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    Traduciendo, Interpretando y Transmitiendo a Eminescu. Volumen I: Genio ''Divino''

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    Tesis Doctoral inédita leída en la Universidad Autónoma de Madrid, Facultad de Filosofía y Letras, Departamento de Filología Inglesa. Fecha de Lectura: 12-12-2024Esta tesis tiene embargado el acceso al texto completo hasta el 12-06-2026En esta tesis, exploro la naturaleza compleja de la poesía de Mihai Eminescu, enfocándome en obras clave como Hyperion , Epístolas I–V , Genio desierto , Almas en pena y El Rezo de un dacio La interpretación de Hyperion por Rosa del Conte es crucial para mi análisis. Ella lo describe como "[el] canto sideral, el aliento ardiente que se eleva en el cielo del Areópago, pero [que] también [contiene en sí] la condena de la creación." Esta aparente contradicción captura la esencia del conflicto interno de Eminescu: su amor por la vida y su rechazo simultáneo a la creación, temas que resuenan en la Areopagítica de Milton y su reflexión sobre la naturaleza entrelazada del bien y el mal. Para Eminescu, esta lucha no era solo filosófica, sino profundamente personal, y moldeó gran parte de su obra. Debido a este conflicto interno, Eminescu ha sido interpretado de formas diversas y, a menudo, opuestas. Mircea A. Diaconu señala cómo Eminescu se inspiró en gigantes intelectuales como Schopenhauer, Platón, Kant y Buda, mientras que Constantin Galeriu destaca su capacidad de absorber las ideas de su época sin perder su identidad ortodoxa fundamental. Eminescu logró equilibrar la tradición y la modernidad, lo que es un testimonio de su genio. La influencia de Eminescu permea todos los niveles de la cultura rumana, comparable a lo que Shakespeare representa para Inglaterra o Cervantes para España. Su obra más famosa, Luceafărul , es uno de los poemas de amor más largos del mundo, y, sin embargo, su genio sigue siendo en gran medida desconocido en el mundo anglófono debido a las dificultades de traducción. Intentos previos de traducir su obra, como los de Corneliu M. Popescu y Dimitrie Cuclin, han tenido problemas para transmitir la riqueza de su lenguaje y filosofía. En esta tesis, mi objetivo es ofrecer una traducción y exegesis revisada y cohesiva de las obras de Eminescu al inglés, especialmente aquellas en las que me centro: Almas en pena , que aborda la desesperación existencial; Epístolas I–V , que refleja sus opiniones filosóficas sobre la vida, el conocimiento y la espiritualidad, así como su lado satírico, crítico y político; Genio Desierto , donde enfrenta su temor a la futilidad, enmarcado como un drama histórico y Bildungsroman ; y El rezo de un dacio, que desafía diferentes visiones teológicas a través de una lente schopenhaueriana. A través de este análisis, espero reintroducir el profundo legado literario de Eminescu a una audiencia más amplia, honrando su genio y haciendo su obra accesible tanto para lectores académicos como para el público en generalIn this thesis, I explore the complex nature of Mihai Eminescu’s poetry, focusing on key works such as Hyperion , Epistles I–V , Barren Genius , and Dacian’s Prayer . Rosa del Conte’s interpretation of Hyperion is crucial to my analysis. She describes it as "[the] sideral song, the fiery breath that soars the sky of the Areopagus, but [which] also [contains within itself] the condemnation of creation." This apparent contradiction captures the essence of Eminescu’s inner turmoil—his love for life and his simultaneous rejection of creation, themes that echo Milton’s Areopagitica and its reflection on the intertwined nature of good and evil. To Eminescu, this battle wasn’t just philosophical but deeply personal, shaping much of his work. Because of this internal conflict, Eminescu has been interpreted in various and often opposing ways. Mircea A. Diaconu notes how he drew from intellectual giants like Schopenhauer, Plato, Kant, and Buddha, while Constantin Galeriu highlights his ability to absorb the ideas of his era without losing his core, Orthodox identity. Eminescu managed to balance both tradition and modernity, a testament to his genius. Eminescu’s influence permeates all layers of Romanian culture, comparable to Shakespeare for England or Cervantes for Spain. His most famous work, Luceafărul , is one of the longest love poems in the world, yet his genius remains largely unknown in the Anglophone world due to translation difficulties. Previous attempts to translate his work, such as those by Corneliu M. Popescu and Dimitrie Cuclin, have struggled to convey the richness of his language and philosophy. In this thesis, I aim to offer a revised and cohesive English translation and exegesis of Eminescu’s works, especially the ones I focus on: Wailing Souls , which deals with existential despair; Epistles I–V , reflecting his philosophical views on life, knowledge, and spirituality, and his satirical, critical and political side; Barren Genius , where he grapples with fears of futility, framed as a historical drama and Bildungsroman; and Dacian’s Prayer , which challenges different theological views through a Schopenhaurian lens. Through this analysis, I hope to reintroduce Eminescu’s profound literary heritage to a broader audience, honoring his genius while making his work accessible to both academic and general reader

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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