685 research outputs found
Nadstawka izolacyjna do odlewania stali uspokojonej opis patentowy nr 51244 /
No full textTyt. z ekranu tyt.Zgłoszono 14 listopada 1964 r.Numer zgłosz. P.106280.Opublikowano 24 października 1966 r.Pozostali współtwórcy wynalazku: Otto Przegędza, Eugeniusz Majewski, Jerzy Sułkowski, Tadeusz Mazanek.Dostępny także w wersji drukowanej.Tryb dostępu: Internet
Stanisław Majewski (1944–2020). Flashback
No full textAim: Presentation of the scientific, didactic and organizational achievements of Dr. Stanisław Majewski. Methods: An analysis of source materials. Results: P resentation of t he biography, a nd scientific a nd d idactic achievements of Stanisław Majewski. His teaching experience and career at the Jan Kochanowski University. His system of values in various aspects of life. Conclusions: Stanisław Majewski is the author of several dozen scientific, didactic and methodological articles as well as many scientific reviews. He is the author of three books important for Polish education. He influenced many generations of students
Professor Tadeusz Dominik (1909-1980)
No full textA biography of prof. dr Tadeusz Dominik (1909-1980), professor of Agriculture Academy in Szczecin, an investigator of mycorrhize soil fungi, particularly keratinophilig and phytopathogenic fungi
Farming on the Edge in Poland. Options for Improving Farm Incomes for the Main Types of Farms after Joining the EU
No full textThe aim of the paper is to examine the financial impacts of introducing the Common Agricultural Policy into the Polish farming sector after the accession to the EU. Aggregated results from farm level modelling using linear programming for 210 farm types representing the variety of Polish farms, and 90% of the agricultural sector are presented. The benefits of the negotiated subsidy arrangements are unequally distributed and only a partial solution to low farm family incomes.EU accession, Polish Agriculture, direct payments, typical farms, farm model., Farm Management,
DPP v Majewski [1977] AC 443, House of Lords
No full textEssential Cases: Criminal Law provides a bridge between course textbooks and key case judgments. This case document summarizes the facts and decision in DPP v Majewski [1977] AC 443, House of Lords. The document also included supporting commentary from author Jonathan Herring.</p
Replication Data for: Sediment analysis of the 2018 Palu-Donggala tsunami deposit, Indonesia
No full textData files used for preparation of the paper including grainsize results, loss on ignition results, boulder survey data, and field notes.
For more detailed information please approach the corresponding author
\u3cem\u3eDoes Earth Feel?\u3c/em\u3e (2021) by Marc Majewski
No full textWith spare prose and evocative paintings, author-illustrator Marc Majewski asks fourteen critical questions -- including Does Earth feel calm? Does Earth feel curious? Does Earth feel hurt? Does Earth feel heard? -- to encourage active thinking and discussion about our planet.https://digitalcommons.montclair.edu/iapc_thinkingstories_picturebooks/1003/thumbnail.jp
“Hieroglifes of the Anthropocene”. Casus of the Work of Lech Majewski
No full textThe subject of the text is the analysis of the anthropocene valuation in cultural texts (film), both literally and metaphorically, and its representation on the example of selected films by Lech Majewski (born 1953).The main purpose of the considerations is to show the synergy of man with his environment (see environmental humanities), in the indicated creativity, in the semiotic and cultural aspect. This allows us to better understand the attitude of the author of Valley of the Gods (2019) towards the transformation of the 21st century.Methodology: film studies, cultural anthropologyThe subject of the text is the analysis of the anthropocene valuation in cultural texts (film), both literally and metaphorically, and its representation on the example of selected films by Lech Majewski (born 1953).The main purpose of the considerations is to show the synergy of man with his environment (see environmental humanities), in the indicated creativity, in the semiotic and cultural aspect. This allows us to better understand the attitude of the author of Valley of the Gods (2019) towards the transformation of the 21st century.Methodology: film studies, cultural anthropologyThe subject of the text is the analysis of the anthropocene valuation in cultural texts (film), both literally and metaphorically, and its representation on the example of selected films by Lech Majewski (born 1953).The main purpose of the considerations is to show the synergy of man with his environment (see environmental humanities), in the indicated creativity, in the semiotic and cultural aspect. This allows us to better understand the attitude of the author of Valley of the Gods (2019) towards the transformation of the 21st century.Methodology: film studies, cultural anthropologyThe subject of the text is the analysis of the anthropocene valuation in cultural texts (film), both literally and metaphorically, and its representation on the example of selected films by Lech Majewski (born 1953).The main purpose of the considerations is to show the synergy of man with his environment (see environmental humanities), in the indicated creativity, in the semiotic and cultural aspect. This allows us to better understand the attitude of the author of Valley of the Gods (2019) towards the transformation of the 21st century.Methodology: film studies, cultural anthropologyTematem eseju jest analiza wartościowania antropocenu w tekstach kultury (film), ujmowana zarówno w znaczeniu dosłownym, jak i metaforycznym oraz jego reprezentacja na przykładzie wybranych dzieł Lecha Majewskiego (ur. 1953).Głównym celem rozważań jest wskazanie synergii człowieka z jego otoczeniem (zob. humanistyka środowiskowa), we wskazanej twórczości, w aspekcie semiotycznym i kulturowym. Pozwala to lepiej zrozumieć postawę autora Doliny Bogów (2019) wobec transformacji XXI wieku.Metodologia: analiza dyskursu teoretycznego i filmoznawczego.The subject of the text is the analysis of the anthropocene valuation in cultural texts (film), both literally and metaphorically, and its representation on the example of selected films by Lech Majewski (born 1953).The main purpose of the considerations is to show the synergy of man with his environment (see environmental humanities), in the indicated creativity, in the semiotic and cultural aspect. This allows us to better understand the attitude of the author of Valley of the Gods (2019) towards the transformation of the 21st century.Methodology: film studies, cultural anthropolog
CONSOLE_WP3_Task3.2_Pan-EU survey of farmers and other rural landowners_PL_2022.10.20_v01
No full textData collected from the Polish farmers' survey (DCE), properly operated through data management and assembled as a coherent and cohesive database in Rdata format to be used for econometric modeling.
Data Set Title: CONSOLE_WP3_Task3.2_Pan-EU survey of farmers and other rural landowners_PL_2022.10.20_v01;
Data Set Author/s: Wąs Adam, SGGW, ORCID 0000-0001-8643-5985;
Data Set Contributor/s: Majewski Edward, SGGW, 0000-0003-0886-6645
Malak-Rawlikowska Agata, SGGW,0000-0002-1484-0989;
Data Set Contact Person/s: Wąs Adam, SGGW, ORCID 0000-0001-8643-5985, [email protected];
Data Set License: this data set is distributed under a Creative Commons Attribution 4.0 International (CC BY 4.0) license, https://creativecommons.org/licenses/by/4.0/;
Publication Year: 2022;
Project Info: CONSOLE CONtract SOLutions for Effective and lasting delivery of agri-environmental-climate public goods by EU agriculture and forestry, funded by European Union, Horizon 2020 Programme. Grant Agreement num. 817949; https://console-project.eu
Kino Wolność (1990–2009)
No full textThe article deals with Polish cinema after the year 1989. Starting with the characteristics of Polish cinema before the period of transformations, the author continues with an analysis of the new cinema to distinguish four currents: “works of mourning” encompassing films which were meant as settling accounts or reconciliation with World War II and communism; “cinema of testimony” with special interest in films by Marcel Łoziński, but also mentioning others such as Kazimierz Karabasz and Jacek Blawut; “filmmakers young and old” based on three strategies of authorship, namely those of a fabulator (e.g. Krzysztof Kieślowski), a mythbiographer (e.g. Andrzej Kondratiuk, Marek Koterski and Marcin Koszałka), and an artist (e.g. Andrzej Barański, Dorota Kędzierzawska and Lech J. Majewski); and “popular cinema” with its four basic genres: action cinema, comedy, literary adaptation and romantic comedy.The article deals with Polish cinema after the year 1989. Starting with the characteristics of Polish cinema before the period of transformations, the author continues with an analysis of the new cinema to distinguish four currents: “works of mourning” encompassing films which were meant as settling accounts or reconciliation with World War II and communism; “cinema of testimony” with special interest in films by Marcel Łoziński, but also mentioning others such as Kazimierz Karabasz and Jacek Blawut; “filmmakers young and old” based on three strategies of authorship, namely those of a fabulator (e.g. Krzysztof Kieślowski), a mythbiographer (e.g. Andrzej Kondratiuk, Marek Koterski and Marcin Koszałka), and an artist (e.g. Andrzej Barański, Dorota Kędzierzawska and Lech J. Majewski); and “popular cinema” with its four basic genres: action cinema, comedy, literary adaptation and romantic comedy
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