L: Motuo low altitude; MT-H: Motuo high altitude; BM: Bomi; BY: Bayi; ML: Milin; GBJD: Gongbujiangda; LX: Langxian).Published as part of Jiang, Haijun, Fu, Changkun, Tang, Keyi, Li, Fengjun, Faiz, Abu Ul Hassan, Guo, Keji, Liu, Shaoying & Chen, Shunde, 2023, Molecular phylogenetics and diversity of the Himalayan shrew (Soriculus nigrescens Gray, 1842) (Eulipotyphla, Soricidae) in Southwest China, pp. 61-78 in Zootaxa 5263 (1) on page 65, DOI: 10.11646/zootaxa.5263.1.3, http://zenodo.org/record/779780
FIGURE 1 in Molecular phylogenetics and diversity of the Himalayan shrew (Soriculus nigrescens Gray, 1842) (Eulipotyphla, Soricidae) in Southwest China
FIGURE 1: Map of Southwest China showing the sampling localities of S. nigrescens included in this study. Locality numbers are presented in Table 1, and the lineages have been labeled with different colors: blue for Clade A, red for Clade B, and purple for Clade YN. The sample of Nepal represents the collection site of the sequence downloaded from Genbank. Shaded area represents the distribution map of S. nigrescens from the Handbook Mammals of the World and Global Biodiversity Information Facility (GBIF: https://www.gbif.org/).Published as part of Jiang, Haijun, Fu, Changkun, Tang, Keyi, Li, Fengjun, Faiz, Abu Ul Hassan, Guo, Keji, Liu, Shaoying & Chen, Shunde, 2023, Molecular phylogenetics and diversity of the Himalayan shrew (Soriculus nigrescens Gray, 1842) (Eulipotyphla, Soricidae) in Southwest China, pp. 61-78 in Zootaxa 5263 (1) on page 64, DOI: 10.11646/zootaxa.5263.1.3, http://zenodo.org/record/779780
FIGURE 4 in A new species of Tamiops (Rodentia, Sciuridae) from Sichuan, China
FIGURE 4. Skull comparison of Tamiops sp. (voucher number: WL18668), T. swinhoei swinhoei (voucher number: SAF-XBD19062), T. maritimus hainanus (voucher number: KIZ-12976), T. mcclellandii collinus (voucher number: KIZ-551), and T. rodolphii (voucher number: USNM-2337)*. Ventral view shows the proportion of the length of auditory bulla to the greatest length of skull (GLS); dorsal view shows the proportion of nasal bone to GLS, and the proportion of middle width of rostrum to zygomatic breadth (ZOB). *: Measurements of GLS, NL, and ABL for T. rodolphii from Kloss (1916).Published as part of Liu, Shaoying, Tang, Mingkun, Murphy, Robert W., Liu, Yinxun, Wang, Xuming, Wan, Tao, Liao, Rui, Tang, Keyi, Qing, Jiao, Chen, Shunde & Li, Song, 2022, A new species of Tamiops (Rodentia, Sciuridae) from Sichuan, China, pp. 301-333 in Zootaxa 5116 (3) on page 312, DOI: 10.11646/zootaxa.5116.3.1, http://zenodo.org/record/637214
FIGURE 5 in A new species of Tamiops (Rodentia, Sciuridae) from Sichuan, China
FIGURE 5. Comparison of glans penis and baculum between Tamiops sp., T. swinhoei swinhoei, T. maritimus, and T. mcclellandii. A–B: Tamiops s. swinhoei (voucher number: SFA-XBD19196); C–D: Tamiops maritimus (voucher number: SAF-2001); E-F: Tamiops mcclellandii (voucher number: KIZ-76296); G-H: Tamiops sp. (voucher number: SAF-WL18668). 1: Body of penis; 2: glans; 3: urethral orifice; 4: groove of glans (only occurring in Tamiops s. swinhoei); 5: prepuce; 6: corpora cavernosa penis; 7: cavernous body of urethra; 8: baculum main shaft; 9: baculum blade shaft; 10: semilunar urethral lappet (only occurring in new species).Published as part of Liu, Shaoying, Tang, Mingkun, Murphy, Robert W., Liu, Yinxun, Wang, Xuming, Wan, Tao, Liao, Rui, Tang, Keyi, Qing, Jiao, Chen, Shunde & Li, Song, 2022, A new species of Tamiops (Rodentia, Sciuridae) from Sichuan, China, pp. 301-333 in Zootaxa 5116 (3) on page 313, DOI: 10.11646/zootaxa.5116.3.1, http://zenodo.org/record/637214
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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