1,029 research outputs found

    Bibliografia di Umberto Romagnoli

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    A complete bibliography of Umberto Romagnoli writings, introduced by a few lines by editors of the Journal and completed by an essay by Alberto Mattei dealing with some technical aspects of the collection of the bibliography interwoven with some scholarly life moments of the author

    Introduzione (capitolo 18)

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    Trattasi di introduzione alla parte del "Trattato delle procedure concorsuali" dedicata all'accertamento del passivo nella crisi dell'impresa, nella quale si anticipano i contenuti dell'opera collettanea e si richiama l'attenzione sulle innovazioni apportate nel 2006 alla legge fallimentare

    Contro i nemici della risata : Le stagioni teatrali di Umberto Simonetta al Teatro Gerolamo

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    Direttore del Teatro Gerolamo fra il 1978 e il 1983, Umberto Simonetta è stato autore, regista e produttore di numerose pièce di successo, fra le quali Sta per venire la rivoluzione e non ho niente da mettermi (con Livia Cerini), Mi voleva Strehler (con Maurizio Micheli), che ha oltre mille repliche all’attivo, Ne ho mangiata troppa (con il figlio adottivo Luca Sandri).Head of the Teatro Gerolamo between 1978 and 1983, Umberto Simonetta was the author, director and producer of numerous successful plays, among which The revolution is about to come and I have nothing to wear (with Livia Cerini), I wanted Strehler (with Maurizio Micheli), who has over a thousand repeats to his credit, I ate too much (with his adopted son Luca Sandri)

    Paranoia and irony in the Anglophone dectective narrative and the novels of Umberto Eco

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    The thesis provides a reading of Umberto Eco's three novels, The Name of the Rose, Foucault's Pendulum, and The Island of the Day Before, that, while it acknowledges the importance of the Italian literary tradition in which they stand, also seeks to explain why their author appeals so frequently to literary models outside Italy, and in particular the Anglo-American detective genre. Chapter One explains Eco's relationship to the development of Italian literature through his lifetime. It is noted that Eco is beginning, both in his semiotics and his fiction, from a position where post-structuralism has been extensively explored by neo-avant-gardew riters. Eco positions himself alongsides uchw riters as Italo Calvino and Jorge Luis Borges, who wish to explore the ludic possibilities of working within structures, while all the time acknowledging the epistemological limitations of so doing. Eco's chosen structure, more often than not, is the highly defined genre of the detective story. From here, the following chapters engage in close readings of the three novels, with particular emphasis on The Name of the Rose and Foucault's Pendulum, demonstrating that they explore problems of interpretation central to the detective narrative. In doing this, they display an intimate knowledge of generic developments within the detective tradition, and of the philosophical and aesthetic uses made of the genre by other writers. The embedding of intertextual references to other detective narratives within Eco's novels is an important factor, as they come together to form a narrative of epistemological inquiry that itself follows Eco's philosophical progress through the years. In short, the novels, inter alia, map a systematic inquiry into the possibility of systematic inquiry. They reserve the space to engage in such an ironic and self-referential project precisely through their fictionality

    Author Correction: Multisensory task demands temporally extend the causal requirement for visual cortex in perception

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    The original version of this Article incorrectly included the 6th author Cyriel M. A. Pennartz as a corresponding author. The correct version lists only 7th author Umberto Olcese as corresponding author. In addition, the original version of the Article omitted to include a statement to indicate that Cyriel M. A. Pennartz and Umberto Olcese jointly supervised the work. This has been corrected in both the PDF and HTML versions of the Article

    Umberto Romagnoli (1935-2022). Presentazione

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    A complete bibliography of Umberto Romagnoli writings, introduced by a few lines by editors of the Journal and completed by an essay by Alberto Mattei dealing with some technical aspects of the collection of the bibliography interwoven with some scholarly life moments of the author

    Between Author and Text

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    Lithuanian translation of 'Between Author and Text' by Umberto Eco

    Umberto Eco's "Open Work" and the Bible

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    In this study the author presents the concept of the Umberto Eco’s model of "open work". The question is: if this model can be applied to Bible. Umberto Eco argued that literary texts have many fields of meaning, that they are understood as open, internally dynamic and psychologically engaged fields. We can say the same about Bible. The model of "open works" is very useful in the research of relation between Bible and a reader of Saint text. The model of "open works" does not include verification function of the community and Tradition
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