2,206 research outputs found
sj-docx-2-msx-10.1177_10298649211062724 – Supplemental material for Auditory and visual mental imagery in musicians and non-musicians
No full textSupplemental material, sj-docx-2-msx-10.1177_10298649211062724 for Auditory and visual mental imagery in musicians and non-musicians by Francesca Talamini, Julia Vigl, Elizabeth Doerr, Massimo Grassi and Barbara Carretti in Musicae Scientiae</p
sj-docx-1-msx-10.1177_10298649211062724 – Supplemental material for Auditory and visual mental imagery in musicians and non-musicians
No full textSupplemental material, sj-docx-1-msx-10.1177_10298649211062724 for Auditory and visual mental imagery in musicians and non-musicians by Francesca Talamini, Julia Vigl, Elizabeth Doerr, Massimo Grassi and Barbara Carretti in Musicae Scientiae</p
The Working Memory of Musicians and Nonmusicians
No full textMusicians have superior performances compared to nonmusicians in many auditory perception tasks. This superiority extends to memory tasks such as the digit span. Literature suggests that the musicians' advantage unfolds along two axes: sensory modality (musicians perform better when the task is auditory) and task complexity (musicians tend to perform better in the forward and not-for example-backward digit span). In addition, it is unclear whether there are specific music abilities linked with improved performance in the digit span. Here, musicians and nonmusicians performed a digit span task that was presented aurally, visually, or audiovisually. The task was performed with or without a concurrent task (i.e., articulatory suppression) in order to explore the role of rehearsal strategies and also manipulate task complexity. Finally, music abilities of all participants were assessed using the Profile of Music Perception Skills (PROMS) test. Musicians had larger spans than nonmusicians regardless of the sensory modality and the concurrent task. In addition, the auditory and audiovisual spans (but not visual) were correlated with one subscale of the PROMS test. Findings suggest a general advantage of musicians over nonmusicians in verbal working memory tasks, with a possible role of sensory modality and task complexity
Musicians have better memory than nonmusicians: A meta-analysis.
No full textSeveral studies have found that musicians perform better than nonmusicians in memory tasks, but this is not always the case, and the strength of this apparent advantage is unknown. Here, we conducted a meta-analysis with the aim of clarifying whether musicians perform better than nonmusicians in memory tasks.Education Source; PEP (WEB)-Psychoanalytic Electronic Publishing; Psychology and Behavioral Science (EBSCO); PsycINFO (Ovid); PubMed; ScienceDirect-AllBooks Content (Elsevier API); SCOPUS (Elsevier API); SocINDEX with Full Text (EBSCO) and Google Scholar were searched for eligible studies. The selected studies involved two groups of participants: young adult musicians and nonmusicians. All the studies included memory tasks (loading long-term, short-term or working memory) that contained tonal, verbal or visuospatial stimuli. Three meta-analyses were run separately for long-term memory, short-term memory and working memory.We collected 29 studies, including 53 memory tasks. The results showed that musicians performed better than nonmusicians in terms of long-term memory, g = .29, 95% CI (.08-.51), short-term memory, g = .57, 95% CI (.41-.73), and working memory, g = .56, 95% CI (.33-.80). To further explore the data, we included a moderator (the type of stimulus presented, i.e., tonal, verbal or visuospatial), which was found to influence the effect size for short-term and working memory, but not for long-term memory. In terms of short-term and working memory, the musicians' advantage was large with tonal stimuli, moderate with verbal stimuli, and small or null with visuospatial stimuli.The three meta-analyses revealed a small effect size for long-term memory, and a medium effect size for short-term and working memory, suggesting that musicians perform better than nonmusicians in memory tasks. Moreover, the effect of the moderator suggested that, the type of stimuli influences this advantage
A SMARC Effect for Loudness
No full textVarious reports suggest that the pitch height of musical tones may be represented along a mental space, with lower pitch heights represented on the left or lower sectors and higher pitch heights represented on the right or upper sectors of the mental space. Given that in Western languages the loudness of tones is often addressed spatially, with loud sounds referred to as “high” and quiet sounds referred to as “low,” here we investigated whether loudness might also have a spatial representation. Participants judged whether a tone was louder or quieter than a reference tone, by pressing two keys: one at the top and the other at the bottom of a response box. Participants were faster in a situation where they pressed the key at the top to report louder sounds, and the key at the bottom to report quieter sounds, than vice versa. This result supports the view that loudness, like other types of magnitudes, might be represented spatially
"The love that made hell, paradise." Ouida re-writing the Paolo and Francesca theme in Held in Bondage
No full textThe bestselling Victorian author Ouida reveals in her novels, and, in particular, Held in Bondage, an extraordinary knowledge od Dante, by using characters and themes from the Commedia. The Paolo and Francesca theme actually constitutes part of the plot of the novel and is to be found in many of her other works, short stories and non-fiction writing
Auditory and visual mental imagery in musicians and non-musicians
No full textMental imagery plays an important role in various contexts of life, involving cognitive resources such as memory, learning, spatial representation, and reasoning. The vividness of mental images depends on different factors, including personal expertise in a certain field. For instance, musicians have been found to possess better auditory imagery abilities than non-musicians for both musical and non-musical sounds. Only a few studies have tried to find out if this advantage is selective for auditory stimuli, however, with contradictory results so far (i.e., some studies supporting an advantage for mental imagery in general and some supporting an advantage for auditory mental imagery in particular). This study therefore investigated auditory and visual mental imagery in individuals with and without formal musical training. Thirty-six formally trained musicians, 33 self-taught musicians, and 33 non-musicians completed two questionnaires assessing the vividness of their auditory and visual..
HERStory Makers 2023: Francesca Fotheringham
No full textFrancesca Fotheringham is a postdoctoral research associate at the University of Edinburgh studying educational psychology with a focus on neurodiversity. She took part in HERStory Makers 2023.What is HERStory Makers?HERStory Makers is a social media competition for female-identifying early career researchers to share their research, their career journeys, and to inspire the next generation. Winners are selected by public vote. HERStory Makers is also part of EXPLORATHON, Scotland's contribution to European Researchers' Night.In 2022-23, EXPLORATHON Francescasupported by the Engineering & Physical Sciences Research Council [grant number EP/X020762/1].Author contributions to contentFrancesca conceived, planned, and recorded the video content. Kirsty Ross edited the video content to insert HERStory Maker credits, added subtitles, and reduce video length to below Twitter/X limit of 2 mins and 20 secs.</p
Medicina illuminata. La Biblioteca Lancisiana di Roma
No full textL'articolo presenta i codici miniati della Biblioteca Lancisiana di Roma. La prima parte, del coautore, è dedicata alla Biblioteca. La seconda parte, di F. Manzari, tratta dei manoscritti miniati, costituiti da due codici con le opere di Avicenna e dal Liber fraternitatis della Confraternita dell'Ospedale di Santo Spirito in Sassia a Roma.The article introduces the illuminated manuscripts of the Biblioteca Lancisiana in Rome. The first part of the article, by the co-author, is dedicated to the Library. The second part, by Francesca Manzari, illustrates the manuscipts; these are two manuscripts with the works of Avicenna and the Liber fraternitatis of the Confraternity of the Hospital of Santo Spirito in Sassia in Rome
- …
