1,354,356 research outputs found
José Tagarro (1902 - 1931) : o breve percurso de um modernista independente
No full textThis Master of Critic, Curatorship and Art Theories dissertation work theme is the following: José Tagarro (1902-1931): the path of an independent modernist and it presents an organized collection of his life and work. With this purpose in mind, an exhaustive listing was made of both his artistic production and biographic aspects in order to obtain the most complete and certified information on the subject. José Tagarro iniciated his art studies at Escola Oficina n.º 1 before enrolling at the Escola de Belas Artes in 1919. He started his artistic career in 1923 with a first exhibition of his work and the publication of his illustrations, and from 1926 onwards his work became a regular presence at the annual art shows at the SNBA as well as in the monthly magazines. He had his first solo exhibition at Bobone gallery, in 1928, where he also showed his work in two collective exhibitions the following year. In 1929 he also travelled to Paris, where he studied works by Holbein and Ingres, whom he admired. The next year he was involved in the organization of the I Salão dos Independentes and he also opened his first exhibition in Porto. By the end of 1930 and beginning of 1931, he worked on sceneries for two plays at Politeama theatre and he also participated in the International Colonial Paris Exhibition competition. His artistic life suddenly ended with his death in 1931, leaving the artistic community in shock, who then paid him homage with a retrospective exhibition of his work at the SNBA in 1932. In spite of his short life, José Tagarro maintained an uninterrupted artistic production. His drawings stand out, mainly his portraits, where he applies his very own expression of the neoclassical style used by Picasso, characterized by a firm linearity and elaborate stylization in the details, where he achieved great formal elegance and weightlessness, endowing them through this classical expression to achieve a certain quality of timeless spirituality
A 'Laura de Anfriso' de Manuel da Veiga Tagarro – Poesia e História
No full textDisponível em : http://193.136.113.6/Opac/Pages/Search/Results.aspx?SearchText=UID=8ce70d92-b636-4073-a151-a09f90bc9b5a&DataBase=10449_UNLFCSHEste texto corresponde a uma dissertação de Mestrado em Estudos Literários Comparados que foi defendida (e aprovada) na F.C.S.H. em Janeiro de 1990, com o título Laura de Anfriso de Manuel da Veiga Tagarro – História e Hermenêutica. Foi revista em 2003, e pouco se alterou o texto inicial, mas pareceu mais justo e simples mudar o sub-título para poesia e história.
Não se tornou necessário fazer alterações porque Manuel da Veiga continua a despertar pouco interesse nos estudiosos portugueses. E o único ensaio que saíu, em 1992, é de autoria de José Ares Montes, «La influencia española en la obra de Manuel da Veiga Tagarro» (Sep. Filología Románica, 9, pp.11-36; Madrid: Complutense).
Em Anexos são incluídos os poema «Epístola Dedicatória ao Excelentíssimo Príncipe o Senhor Dom Duarte», bem como as Éclogas I, II e III – transcritos a partir do cotejamento das edições de 1627 e 1788, tentando reproduzir as notas laterais, presentes na primeira e omissas na segunda. Actualizou-se a linguagem e a ortografia sempre que não interferiam com a prosódia ou sentido primeiro do poema
Laurea portugueza e viridario de varias flores euangelicas
No full textColofónSign.: [ ]\p4\s, A-Z\p8\s, 2A-2D\p8\s, 2E-2N\p4\s, 2O\p6\sTexto a dos co
José Tagarro (1902 - 1931) : o breve percurso de um modernista independente
No full textThis Master of Critic, Curatorship and Art Theories dissertation work theme is the following: José Tagarro (1902-1931): the path of an independent modernist and it presents an organized collection of his life and work. With this purpose in mind, an exhaustive listing was made of both his artistic production and biographic aspects in order to obtain the most complete and certified information on the subject. José Tagarro iniciated his art studies at Escola Oficina n.º 1 before enrolling at the Escola de Belas Artes in 1919. He started his artistic career in 1923 with a first exhibition of his work and the publication of his illustrations, and from 1926 onwards his work became a regular presence at the annual art shows at the SNBA as well as in the monthly magazines. He had his first solo exhibition at Bobone gallery, in 1928, where he also showed his work in two collective exhibitions the following year. In 1929 he also travelled to Paris, where he studied works by Holbein and Ingres, whom he admired. The next year he was involved in the organization of the I Salão dos Independentes and he also opened his first exhibition in Porto. By the end of 1930 and beginning of 1931, he worked on sceneries for two plays at Politeama theatre and he also participated in the International Colonial Paris Exhibition competition. His artistic life suddenly ended with his death in 1931, leaving the artistic community in shock, who then paid him homage with a retrospective exhibition of his work at the SNBA in 1932. In spite of his short life, José Tagarro maintained an uninterrupted artistic production. His drawings stand out, mainly his portraits, where he applies his very own expression of the neoclassical style used by Picasso, characterized by a firm linearity and elaborate stylization in the details, where he achieved great formal elegance and weightlessness, endowing them through this classical expression to achieve a certain quality of timeless spirituality
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
No full textWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Anàlisi històric i constructiu del Castell de Segart i aproximació a la seua reconstrucció virtual
No full text[ES] El objetivo de este trabajo de fin de máster es recopilar y estudiar la información existente sobre el Castillo de Segart, así como analizar los restos conservados, sus características constructivas y su estado de conservación con el fin de contribuir a su puesta en valor y a la recuperación del patrimonio defensivo del territorio. El análisis de los elementos preservados presta especial atención a las técnicas constructivas, principalmente tapia y tapia de mampuestos. A partir de esta investigación preliminar y de la comparación con otros castillos de características similares, se ha planteado una hipótesis técnica de reconstrucción virtual conceptual que facilita la interpretación del trazado de los lienzos del castillo y permite recuperar de forma abstracta algunos de los elementos perdidos de un bien que es un hito en el paisaje municipal.[EN] The aim of this work is to compile and study the existing information on the Castle of Segart, as well as to analyse its remains, their constructive characteristics and their state of conservation in order to contribute to its enhancement and the recovery of the defensive heritage of the territory. The analysis of the preserved elements pays special attention to the construction techniques, mainly rammed-earth and masonry structures. From this preliminary research and the comparison with other castles with similar characteristics, a technical hypothesis of a conceptual virtual reconstruction has been proposed, which facilitates the interpretation of the layout of the castle s walls and allows the recovery of some of the lost elements of this landmark in the landscape.Mantecón Tagarro, LG. (2025). Análisis histórico y constructivo del Castillo de Segart y aproximación a su reconstrucción virtual. https://riunet.upv.es/handle/10251/229082TFG
Dispelling the Myths Behind First-author Citation Counts
No full textWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Author, publisher and bookseller : a tripartite synergy in Nigerian book industry
No full textThis work is about the roles of Author, Publisher and Bookseller in Book development in
Nigeria. The paper started by delving into the history of Book Publishing in Nigeria after
which it proceeded by defining who an author, a publisher, and a bookseller is and
expatiated on the indispensable roles of these key actors in Nigerian Book Industry and in
the emerging Information Society. Furthermore, the various constraints to book
development were identified while the paper advised on how the Book Industry can be
further promoted in Nigeria. However, the paper concluded and made recommendations
on how the Book sector can help in enhancing scholarship in the country
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