1,720,986 research outputs found
Dal Gruppo del Sella a Pera di Fassa. Attraverso le Dolomiti, Patrimonio dell'Umanità e dell'Unesco
No full textL’itinerario si snoda
nell’alta Val di Fassa, in Trentino, all’interno
dei gruppi montuosi del Sella,
del Padon, della Marmolada e del Catinaccio
(Rosengarten). Il percorso inizia
presso il Rifugio Boè (Bambergerhütte),
ai piedi dell’omonima cima, raggiunge
il Passo Pordoi e, dopo aver percorso
parte del lungo crinale del Padon, in
vista del ghiacciaio della Marmolada,
scende al lago artificiale della Fedaia.
Da qui guadagna la Val Contrin, prosegue
per il Passo S. Nicolò, Forcia Neigra
e dopo aver percorso le valli del Ciampac
e de Crepa, raggiunge Fontanazzo e
Campitello. Risale poi verso la Val
Duron, la Val di Dona fino al Rifugio Antermoia,
nel cuore del Catinaccio e, superato
il Passo d’Antermoia, scende
per la Valle del Vajolet fino all’abitato
di Pera.
L’itinerario si sviluppa fra i 1389 m
(Fontanazzo) ed i 2950 m (Sas Pordoi).
È organizzato in 4 Tappe giornaliere,
per totali 50 Km. I livelli di difficoltà
sono vari: prevalentemente “escursionistici”,
ma per alcuni tratti è richiesta
una certa esperienza.
I toponimi e le quote di seguito riportati
fanno riferimento alla Carta Topografica
per escursionisti: Val di Fassa e
Dolomiti Fassane, foglio 6; scala
1:25.000. Edizioni Tabacco, 2008. Toponomastica
ladina della Val di Fassa aggiornata
in base ai dati del Servizio
Urbanistica e tutela Ambientale P.A.T
Geomorphosites in Trentino: a first census
No full textIn the research project co-financed by MIUR COFIN 2001 “Geosites in the Italian landscape: research, evaluation and exploitation”, a
first census was made of the geomorphosites in Trentino. The identification criteria were those already well established at a national
and international level. A total of 110 sites of geomorphological interest were identified throughout the region. These are all parts of
the main structural units, which characterise the Trentino region from a geological point of view, and include the most important
Quaternary deposits. The reasons for their choice and possibilities of exploitation are discussed. The geomorphosites identified are
briefly described in a summary list. This list includes not only the muncipality location, but also the reason for the choice of the site.
Also indicated are sites or naturalistic itineraries already existing in the region or mentioned in explanatory guides or brochures.
Finally, there is a complete description of a geomorphosite, as an example of the content of the final monography on the geomorphosites
of Trentino, currently in progress
Il ruolo dei dati di danneggiamento del terremoto del Friuli nello studio di modelli di vulnerabilità sismica degli edifici in muratura
No full textGoing Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
REVISION OF THE STRATIGRAPHIC AND SEQUENCE HISTORY OF PERMIAN AND LOWER TRIASSIC SEDIMENTARY DEPOSITS OF CENTRAL-EASTERN SOUTHALPINE AREA
No full text
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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