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Chaetotaxy and morphometry of the head capsule and head appendages of the genus Derallus Sharp (Coleoptera: Hydrophilidae)
No full textRodriguez, Georgina, Torres, Patricia L. M., Archangelsky, Miguel (2020): Chaetotaxy and morphometry of the head capsule and head appendages of the genus Derallus Sharp (Coleoptera: Hydrophilidae). Zootaxa 4722 (5): 423-442, DOI: 10.11646/zootaxa.4722.5.
Pteridophyta
No full textSe listan las especies de helechos y licofitos del Parque Nacional Mburucuyá, con su respectiva sinonimia y utilidad.Fil: Meza Torres, Esteban Ismael. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Nordeste. Instituto de Botánica del Nordeste. Universidad Nacional del Nordeste. Facultad de Ciencias Agrarias. Instituto de Botánica del Nordeste; ArgentinaFil: Meza Torres, Patricia Estefania. Universidad Nacional del Nordeste; Argentin
FIGURES 26–29 in Description of the preimaginal stages of Enochrus (Hugoscottia) variegatus (Steinheil, 1869) and E. (Methydrus) vulgaris (Steinheil, 1869) (Coleoptera: Hydrophilidae), with emphasis on larval morphometry and chaetotaxy
No full textFIGURES 26–29. Enochrus variegatus, legs of first-instar larva: 26, prothoracic leg, anterior view; 27, prothoracic leg, posterior view. Enochrus vulgaris, legs of third-instar larva: 28, metathoracic leg, anterior view; 29, metathoracic leg, posterior view. Scale bars = 0.05 mm.Published as part of Byttebier, Barbara & Torres, Patricia L. M., 2009, Description of the preimaginal stages of Enochrus (Hugoscottia) variegatus (Steinheil, 1869) and E. (Methydrus) vulgaris (Steinheil, 1869) (Coleoptera: Hydrophilidae), with emphasis on larval morphometry and chaetotaxy, pp. 1-22 in Zootaxa 2139 on page 14, DOI: 10.5281/zenodo.18852
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
FIGURES 23–24 in Chaetotaxy and morphometry of the head capsule and head appendages of the genus Derallus Sharp (Coleoptera: Hydrophilidae)
No full textFIGURES 23–24. Derallus paranensis, head capsule, first instar larva. (23) dorsal view; (24) ventral view. Scale bar: 0.1 mm.Published as part of Rodriguez, Georgina, Torres, Patricia L. M. & Archangelsky, Miguel, 2020, Chaetotaxy and morphometry of the head capsule and head appendages of the genus Derallus Sharp (Coleoptera: Hydrophilidae), pp. 423-442 in Zootaxa 4722 (5) on page 433, DOI: 10.11646/zootaxa.4722.5.2, http://zenodo.org/record/360965
FIGURE 41 in Chaetotaxy and morphometry of the head capsule and head appendages of the genus Derallus Sharp (Coleoptera: Hydrophilidae)
No full textFIGURE 41. Derallus paranensis, first instar larva. Habitus and detail showing the leaf–like setae on each side of the eighth abdominal segment.Published as part of Rodriguez, Georgina, Torres, Patricia L. M. & Archangelsky, Miguel, 2020, Chaetotaxy and morphometry of the head capsule and head appendages of the genus Derallus Sharp (Coleoptera: Hydrophilidae), pp. 423-442 in Zootaxa 4722 (5) on page 441, DOI: 10.11646/zootaxa.4722.5.2, http://zenodo.org/record/360965
FIGURES 30–31 in Chaetotaxy and morphometry of the head capsule and head appendages of the genus Derallus Sharp (Coleoptera: Hydrophilidae)
No full textFIGURES 30–31. Derallus paranensis, first instar larva. (30) labium, dorsal view; (31) labium, ventral view. Scale bar: 0.05 mm.Published as part of Rodriguez, Georgina, Torres, Patricia L. M. & Archangelsky, Miguel, 2020, Chaetotaxy and morphometry of the head capsule and head appendages of the genus Derallus Sharp (Coleoptera: Hydrophilidae), pp. 423-442 in Zootaxa 4722 (5) on page 436, DOI: 10.11646/zootaxa.4722.5.2, http://zenodo.org/record/360965
FIGURES 12–13 in Chaetotaxy and morphometry of the head capsule and head appendages of the genus Derallus Sharp (Coleoptera: Hydrophilidae)
No full textFIGURES 12–13. Derallus angustus, first instar larva. (12) labium, dorsal view; (13) labium, ventral view. Scale bar: 0.05 mm.Published as part of Rodriguez, Georgina, Torres, Patricia L. M. & Archangelsky, Miguel, 2020, Chaetotaxy and morphometry of the head capsule and head appendages of the genus Derallus Sharp (Coleoptera: Hydrophilidae), pp. 423-442 in Zootaxa 4722 (5) on page 429, DOI: 10.11646/zootaxa.4722.5.2, http://zenodo.org/record/360965
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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