23,954 research outputs found
楚辭 = Chu ci
No full textAnnotation of Chu Ci (Verses of Chu or Songs of Chu), which is an ancient anthology of Chinese poetry traditionally attributed mainly to Qu Yuan (c.340 BC-c.278 BC) and Song Yu (c.298 BC-c.222 BC) from the Warring States period (475 BC-221 BC)Fu "Qu Yuan lie zhuan" deng封面鐫"楚辭新註", "乾隆戊午年", "居易堂藏板"框20.8 x 14.9公分, 9行20字, 白口, 四周雙邊, 單黑魚尾. 版心上鐫"楚辭", 中鐫卷次及篇名附"屈原列傳"
楚辭 = Chu ci
No full textAnnotation of Chu Ci (Verses of Chu or Songs of Chu), which is an ancient anthology of Chinese poetry traditionally attributed mainly to Qu Yuan (c.340 BC-c.278 BC) and Song Yu (c.298 BC-c.222 BC) from the Warring States period (475 BC-221 BC)Fu "Qu Yuan lie zhuan" deng封面鐫"楚辭新註", "乾隆戊午年", "居易堂藏板"框20.8 x 14.9公分, 9行20字, 白口, 四周雙邊, 單黑魚尾. 版心上鐫"楚辭", 中鐫卷次及篇名附"屈原列傳"
Qu yuan zhuan
No full text陸時雍疏.綫裝, 1函.框20.9x14.7公分, 9行20字, 小字雙行同. 白口, 四周單邊, 無魚尾. 版心上鐫題名, 中鐫卷次及小題, 下鐫葉次及"緝柳齋藏版". 眉端刻評, 有批點.内封面鐫"檇李陸昭仲先生纂輯, 學山堂梓行"With: 讀楚辭語 / 陸時雍 ; 附錄楚辭雜論 ; 屈原傳.鈐"學山堂", "開卷有益"硃文印Xian zhuang, 1 han.Kuang 20.9 x 14.7 gong fen, 9 hang 20 zi, xiao zi shuang hang tong. Bai kou, si zhou dan bian, wu yu wei. Ban xin shang juan ti ming, zhong juan juan ci ji xiao ti, xia juan ye ci ji "Ji liu zhai cang ban". Mei duan ke ping, you pi dian.Nei feng mian juan "Zuili Lu Zhaozhong xian sheng zuan ji, Xue shan tang zi hang"Lu Shiyong shu.With: Du chu ci yu / Lu Shiyong ; Fu lu chu ci za lun ; Qu Yuan zhuan.Qian "Xue shan tang", "Kai juan you yi" zhu wen yi
Jing de tang quan ji : [13 zhong, 24 juan] /
No full textIncludes 6 special title pages.Issued without general title? Title from case. Cf. Cong shu da ci dian .Mu ke xian zhuang. Repaired.Di 1 ce you zong mu.Di 14 ce pai ji: "Guangxu 7 nian [1881] ... jing shi kan cheng".Di 1 ce pai ji: Guangxu 4 nian [1878] ... kan yu jing shi [Beijing][1-3] Jing de tang wen nei ji 4 juan wai ji 2 juan -- [4] Jing de tang wen bie ji 2 juan Jing ji ju yao -- [5-7] Huan yue shan fang shi ci (Shi nei ji 3 juan bie ji wai ji Han nan chun liu ci) fu Mei shen guan ji -- [8-9] Er ya jing zhu 3 juan fu Yin shi ji zheng 3 juan.Mode of access: Internet
Zhong fu tang xu xuan lin zheng zhi nan
No full textV.1-8. 臨證指南醫案 : 十卷 -- v.9-10. 種福堂續選臨證指南 : 種福堂公選溫熱論醫案 : 卷一 -- 種福堂公選良方 : 卷二至四.V.1-8. Lin zheng zhi nan yi an : shi juan -- v.9-10. Zhong fu tang xu xuan lin zheng zhi nan : Zhong fu tang gong xuan wen re lun yi an : juan yi -- Zhong fu tang gong xuan liang fang : juan er zhi si.葉桂著 ; 李大瞻, 華南田, 邵銘同較. 種福堂續選臨證指南 : 四卷 / [葉桂論] ; 苕溪漫士重較刊.綫裝.框12.9x10.1公分, 分上下欄. 上欄註解小字每行2字, 下欄正文10行22字, 無界行. 白口, 左右雙邊, 單黑魚尾. 版心上鐫題名,中鐫卷次及小題, 下鐫葉次. 眉端刻評.《種福堂續選臨證指南》題名據總目.刻書年據序.書名頁刻"臨證指南醫案評本, 聚益堂藏板" ; 卷端題下署"丁丑正月苕溪漫士臨本"《中國中醫古籍總目》11332著錄清乾隆刻本聚益堂藏板.鈐"莊兆祥印"朱, 白文各一方.Xian zhuang.Kuang 12.9 x 10.1 gong fen, fen shang xia lan. Shang lan zhu jie xiao zi mei hang 2 zi, xia lan zheng wen 10 hang 22 zi, wu jie hang. Bai kou, zuo you shuang bian, dan hei yu wei. Ban xin shang juan ti ming, zhong juan juan ci ji xiao ti, xia juan ye ci. Mei duan ke ping."Zhong fu tang xu xuan lin zheng zhi nan" ti ming ju zong mu.Ke shu nian ju xu.Detailed notes in vernacular field only.Detailed notes in vernacular field only.Ye Gui zhu ; Li Dazhan, Hua Nantian, Shao Ming tong jiao. Zhong fu tang xu xuan lin zheng zhi nan : si juan / [Ye Gui lun] ; Tiaoxi Man shi chong jiao kan.Qian "Zhuang Zhaoxiang yin" zhu, bai wen ge yi fang
'Liang zhou ci ' and 'Liang zhou qu' Domestication of borderland music in the Tang dynasty
No full textIn this article, I aimed to study the music of Liang zhou (涼州) described in the poetry during the Tang dynasty. The changes of the description of borderland music should reflect the relationship between Tang dynasty and Tu fan (吐蕃). The 'Liang zhou ci (涼州詞)' described in the high Tang period differ from that of the middle Tang. The 'Liang zhou ci (涼州詞)' in the high Tang was described in the traditional way, such as yue fu of the Southern Dynasties Period. But, since the middle Tang, the poets began to use 'Liang zhou ci (涼州詞)' to describe the real circumstances of Liang zhou. On the other hand, 'Liang zhou qu (涼州曲)' descended from Liang zhou in the Kai yuan (開元) period was spread among the Chinese people. After the Tian bao (天寶) period, 'Liang zhou qu (涼州曲)' came to be considered Chinese music. For instance, the pitch of 'Liang zhou qu (涼州曲)' was changed by musicians in the Tang dynasty. Moreover, stories about the Emperor Xuan zong (玄宗) were added. 'Liang zhou qu (涼州曲)' was appreciated as a traditional Chinese music. Especially, since the middle Tang, 'Liang zhou qu (涼州曲)' had another name 'Liang zhou qu (梁州曲)'. It proves that a marginal music took root among the Chinese people
Henan Sheng quan tu /
No full textScale ca. 1:150,000.Shows topography, administrative divisions, military posts, Catholic churches of Henan Sheng. Also shows telephone line connecting Shanghai, Hankou and Shanxi.Relief shown by hachures.Prime meridian: Beijing.Traditional grid system, each square represents 100 miles.Includes text and chart of sunrises and sunsets
Sinothomisus liae Tang, Yin, Griswold and Peng 2006
No full textSinothomisus liae Tang, Yin, Griswold and Peng, 2006 Sinothomisus liae Tang et al. 2006: 65, figs 1–13, ♂. Material examined. CHINA: Yunnan: Xishuangbanna, Mengla County, Menglun Town, Menglun Nature Reserve, leg. G. Zheng: 1 ♂, Paramichelia baillonii plantation (N21º54.772', E101º16.043', 556 m), 16–24 November 2006 (Pitfall traps, RZI-4-08); 1 ♂, Paramichelia baillonii plantation (N21º54.646', E101º16.257', 572 m), 16– 24 November 2006 (Pitfall traps, J-CI-2-8); 1 ♀, Rubber-Tea Plantation (N21º55.551', E101º16.923', 561 m), 5–12 January 2007 (searching, J-CI-2-10); 1 ♀, Rubber-Tea Plantation (N21º55.551', E101º16.923', 561 m), 5–12 March 2007 (searching, J-CIII-1-14); 1 ♀, Rubber-Tea Plantation (N21º54.498', E101º16.326', 586 m), 19–26 April 2007 (searching, XZII-2-17); 1 ♀, Rubber-Tea Plantation (N21º54.200', E101º16.923', 608 m), 19–26 April 2007 (searching, RZII-3-17); 1 ♀, Rubber-Tea Plantation (N21º54.646', E101º16.257', 572 m), 4–11 May 2007 (searching, J-CI-2-18). Distribution. China (Yunnan).Published as part of Tang, Guo & Li, Shuqiang, 2010, Crab spiders from Xishuangbanna, Yunnan Province, China (Araneae, Thomisidae) 2703, pp. 1-105 in Zootaxa 2703 on page 5
On the Theatricality of the Ci-Poetry in Tang and Song Dynasties
No full textCi-poetry and drama are both genres of musical literature and the theatricality of the ci-poetry is demonstrated from many different aspects, such as the first-person narration, the emotional lyrics with unique features, the musical dialogues between two people or among many people, the dramatic conflict presented in the lyrics, the dramatic actions and the dramatic situations, etc. There are all kinds of plays in the ci-poetry, namely the serious drama, the comedy, the tragedy, the comedy with tears, the fantasy and the allegorical play. The ci-poetry of the Tang and Song dynasties exerted great influence on drama and on the other hand, the army-joining drama of the Tang dynasty and the miscellaneous drama of the Song dynasty to some extent inspired the creation of ci-poetry. The relationship between ci-poetry and drama confirms the mutual infiltration and cross reference among different literary genres in the Song dynasty.</jats:p
A Comparison of the Image of "Wushan Yunyu" in Tang Poems and Song Ci-poems
No full text"巫山云雨"意象在唐诗与宋词中有着不同的表现,相关的词汇在宋词中出现频率比唐诗有所增多。唐诗中"巫山云雨"含义丰富,用法灵活,不似宋词里全关风月,这是由于世风及诗词的不同地位所决定。唐诗宋词中的"巫山云雨"意象常与相关或相近意象一起组成意象群。The image of "Wushan Yunyu"has different features in the poems of the Tang Dynasty and in the ci-poems of the Song Dynasty,and there are more words related to the image in Song ci-poems than in Tang poems.The image in Tang poems is more implicative and agile while that in Song ci-poems all related to sexual intercourses,the reasons of which link to public morals and different status of the poetry.These complicated and duplicated images in Tang poems and Song ci-poems make up a kind of dreary and hazy atmosphere
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